Tono-Bungay by H. G. Wells (diy ebook reader txt) 📕
Description
Tono-Bungay, published in 1909, is a semi-autobiographical novel by H. G. Wells. Though it has some fantastical and absurdist elements, it is a realist novel rather than one of Well’s “scientific romances.”
The novel is written in the first person from the point of view of George Ponderevo, the son of the housekeeper at a large estate. He is made to feel his inferiority when he is banished after fighting with the son of one of the owner’s aristocratic relatives, and is sent to live with his own poor but religiously fervent relatives. He can’t abide or agree with their religious views and returns to his mother who sends him on to live with his Uncle, Edward Ponderevo, then a local pharmacist in a small town. Uncle Ponderevo, though, has grand plans, and eventually makes a fortune by selling a quack patent medicine he calls “Tono-Bungay.” George joins him in this endeavour and becomes rich himself, eventually turning his interests towards the new science of aeronautics. Meanwhile the Tono-Bungay scheme expands enormously and begins to topple towards its own destruction.
Throughout the novel, George comments cynically on England’s class system, the shabbiness of commerce, and the lies told in advertising. We also follow his unfortunate love life, his unwise marriage, his divorce, and his eventual reconnection with a woman he loved as a child.
Tono-Bungay met with a mixed reception on first release, but has since come to be considered as perhaps Wells’ finest realist novel, an assessment Wells himself shared.
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- Author: H. G. Wells
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I went back to school when that holiday was over, dreaming of beautiful things, and got Ewart to talk to me of love; and I made a great story out of the doll’s house, a story that, taken over into Ewart’s hands, speedily grew to an island doll’s city all our own.
One of the dolls, I privately decided, was like Beatrice.
One other holiday there was when I saw something of her—oddly enough my memory of that second holiday in which she played a part is vague—and then came a gap of a year, and then my disgrace.
VIIINow I sit down to write my story and tell over again things in their order, I find for the first time how inconsecutive and irrational a thing the memory can be. One recalls acts and cannot recall motives; one recalls quite vividly moments that stand out inexplicably—things adrift, joining on to nothing, leading nowhere. I think I must have seen Beatrice and her half-brother quite a number of times in my last holiday at Bladesover, but I really cannot recall more than a little of the quality of the circumstances. That great crisis of my boyhood stands out very vividly as an effect, as a sort of cardinal thing for me, but when I look for details, particularly details that led up to the crisis—I cannot find them in any developing order at all. This halfbrother, Archie Garvell, was a new factor in the affair. I remember him clearly as a fair-haired, supercilious looking, weedily-lank boy, much taller than I, but I should imagine very little heavier, and that we hated each other by a sort of instinct from the beginning; and yet I cannot remember my first meeting with him at all.
Looking back into these past things—it is like rummaging in a neglected attic that has experienced the attentions of some whimsical robber—I cannot even account for the presence of these children at Bladesover. They were, I know, among the innumerable cousins of Lady Drew, and according to the theories of downstairs candidates for the ultimate possession of Bladesover. If they were, their candidature was unsuccessful. But that great place, with all its faded splendour, its fine furniture, its large traditions, was entirely at the old lady’s disposition; and I am inclined to think it is true that she used this fact to torment and dominate a number of eligible people. Lord Osprey was among the number of these, and she showed these hospitalities to his motherless child and stepchild, partly, no doubt, because he was poor, but quite as much, I nowadays imagine, in the dim hope of finding some affectionate or imaginative outcome of contact with them. Nannie had dropped out of the world this second time, and Beatrice was in the charge of an extremely amiable and ineffectual poor army-class young woman whose name I never knew. They were, I think, two remarkably ill-managed and enterprising children. I seem to remember too, that it was understood that I was not a fit companion for them, and that our meetings had to be as unostentatious as possible. It was Beatrice who insisted upon our meeting.
I am certain I knew quite a lot about love at fourteen and that I was quite as much in love with Beatrice then as any impassioned adult could be, and that Beatrice was, in her way, in love with me. It is part of the decent and useful pretences of our world that children of the age at which we were, think nothing, feel nothing, know nothing of love. It is wonderful what people the English are for keeping up pretences. But indeed I cannot avoid telling that Beatrice and I talked of love and kissed and embraced one another.
I recall something of one talk under the overhanging bushes of the shrubbery—I on the park side of the stone wall, and the lady of my worship a little inelegantly astride thereon. Inelegantly do I say? you should have seen the sweet imp as I remember her. Just her poise on the wall comes suddenly clear before me, and behind her the light various branches of the bushes of the shrubbery that my feet might not profane, and far away and high behind her, dim and stately, the cornice of the great façade of Bladesover rose against the dappled sky. Our talk must have been serious and businesslike, for we were discussing my social position.
“I don’t love Archie,” she had said, apropos of nothing; and then in a whisper, leaning forward with the hair about her face, “I love you!”
But she had been a little pressing to have it clear that I was not and could not be
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