The Letters of Charles Dickens by Charles Dickens (which ebook reader TXT) π
The two letters to Mr. Macready, at the end of this year, refer to a farce which Charles Dickens wrote, with an idea that it might be suitable for Covent Garden Theatre, then under Mr. Macready's management.
[Sidenote: Mrs. Charles Dickens.]
GRETA BRIDGE, Thursday, Feb. 1st, 1838.
MY DEAREST KATE,
I am afraid you will receive this later than I could wish, as the mail does not come through this place until two o'clock to-morrow morning. However, I have availed myself of the very first opportunity of writing, so the fault is that mail's, and not this.
We reached Grantham between nine and ten on Thursday night, and found everything prepared for our reception in the very best inn I have ever put up at. It is odd enough that an old lady, who had been outside all day and came in towards dinner time, turned out to be the mistress of a Yorkshire school returning from the holiday stay in London. She was a very queer old lady, and showed us a long letter she was carryin
Read free book Β«The Letters of Charles Dickens by Charles Dickens (which ebook reader TXT) πΒ» - read online or download for free at americanlibrarybooks.com
- Author: Charles Dickens
- Performer: -
Read book online Β«The Letters of Charles Dickens by Charles Dickens (which ebook reader TXT) πΒ». Author - Charles Dickens
Mrs. Dickens begs me to thank you for your kind remembrance of her, and to convey to you her best regards. Always believe me,
Devonshire Terrace, December 20th, 1842.
It is impossible for me to tell you how greatly I am charmed with those beautiful pictures, in which the whole feeling, and thought, and expression of the little story is rendered to the gratification of my inmost heart; and on which you have lavished those amazing resources of yours with a power at which I fairly wondered when I sat down yesterday before them.
I took them to Mac, straightway, in a cab, and it would have done you good if you could have seen and heard him. You can't think how moved he was by the old man in the church, or how pleased I was to have chosen it before he saw the drawings.
You are such a queer fellow and hold yourself so much aloof, that I am afraid to say half I would say touching my grateful admiration; so you shall imagine the rest. I enclose a note from Kate, to which I hope you will bring the only one acceptable reply. Always, my dear Cattermole,
Book II. 1843 TO 1857.
He was at work upon "Martin Chuzzlewit" until the end of the year, when he also wrote and published the first of his Christmas storiesβ"The Christmas Carol."
He was much distressed by the sad fate of Mr. Elton (a respected actor), who was lost in the wreck of the Pegasus, and was very eager and earnest in his endeavours to raise a fund on behalf of Mr. Elton's children.
We are sorry to be unable to give any explanation as to the nature of the Cockspur Street Society, mentioned in this first letter to Mr. Charles Babbage. But we publish it notwithstanding, considering it to be one of general interest.
The "Little History of England" was never finishedβnot, that is to say, the one alluded to in the letter to Mr. Jerrold.
Mr. David Dickson kindly furnishes us with an explanation of the letter dated 10th May. "It was," he says, "in answer to a letter from me, pointing out that the 'Shepherd' in 'Pickwick' was apparently reflecting on the scriptural doctrine of the new birth."
The beginning of the letter to Mr. Jerrold (15th June) is, as will be readily understood, an imaginary cast of a purely imaginary play. A portion of this letter has already been published, in Mr. Blanchard Jerrold's life of his father. It originated in a proposal of Mr. Webster'sβthe manager of the Haymarket Theatreβto give five hundred pounds for a prize comedy by an English author.
The opera referred to in the letter to Mr. R. H. Horne was called "The Village Coquettes," and the farce was "The Strange Gentleman," already alluded to by us, in connection with a letter to Mr. Harley.
Devonshire Terrace, April 27th, 1843.
I write to you, confidentially, in answer to your note of last night, and the tenor of mine will tell you why.
You may suppose, from seeing my name in the printed letter you have received, that I am favourable to the proposed society. I am decidedly opposed to it. I went there on the day I was in the chair, after much solicitation; and being put into it, opened the proceedings by telling the meeting that I approved of the design in theory, but in practice considered it hopeless. I may tell youβI did not tell themβthat the nature of the meeting, and the character and position of many of the men attending it, cried "Failure" trumpet-tongued in my ears. To quote an expression from Tennyson, I may say that if it were the best society in the world, the grossness of some natures in it would have weight to drag it down.
In the wisdom of all you urge in the notes you have sent me, taking them as statements of theory, I entirely concur. But in practice, I feel sure that the present publishing system cannot be overset until authors are different men. The first step to be taken is to move as a body in the question of copyright, enforce the existing laws, and try to obtain better. For that purpose I hold that the authors and publishers must unite, as the wealth, business habits, and interest of that latter class are of great importance to such an end. The Longmans and Murray have been with me proposing such an association. That I shall support. But having seen the Cockspur Street Society, I am as well convinced of its invincible hopelessness as if I saw it written by a celestial penman in the Book of Fate.
Always faithfully yours.
Devonshire Terrace, May 3rd, 1843.
Let me thank you most cordially for your books, not only for their own sakes (and I have read them with perfect delight), but also for this hearty and most welcome mark of your recollection of the friendship we have established; in which light I know I may regard and prize them.
I am greatly pleased with your opening paper in the Illuminated. It is very wise, and capital; written with the finest end of that iron pen of yours; witty, much needed, and full of truth. I vow to God that I think the parrots of society are more intolerable and mischievous than its birds of prey. If ever I destroy myself, it will be in the bitterness of hearing those infernal and damnably good old times extolled. Once, in a fit of madness, after having been to a public dinner which took place just as this Ministry came in, I wrote the parody I send you enclosed, for Fonblanque. There is nothing in it but wrath; but that's wholesome, so I send it you.
I am writing a little history of England for my boy, which I will send you when it is printed for him, though your boys are too old to profit by it. It is curious that I have tried to impress upon him (writing, I daresay, at the same moment with you) the exact spirit of your paper, for I don't know what I should do if he were to get hold of any Conservative or High Church notions; and the best way of guarding against any such horrible result is, I take it, to wring the parrots' necks in his very cradle.
Oh Heaven, if you could have been with me at a hospital dinner last Monday! There were men there who made such speeches and expressed such sentiments as any moderately intelligent dustman would have blushed through his cindery bloom to have thought of. Sleek, slobbering, bow-paunched, over-fed, apoplectic, snorting cattle, and the auditory leaping up in their delight! I never saw such an illustration of the power of purse, or felt so degraded and debased by its contemplation, since I have had eyes and ears. The absurdity of the thing was too horrible to laugh at. It was perfectly overwhelming. But if I could have partaken it with anybody who would have felt it as you would have done, it would have had quite another aspect; or would at least, like a "classic mask" (oh dββ that word!) have had one funny side to relieve its dismal features.
Supposing fifty families were to emigrate into the wilds of North Americaβyours, mine, and forty-eight othersβpicked for their concurrence of opinion on all important subjects and for their resolution to found a colony of common-sense, how soon would that devil, Cant, present itself among them in one shape or other? The day they landed, do you say, or the day after?
That is a great mistake (almost the only one I know) in the "Arabian Nights," when the princess restores people to their original beauty by sprinkling them with the golden water. It is quite clear that she must have made monsters of them by such a christening as that.
Faithfully your Friend.
1, Devonshire Terrace, York Gate, Regent's Park,
May 10th, 1843.
Permit me to say, in reply to your letter, that you do not understand the intention (I daresay the fault is mine) of that passage in the "Pickwick Papers" which has given you offence. The design of "the Shepherd" and of this and every other allusion to him is, to show how sacred things are degraded, vulgarised, and rendered absurd when persons who are utterly incompetent to teach the commonest things take upon themselves to expound such mysteries, and how, in making mere cant phrases of divine words, these persons miss the spirit in which they had their origin. I have seen a great deal of this sort of thing in many parts of England, and I never knew it lead to charity or good deeds.
Whether the great Creator of the world and the creature of his hands, moulded in his own image, be quite so opposite in character as you believe, is a question which it would profit us little to discuss. I like the frankness and candour of your letter, and thank you for it. That every man who seeks heaven must be born again, in good thoughts of his Maker, I sincerely believe. That it is expedient for every hound to say so in a certain snuffling form of words, to which he attaches no good meaning, I do not believe. I take it there is no difference between us.
Devonshire Terrace, June 13th, 1843.
Yes, you have anticipated my occupation. Chuzzlewit be dββd. High comedy and five hundred pounds are the only matters I can think of. I call it "The One Thing Needful; or, A Part is Better than the Whole." Here are the characters:
Servants, Gamblers, Visitors, etc. Mrs. Febrile Mrs. Gallot. Lady Tip Mrs. Humby. Mrs. Sour Mrs. W. Clifford. Fanny Miss A. Smith.
One scene, where Old Febrile tickles Lady Tip in the ribs, and afterwards dances out with his hat behind him, his stick before, and his eye on the pit, I expect will bring the house down. There is also another point, where Old Febrile, at the conclusion of his disclosure to Swig, rises and says: "And now, Swig, tell me, have I acted well?" And Swig says: "Well, Mr. Febrile, have you ever acted ill?" which will carry off the piece.
Herne Bay. Hum. I suppose it's no worse than any other place in this weather, but it is watery ratherβisn't it? In my mind's eye, I have the sea in a
Comments (0)