The Twelve Lives of Alfred Hitchcock by Edward White (best finance books of all time TXT) 📕

Kraft, John, and Aaron Leventhal. Footsteps in the Fog: Alfred Hitchcock’s San Francisco. Santa Monica, CA: Santa Monica Press, 2002.

Krohn, Bill. Hitchcock at Work. London: Phaidon Press, 2000.

Lacey, Robert. Grace. London: Sidgwick & Jackson, 1994.

Laurents, Arthur. Original Story By: A Memoir of Broadway and Hollywood. New York: Alfred A. Knopf, 2000.

Lawrence, Amy. The Passion of Montgomery Clift. Berkeley and London: University of California Press, 2010.

Lebeau, Vicky. Childhood and Cinema. London: Reaktion Books, 2008.

Leff, Leonard J. Hitchcock and Selznick: The Rich and Strange Collaboration of Alfred Hitchcock and David O. Selznick in Hollywood. London: Weidenfeld & Nicholson, 1987.

Lehman, Ernest. North by Northwest. New York: Viking Press, 1972.

Leigh, Janet, with Christopher Nickens. Psycho: Behind the Scenes of the Classic Thriller. London: Pavilion Books, 1995.

Lev, Peter. Transforming the Screen, 1950–1959. Berkeley: University of California Press, 2003.

MacLaine, Shirley. I’m Over All That: And Other Confessions. New York: Atria, 2012.

MacShane, Frank. The Life of Raymond Chandler. London: Hamish Hamilton, 1986.

Maher, Anthony M. The Forgotten Jesuit of Catholic Modernism: George Tyrrell’s Prophetic Theology. Minneapolis, MN: Fortress Press, 2017.

Mankiewicz, Tom, and Robert Crane. My Life as a Mankiewicz: An Insider’s Journey through Hollywood. Lexington: University Press of Kentucky, 2012.

Mann, Philip. The Dandy at Dusk: Taste and Melancholy in the Twentieth Century. London: Head of Zeus, 2017.

McCann, Grant. Cary Grant: A Class Apart. New York: Columbia University Press, 1996.

McEwen, Todd. How Not to Be American: Misadventures in the Land of the Free. London: Aurum, 2013.

McGilligan, Patrick. Alfred Hitchcock: A Life in Darkness and Light. HarperCollins, 2010. Kindle.

_____. Backstory 2: Interviews with Screenwriters of the 1940s and 1950s. Berkeley: University of California Press, 1991.

_____. Backstory 3: Interviews with Screenwriters of the 1960s. Berkeley: University of California Press, 1997.

McKittrick, Casey. Hitchcock’s Appetites: The Corpulent Plots of Desire and Dread. New York and London: Bloomsbury, 2016.

Meyers, Jeffrey. The Enemy: A Biography of Wyndham Lewis. London: Routledge, 1980.

Miller, D. A. Hidden Hitchcock. Chicago and London: University of Chicago Press, 2017.

Modleski, Tania. The Women Who Knew Too Much: Hitchcock and Feminist Theory. New York and London: Routledge, 2005.

Moffatt, Wendy. A Great Unrecorded History: A New Life of E. M. Forster. New York: Farrar, Straus & Giroux, 2010.

Montagu, Ivor. The Youngest Son. London: Lawrence and Wishart, 1970.

Moorehead, Caroline. Sidney Bernstein: A Biography. London: Jonathan Cape, 1984.

Moral, Tony Lee. Hitchcock and the Making of Marnie. Lanham, MD; Toronto; Plymouth, UK: Scarecrow Press, 2013.

_____. The Making of Hitchcock’s The Birds. Harpenden, UK: Kamera Books, 2013. Kindle.

Morley, Sheridan. John Gielgud: The Authorized Biography. London: Simon & Schuster, 2010.

Mulvey, Laura. “Visual Pleasure and Narrative Cinema.” In Film Theory and Criticism: Introductory Readings, eds. Leo Braudy and Marshall Cohen, 5th ed. New York: Oxford University Press, 1999.

Nelson, Nancy. Evenings with Cary Grant. New York: Warner, 1993.

Norman, Will. Transatlantic Aliens: Modernism, Exile, and Culture in Midcentury America. Baltimore: Johns Hopkins University Press, 2016.

O’Connell, Pat Hitchcock, and Laurent Bouzereau. Alma Hitchcock: The Woman Behind the Man. New York: Berkley Books, 2003.

Olson, Debbie. “The Hitchcock Imp: Children and the Hyperreal in Alfred Hitchcock’s The Birds.” In Lost and Othered Children in Contemporary Cinema, eds. Debbie Olson and Andrew Scahill, 287–306. Plymouth, UK: Lexington, 2014.

Olsson, Jan. Hitchcock à la Carte. Durham, NC, and London: Duke University Press, 2015.

Orr, John. Hitchcock and Twentieth-Century Cinema. London and New York: Wallflower Press, 2005.

Orwell, George. The Collected Essays, Journalism and Letters of George Orwell, vol. 3. London: Penguin, 1970.

_____. Decline of the English Murder. London: Penguin, 2009.

_____. I Have Tried to Tell the Truth: 1943–1944. London: Secker & Warburg, 1998.

Osteen, Mark, ed. Hitchcock and Adaptation: On the Page and Screen. Lanham, MD, and Plymouth, UK: Rowman and Littlefield, 2014.

Palmer, R. Barton, and David Boyd, eds. Hitchcock at the Source: The Auteur as Adaptor. Albany: State University of New York Press, 2011.

Parkin S. J., Bernard. St Ignatius College, 1894–1994. Enfield, UK: St Ignatius Press, 1994.

Pells, Richard. Modernist America: Art, Music, Movies, and the Globalization of American Culture. New Haven and London: Yale University Press, 2011.

Pomerance, Murray. An Eye for Hitchcock. New Brunswick, NJ, and London; Rutgers University Press, 2004.

Raubicheck, Walter. “Working with Hitchcock: A Collaborators’ Forum with Patricia Hitchcock, Janet Leigh, Teresa Wright, and Eva Marie Saint.” In Hitchcock Annual: 2002–03, eds. Sidney Gottlieb and Richard Allen, 32–66. New York: Columbia University, 2003.

Rebello, Stephen. Alfred Hitchcock and the Making of Psycho. New York: St. Martin’s Press, 1998.

Redgrave, Michael. In My Mind’s Eye: An Autobiography. London: Weidenfeld & Nicolson, 1983.

Reed, Langford, and Hetty Spiers, eds. Who’s Who in Filmland. London: Chapman and Hall, 1931.

Rohmer, Eric, and Claude Chabrol. Hitchcock: The First Forty-Four Films, trans. Stanley Hochman. Oxford: Roundhouse, 1992.

Rothman, William. Hitchcock: The Murderous Gaze. Albany: State University of New York Press, 2002.

Royal, Susan. “Steven Spielberg in His Adventures on Earth.” In Steven Spielberg Interviews, eds. Lester D. Friedman and Brent Notbohm. Jackson: University Press of Mississippi, 2000.

Royal Academy of Arts. Transitional Object [PsychoBarn]: Cornelia Parker. London: Royal Academy Publications, 2018.

Said, Edward. On Late Style: Music and Literature Against the Grain. London: Bloomsbury, 2017.

Samuels, Charles Thomas. Encountering Directors. New York: G. P. Putnam’s Sons, 1972.

Schoonmaker, Thelma, Peter Von Bagh, and Raymond Durgnat. “Midnight Sun Film Festival.” In Michael Powell: Interviews, ed. David Lazar. Jackson: University Press of Mississippi, 2003.

Sharff, Stefan. The Art of Looking in Hitchcock’s Rear Window. New York: Limelight Editions, 1997.

Sklar, Robert. “Death at Work: Hitchcock’s Violence and Spectator Identification.” In After Hitchcock: Influence, Imitation, and Intertexuality, eds. David Boyd and R. Barton Palmer. Austin: University of Texas Press, 2010.

Slezak, Walter. What Time’s the Next Swan? Garden City, NY: Doubleday, 1962.

Slide, Anthony. The Silent Feminists: America’s First Women Directors. Lanham, MD, and London: Scarecrow Press, 1996.

Sloan, Jane. Alfred Hitchcock: A Filmography and Bibliography. Berkeley: University of California Press, 1995.

Smit, David. Ingrid Bergman: The Life, Career and Public Image. Jefferson, NC: McFarland, 2012.

Smith, Susan. Hitchcock: Suspense, Humour and Tone. London: BFI, 2000.

Spoto, Donald. The Art of Alfred Hitchcock: Fifty Years of His Motion Pictures. London: W. H. Allen, 1977.

_____. The Dark Side of Genius: The Life of Alfred Hitchcock. London: Collins, 1983.

_____. High Society: Grace Kelly and Hollywood. London: Hutchinson, 2005.

_____. Spellbound by Beauty: Alfred Hitchcock and