Anna Karenina by Leo Tolstoy (feel good books TXT) 📕
Description
Anna Karenina is certainly somewhat unhappy in her life, but presents a strong and vivacious character when called in to smooth over a major crack that’s appeared in her brother’s marriage. Unfortunately, the very visit designed to help her brother introduces her to Count Alexei Vronsky and sets in motion a chain of events that will ripple through families and the unforgiving society of wealthy Moscow and St. Petersburg.
Initially serialized over five years in The Russian Messenger, Anna Karenina was first published as a two-volume novel in 1878. It was Leo Tolstoy’s second novel, coming after War and Peace and further cementing his role as the primary Russian author of his age. Tolstoy drew on his aristocratic upbringing to set the scene for the novel, and it’s widely believed that he wrote his own experiences and struggles with religion (documented in A Confession) into the central character of Konstantin Levin.
This edition compiles into a single volume the 1901 English translation by Constance Garnett.
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- Author: Leo Tolstoy
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“How I should like to know other people just as I know myself!” said Anna, seriously and dreamily. “Am I worse than other people, or better? I think I’m worse.”
“Enfant terrible, enfant terrible!” repeated Betsy. “But here they are.”
XVIIIThey heard the sound of steps and a man’s voice, then a woman’s voice and laughter, and immediately thereafter there walked in the expected guests: Sappho Shtoltz, and a young man beaming with excess of health, the so-called Vaska. It was evident that ample supplies of beefsteak, truffles, and Burgundy never failed to reach him at the fitting hour. Vaska bowed to the two ladies, and glanced at them, but only for one second. He walked after Sappho into the drawing-room, and followed her about as though he were chained to her, keeping his sparkling eyes fixed on her as though he wanted to eat her. Sappho Shtoltz was a blonde beauty with black eyes. She walked with smart little steps in high-heeled shoes, and shook hands with the ladies vigorously like a man.
Anna had never met this new star of fashion, and was struck by her beauty, the exaggerated extreme to which her dress was carried, and the boldness of her manners. On her head there was such a superstructure of soft, golden hair—her own and false mixed—that her head was equal in size to the elegantly rounded bust, of which so much was exposed in front. The impulsive abruptness of her movements was such that at every step the lines of her knees and the upper part of her legs were distinctly marked under her dress, and the question involuntarily rose to the mind where in the undulating, piled-up mountain of material at the back the real body of the woman, so small and slender, so naked in front, and so hidden behind and below, really came to an end.
Betsy made haste to introduce her to Anna.
“Only fancy, we all but ran over two soldiers,” she began telling them at once, using her eyes, smiling and twitching away her tail, which she flung back at one stroke all on one side. “I drove here with Vaska. … Ah, to be sure, you don’t know each other.” And mentioning his surname she introduced the young man, and reddening a little, broke into a ringing laugh at her mistake—that is, at her having called him Vaska to a stranger. Vaska bowed once more to Anna, but he said nothing to her. He addressed Sappho: “You’ve lost your bet. We got here first. Pay up,” said he, smiling.
Sappho laughed still more festively.
“Not just now,” said she.
“Oh, all right, I’ll have it later.”
“Very well, very well. Oh, yes.” She turned suddenly to Princess Betsy: “I am a nice person … I positively forgot it … I’ve brought you a visitor. And here he comes.” The unexpected young visitor, whom Sappho had invited, and whom she had forgotten, was, however, a personage of such consequence that, in spite of his youth, both the ladies rose on his entrance.
He was a new admirer of Sappho’s. He now dogged her footsteps, like Vaska.
Soon after Prince Kaluzhsky arrived, and Liza Merkalova with Stremov. Liza Merkalova was a thin brunette, with an Oriental, languid type of face, and—as everyone used to say—exquisite enigmatic eyes. The tone of her dark dress (Anna immediately observed and appreciated the fact) was in perfect harmony with her style of beauty. Liza was as soft and enervated as Sappho was smart and abrupt.
But to Anna’s taste Liza was far more attractive. Betsy had said to Anna that she had adopted the pose of an innocent child, but when Anna saw her, she felt that this was not the truth. She really was both innocent and corrupt, but a sweet and passive woman. It is true that her tone was the same as Sappho’s; that like Sappho, she had two men, one young and one old, tacked onto her, and devouring her with their eyes. But there was something in her higher than what surrounded her. There was in her the glow of the real diamond among glass imitations. This glow shone out in her exquisite, truly enigmatic eyes. The weary, and at the same time passionate, glance of those eyes, encircled by dark rings, impressed one by its perfect sincerity. Everyone looking into those eyes fancied he knew her wholly, and knowing her, could not but love her. At the sight of Anna, her whole face lighted up at once with a smile of delight.
“Ah, how glad I am to see you!” she said, going up to her. “Yesterday at the races all I wanted was to get to you, but you’d gone away. I did so want to see you, yesterday especially. Wasn’t it awful?” she said, looking at Anna with eyes that seemed to lay bare all her soul.
“Yes; I had no idea it would be so thrilling,” said Anna, blushing.
The company got up at this moment to go into the garden.
“I’m not going,” said Liza, smiling and settling herself close to Anna. “You won’t go either, will you? Who wants to play croquet?”
“Oh, I like it,” said Anna.
“There, how do you manage never to be bored by things? It’s delightful to look at you. You’re alive, but I’m bored.”
“How can you be bored? Why, you live in the liveliest set in Petersburg,” said Anna.
“Possibly the people who are not of our set are even more bored; but we—I certainly—are not happy, but awfully, awfully bored.”
Sappho smoking a cigarette went off into the garden with the two young men. Betsy and Stremov remained at the tea-table.
“What, bored!” said Betsy. “Sappho says they did enjoy themselves tremendously at your house last night.”
“Ah, how dreary it all was!” said Liza Merkalova. “We all drove back to my place after the races. And always the same people, always the same. Always the same thing. We
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