Sister Carrie by Theodore Dreiser (best book clubs .TXT) 📕
Description
Caroline Meeber, known as Sister Carrie to her family, moves to Chicago at the tender age of eighteen to try to make something of herself. Living with her sister and brother-in-law, she quickly finds that life, and work, are hard in the big city. She soon takes up with a traveling salesman she met on the train into town. Months later her eye is turned by one of the salesman’s acquaintances, George Hurstwood, and vice-versa. A series of events lead Carrie and Hurstwood to New York City, where both struggle to live out the aspirations that brought them there.
Theodore Dreiser was one of the earliest naturalist writers, but he wrote Sister Carrie while the United States was still very Victorian in its morals. The book therefore caused a stir from the beginning: Carrie Meeber was clearly, even in the disguised language of the time, a sexually active, unmarried female, who wasn’t made to suffer for her indiscretion to the extent considered necessary at the time. Dreiser’s depiction of rough language merely added to the controversy. The first printing sold only 456 copies in two years; it was to be another five years before Dreiser could convince another publisher to carry the book. Today it’s considered a classic and one of the “greatest of all American urban novels.”
The text of Sister Carrie was unchanged until 1981, when the University of Pennsylvania Press published a new version with 36,000 words restored. The edition was not without controversy: the cuts were originally made before the first printing at the suggestion of Dreiser’s wife, or his friend Arthur Henry, and Dreiser had approved all of them. Although the new Pennsylvania Edition, as it is called, made a good case for restoring the changes, it is the 1907 text that remains the most widely available today, and it is that text in this edition.
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- Author: Theodore Dreiser
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“You’d better save a little for summer,” cautioned Lola. “We’ll probably close in May.”
“I intend to,” said Carrie.
The regular entrance of thirty-five dollars a week to one who has endured scant allowances for several years is a demoralising thing. Carrie found her purse bursting with good green bills of comfortable denominations. Having no one dependent upon her, she began to buy pretty clothes and pleasing trinkets, to eat well, and to ornament her room. Friends were not long in gathering about. She met a few young men who belonged to Lola’s staff. The members of the opera company made her acquaintance without the formality of introduction. One of these discovered a fancy for her. On several occasions he strolled home with her.
“Let’s stop in and have a rarebit,” he suggested one midnight.
“Very well,” said Carrie.
In the rosy restaurant, filled with the merry lovers of late hours, she found herself criticising this man. He was too stilted, too self-opinionated. He did not talk of anything that lifted her above the common run of clothes and material success. When it was all over, he smiled most graciously.
“Got to go straight home, have you?” he said.
“Yes,” she answered, with an air of quiet understanding.
“She’s not so inexperienced as she looks,” he thought, and thereafter his respect and ardour were increased.
She could not help sharing in Lola’s love for a good time. There were days when they went carriage riding, nights when after the show they dined, afternoons when they strolled along Broadway, tastefully dressed. She was getting in the metropolitan whirl of pleasure.
At last her picture appeared in one of the weeklies. She had not known of it, and it took her breath. “Miss Carrie Madenda,” it was labelled. “One of the favourites of The Wives of Abdul company.” At Lola’s advice she had had some pictures taken by Sarony. They had got one there. She thought of going down and buying a few copies of the paper, but remembered that there was no one she knew well enough to send them to. Only Lola, apparently, in all the world was interested.
The metropolis is a cold place socially, and Carrie soon found that a little money brought her nothing. The world of wealth and distinction was quite as far away as ever. She could feel that there was no warm, sympathetic friendship back of the easy merriment with which many approached her. All seemed to be seeking their own amusement, regardless of the possible sad consequence to others. So much for the lessons of Hurstwood and Drouet.
In April she learned that the opera would probably last until the middle or the end of May, according to the size of the audiences. Next season it would go on the road. She wondered if she would be with it. As usual, Miss Osborne, owing to her moderate salary, was for securing a home engagement.
“They’re putting on a summer play at the Casino,” she announced, after figuratively putting her ear to the ground. “Let’s try and get in that.”
“I’m willing,” said Carrie.
They tried in time and were apprised of the proper date to apply again. That was May 16th. Meanwhile their own show closed May 5th.
“Those that want to go with the show next season,” said the manager, “will have to sign this week.”
“Don’t you sign,” advised Lola. “I wouldn’t go.”
“I know,” said Carrie, “but maybe I can’t get anything else.”
“Well, I won’t,” said the little girl, who had a resource in her admirers. “I went once and I didn’t have anything at the end of the season.”
Carrie thought this over. She had never been on the road.
“We can get along,” added Lola. “I always have.”
Carrie did not sign.
The manager who was putting on the summer skit at the Casino had never heard of Carrie, but the several notices she had received, her published picture, and the programme bearing her name had some little weight with him. He gave her a silent part at thirty dollars a week.
“Didn’t I tell you?” said Lola. “It doesn’t do you any good to go away from New York. They forget all about you if you do.”
Now, because Carrie was pretty, the gentlemen who made up the advance illustrations of shows about to appear for the Sunday papers selected Carrie’s photo along with others to illustrate the announcement. Because she was very pretty, they gave it excellent space and drew scrolls about it. Carrie was delighted. Still, the management did not seem to have seen anything of it. At least, no more attention was paid to her than before. At the same time there seemed very little in her part. It consisted of standing around in all sorts of scenes, a silent little Quakeress. The author of the skit had fancied that a great deal could be made of such a part, given to the right actress, but now, since it had been doled out to Carrie, he would as leave have had it cut out.
“Don’t kick, old man,” remarked the manager. “If it don’t go the first week we will cut it out.”
Carrie had no warning of this halcyon intention. She practised her part ruefully, feeling that she was effectually shelved. At the dress rehearsal she was disconsolate.
“That isn’t so bad,” said the author, the manager noting the curious effect which Carrie’s blues had upon the part. “Tell her to frown a little more when Sparks dances.”
Carrie did not know it, but there was the least show of wrinkles between her eyes and her mouth was puckered quaintly.
“Frown a little more, Miss Madenda,” said the stage manager.
Carrie instantly brightened up, thinking he had meant it as a rebuke.
“No; frown,” he said. “Frown as you
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