Short Fiction by O. Henry (librera reader txt) π
Description
William Sydney Porter, known to readers as O. Henry, was a true raconteur. As a draftsman, a bank teller, a newspaper writer, a fugitive from justice in Central America, and a writer living in New York City, he told stories at each stop and about each stop. His stories are known for their vivid characters who come to life, and sometimes death, in only a few pages. But the most famous characteristic of O. Henryβs stories are the famous βtwistβ endings, where the outcome comes as a surprise both to the characters and the readers. O. Henryβs work was widely recognized and lauded, so much so that a few years after his death an award was founded in his name to recognize the best American short story (now stories) of the year.
This collection gathers all of his available short stories that are in the U.S. public domain. They were published in various popular magazines of the time, as well as in the Houston Post, where they were not attributed to him until many years after his death.
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- Author: O. Henry
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βSo, as I say, Henry had $360, and I had $288. The idea of introducing the phonograph to South America was Henryβs; but I took to it freely, being fond of machinery of all kinds.
βββThe Latin races,β says Henry, explaining easy in the idioms he learned at college, βare peculiarly adapted to be victims of the phonograph. They have the artistic temperament. They yearn for music and color and gaiety. They give wampum to the hand-organ man and the four-legged chicken in the tent when theyβre months behind with the grocery and the breadfruit tree.β
βββThen,β says I, βweβll export canned music to the Latins; but Iβm mindful of Mr. Julius Caesarβs account of βem where he says: βOmnia Gallia in tres partes divisa estβ; which is the same as to say, βWe will need all of our gall in devising means to tree them parties.βββ
βI hated to make a show of education; but I was disinclined to be overdone in syntax by a mere Indian, a member of a race to which we owe nothing except the land on which the United States is situated.
βWe bought a fine phonograph in Texarkanaβ βone of the best makeβ βand half a trunkful of records. We packed up, and took the T. & P. for New Orleans. From that celebrated centre of molasses and disfranchised coon songs we took a steamer for South America.
βWe landed at Solitas, forty miles up the coast from here. βTwas a palatable enough place to look at. The houses were clean and white; and to look at βem stuck around among the scenery they reminded you of hard-boiled eggs served with lettuce. There was a block of skyscraper mountains in the suburbs; and they kept pretty quiet, like they had crept up there and were watching the town. And the sea was remarking βSh-sh-shβ on the beach; and now and then a ripe coconut would drop kerblip in the sand; and that was all there was doing. Yes, I judge that town was considerably on the quiet. I judge that after Gabriel quits blowing his horn, and the car starts, with Philadelphia swinging to the last strap, and Pine Gully, Arkansas, hanging onto the rear step, this town of Solitas will wake up and ask if anybody spoke.
βThe captain went ashore with us, and offered to conduct what he seemed to like to call the obsequies. He introduced Henry and me to the United States Consul, and a roan man, the head of the Department of Mercenary and Licentious Dispositions, the way it read upon his sign.
βββI touch here again a week from today,β says the captain.
βββBy that time,β we told him, βweβll be amassing wealth in the interior towns with our galvanized prima donna and correct imitations of Sousaβs band excavating a march from a tin mine.β
βββYeβll not,β says the captain. βYeβll be hypnotized. Any gentleman in the audience who kindly steps upon the stage and looks this country in the eye will be converted to the hypothesis that heβs but a fly in the Elgin creamery. Yeβll be standing knee deep in the surf waiting for me, and your machine for making Hamburger steak out of the hitherto respected art of music will be playing βThereβs no place like home.βββ
βHenry skinned a twenty off his roll, and received from the Bureau of Mercenary Dispositions a paper bearing a red seal and a dialect story, and no change.
βThen we got the consul full of red wine, and struck him for a horoscope. He was a thin, youngish kind of man, I should say past fifty, sort of French-Irish in his affections, and puffed up with disconsolation. Yes, he was a flattened kind of a man, in whom drink lay stagnant, inclined to corpulence and misery. Yes, I think he was a kind of Dutchman, being very sad and genial in his ways.
βββThe marvelous invention,β he says, βentitled the phonograph, has never invaded these shores. The people have never heard it. They would not believe it if they should. Simple-hearted children of nature, progress has never condemned them to accept the work of a can-opener as an overture, and ragtime might incite them to a bloody revolution. But you can try the experiment. The best chance you have is that the populace may not wake up when you play. Thereβs two ways,β says the consul, βthey may take it. They may become inebriated with attention, like an Atlanta colonel listening to βMarching Through Georgia,β or they will get excited and transpose the key of the music with an axe and yourselves into a dungeon. In the latter case,β says the consul, βIβll do my duty by cabling to the State Department, and Iβll wrap the Stars and Stripes around you when you come to be shot, and threaten them with the vengeance of the greatest gold export and financial reserve nation on earth. The flag is full of bullet holes
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