The Woman in White by Wilkie Collins (portable ebook reader txt) π
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The Woman in White tells the story of Walter Hartright, a young and impoverished drawing teacher who falls in love with his aristocratic pupil, Laura Fairlie. He cannot hope to marry her, however, and she is married off against her will to a baronet, Sir Percival Glyde, who is seeking her fortune. The terms of her marriage settlement prevent Glyde accessing her money while she lives, so together with his deceptively charming and cunning friend, Count Fosco, they hatch an unscrupulous deception to do so nonetheless. In an early 19th Century version of βidentity theft,β they contrive to fake Lauraβs death and confine her to a mental asylum. Their plot is eventually uncovered and exposed by Hartright with the help of Lauraβs resourceful half-sister, Marian Halcombe.
The Woman in White was the most popular of Wilkie Collinsβ novels in the genre then known as βsensation fiction.β It has never been out of print and is frequently included in lists of the best novels of all time. Published initially in serial form in 1859β60, it achieved an early and remarkable following, probably because of the strength of its characters, in particular the smooth and charming but utterly wicked villain Count Fosco, and the intelligent and steadfast Marian Halcombe opposed to him.
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- Author: Wilkie Collins
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At this point we were interrupted by the entrance of the servant, with a message from Mr. Fairlie, intimating that he would be glad to see me, as soon as I had done breakfast.
βWait in the hall,β said Miss Halcombe, answering the servant for me, in her quick, ready way. βMr. Hartright will come out directly. I was about to say,β she went on, addressing me again, βthat my sister and I have a large collection of my motherβs letters, addressed to my father and to hers. In the absence of any other means of getting information, I will pass the morning in looking over my motherβs correspondence with Mr. Fairlie. He was fond of London, and was constantly away from his country home; and she was accustomed, at such times, to write and report to him how things went on at Limmeridge. Her letters are full of references to the school in which she took so strong an interest; and I think it more than likely that I may have discovered something when we meet again. The luncheon hour is two, Mr. Hartright. I shall have the pleasure of introducing you to my sister by that time, and we will occupy the afternoon in driving round the neighbourhood and showing you all our pet points of view. Till two oβclock, then, farewell.β
She nodded to me with the lively grace, the delightful refinement of familiarity, which characterised all that she did and all that she said; and disappeared by a door at the lower end of the room. As soon as she had left me, I turned my steps towards the hall, and followed the servant, on my way, for the first time, to the presence of Mr. Fairlie.
VIIMy conductor led me upstairs into a passage which took us back to the bedchamber in which I had slept during the past night; and opening the door next to it, begged me to look in.
βI have my masterβs orders to show you your own sitting-room, sir,β said the man, βand to inquire if you approve of the situation and the light.β
I must have been hard to please, indeed, if I had not approved of the room, and of everything about it. The bow-window looked out on the same lovely view which I had admired, in the morning, from my bedroom. The furniture was the perfection of luxury and beauty; the table in the centre was bright with gaily bound books, elegant conveniences for writing, and beautiful flowers; the second table, near the window, was covered with all the necessary materials for mounting watercolour drawings, and had a little easel attached to it, which I could expand or fold up at will; the walls were hung with gaily tinted chintz; and the floor was spread with Indian matting in maize-colour and red. It was the prettiest and most luxurious little sitting-room I had ever seen; and I admired it with the warmest enthusiasm.
The solemn servant was far too highly trained to betray the slightest satisfaction. He bowed with icy deference when my terms of eulogy were all exhausted, and silently opened the door for me to go out into the passage again.
We turned a corner, and entered a long second passage, ascended a short flight of stairs at the end, crossed a small circular upper hall, and stopped in front of a door covered with dark baize. The servant opened this door, and led me on a few yards to a second; opened that also, and disclosed two curtains of pale sea-green silk hanging before us; raised one of them noiselessly; softly uttered the words, βMr. Hartright,β and left me.
I found myself in a large, lofty room, with a magnificent carved ceiling, and with a carpet over the floor, so thick and soft that it felt like piles of velvet under my feet. One side of the room was occupied by a long bookcase of some rare inlaid wood that was quite new to me. It was not more than six feet high, and the top was adorned with statuettes in marble, ranged at regular distances one from the other. On the opposite side stood two antique cabinets; and between them, and above them, hung a picture of the Virgin and Child, protected by glass, and bearing Raphaelβs name on the gilt tablet at the bottom of the frame. On my right hand and on my left, as I stood inside the door, were chiffoniers and little stands in buhl and marquetterie, loaded with figures in Dresden china, with rare vases, ivory ornaments, and toys and curiosities that sparkled at all points with gold, silver, and precious stones. At the lower end of the room, opposite to me, the windows were concealed and the sunlight was tempered by large blinds of the same pale sea-green colour as the curtains over the door. The light thus produced was deliciously soft, mysterious, and subdued; it fell equally upon all the objects in the room; it helped to intensify the deep silence, and
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