A Week on the Concord and Merrimack Rivers by Henry David Thoreau (literature books to read TXT) π
Description
In 1839, Thoreau and his brother took a small boat upriver and back. Some years later, while in his cabin at Walden Pond, he gathered his notes from that journey and other writings from his journals, and composed this, his first book.
Like the rivers it describes, the book meanders through varying territories and climates. He writes of the natural surroundings they encounter and of the history of the region, but also takes long and remarkable detours through topics like friendship, history, a comparison of Christianity and Hinduism, Vedic literature, government and conscience, Thoreauβs philosophy of literature, monuments and graveyards, poetry (in particular Ossian, Chaucer, and certain minor Greek poets), and the satires of Aulus Persius Flaccus. Thoreau also includes several poems of his own.
Thoreau had the first edition of this book published at his own expense, and at first it struggled to find an audience. βI have now a library of nearly 900 volumes,β he remarked at one point, βover 700 of which I wrote myself.β
Read free book Β«A Week on the Concord and Merrimack Rivers by Henry David Thoreau (literature books to read TXT) πΒ» - read online or download for free at americanlibrarybooks.com
- Author: Henry David Thoreau
Read book online Β«A Week on the Concord and Merrimack Rivers by Henry David Thoreau (literature books to read TXT) πΒ». Author - Henry David Thoreau
At length, when we had made about seven miles, as far as Billerica, we moored our boat on the west side of a little rising ground which in the spring forms an island in the river. Here we found huckleberries still hanging upon the bushes, where they seemed to have slowly ripened for our especial use. Bread and sugar, and cocoa boiled in river water, made our repast, and as we had drank in the fluvial prospect all day, so now we took a draft of the water with our evening meal to propitiate the river gods, and whet our vision for the sights it was to behold. The sun was setting on the one hand, while our eminence was contributing its shadow to the night, on the other. It seemed insensibly to grow lighter as the night shut in, and a distant and solitary farmhouse was revealed, which before lurked in the shadows of the noon. There was no other house in sight, nor any cultivated field. To the right and left, as far as the horizon, were straggling pine woods with their plumes against the sky, and across the river were rugged hills, covered with shrub oaks, tangled with grapevines and ivy, with here and there a gray rock jutting out from the maze. The sides of these cliffs, though a quarter of a mile distant, were almost heard to rustle while we looked at them, it was such a leafy wilderness; a place for fauns and satyrs, and where bats hung all day to the rocks, and at evening flitted over the water, and fireflies husbanded their light under the grass and leaves against the night. When we had pitched our tent on the hillside, a few rods from the shore, we sat looking through its triangular door in the twilight at our lonely mast on the shore, just seen above the alders, and hardly yet come to a standstill from the swaying of the stream; the first encroachment of commerce on this land. There was our port, our Ostia. That straight geometrical line against the water and the sky stood for the last refinements of civilized life, and what of sublimity there is in history was there symbolized.
For the most part, there was no recognition of human life in the night, no human breathing was heard, only the breathing of the wind. As we sat up, kept awake by the novelty of our situation, we heard at intervals foxes stepping about over the dead leaves, and brushing the dewy grass close to our tent, and once a muskrat fumbling among the potatoes and melons in our boat, but when we hastened to the shore we could detect only a ripple in the water ruffling the disk of a star. At intervals we were serenaded by the song of a dreaming sparrow or the throttled cry of an owl, but after each sound which near at hand broke the stillness of the night, each crackling of the twigs, or rustling among the leaves, there was a sudden pause, and deeper and more conscious silence, as if the intruder were aware that no life was rightfully abroad at that hour. There was a fire in Lowell, as we judged, this night, and we saw the horizon blazing, and heard the distant alarm-bells, as it were a faint tinkling music borne to these woods. But the most constant and memorable sound of a summerβs night, which we did not fail to hear every night afterward, though at no time so incessantly and so favorably as now, was the barking of the house-dogs, from the loudest and hoarsest bark to the faintest aerial palpitation under the eaves of heaven, from the patient but anxious mastiff to the timid and wakeful terrier, at first loud and rapid, then faint and slow, to be imitated only in a whisper; wow-wow-wow-wowβ ββ woβ ββ woβ ββ wβ ββ w. Even in a retired and uninhabited district like this, it was a sufficiency of sound for the ear of night, and more impressive than any music. I have heard the voice of a hound, just before daylight, while the stars were shining, from over the woods and river, far in the horizon, when it sounded as sweet and melodious as an instrument. The hounding of a dog pursuing a fox or other animal in the horizon, may have first suggested the notes of the hunting-horn to alternate with and relieve the lungs of the dog. This natural bugle long resounded in the woods of the ancient world before the horn was invented. The very dogs that sullenly bay the moon from farmyards in these nights excite more heroism in our breasts than all the civil exhortations or war sermons of the age. βI would rather be a dog, and bay the moon,β than many a Roman that I know. The night is equally indebted to the clarion of the cock, with wakeful hope, from the very setting of the sun, prematurely ushering in the dawn. All these sounds, the crowing of cocks, the baying of dogs, and the hum of insects at noon, are the evidence of natureβs health or sound state. Such is the never-failing beauty and accuracy of language, the most perfect
Comments (0)