Sister Carrie by Theodore Dreiser (best book clubs .TXT) 📕
Description
Caroline Meeber, known as Sister Carrie to her family, moves to Chicago at the tender age of eighteen to try to make something of herself. Living with her sister and brother-in-law, she quickly finds that life, and work, are hard in the big city. She soon takes up with a traveling salesman she met on the train into town. Months later her eye is turned by one of the salesman’s acquaintances, George Hurstwood, and vice-versa. A series of events lead Carrie and Hurstwood to New York City, where both struggle to live out the aspirations that brought them there.
Theodore Dreiser was one of the earliest naturalist writers, but he wrote Sister Carrie while the United States was still very Victorian in its morals. The book therefore caused a stir from the beginning: Carrie Meeber was clearly, even in the disguised language of the time, a sexually active, unmarried female, who wasn’t made to suffer for her indiscretion to the extent considered necessary at the time. Dreiser’s depiction of rough language merely added to the controversy. The first printing sold only 456 copies in two years; it was to be another five years before Dreiser could convince another publisher to carry the book. Today it’s considered a classic and one of the “greatest of all American urban novels.”
The text of Sister Carrie was unchanged until 1981, when the University of Pennsylvania Press published a new version with 36,000 words restored. The edition was not without controversy: the cuts were originally made before the first printing at the suggestion of Dreiser’s wife, or his friend Arthur Henry, and Dreiser had approved all of them. Although the new Pennsylvania Edition, as it is called, made a good case for restoring the changes, it is the 1907 text that remains the most widely available today, and it is that text in this edition.
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- Author: Theodore Dreiser
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His first application was in sunny Second Avenue. A well-dressed man came leisurely strolling toward him out of Stuyvesant Park. Hurstwood nerved himself and sidled near.
“Would you mind giving me ten cents?” he said, directly. “I’m in a position where I must ask someone.”
The man scarcely looked at him, but fished in his vest pocket and took out a dime.
“There you are,” he said.
“Much obliged,” said Hurstwood, softly, but the other paid no more attention to him.
Satisfied with his success and yet ashamed of his situation, he decided that he would only ask for twenty-five cents more, since that would be sufficient. He strolled about sizing up people, but it was long before just the right face and situation arrived. When he asked, he was refused. Shocked by this result, he took an hour to recover and then asked again. This time a nickel was given him. By the most watchful effort he did get twenty cents more, but it was painful.
The next day he resorted to the same effort, experiencing a variety of rebuffs and one or two generous receptions. At last it crossed his mind that there was a science of faces, and that a man could pick the liberal countenance if he tried.
It was no pleasure to him, however, this stopping of passersby. He saw one man taken up for it and now troubled lest he should be arrested. Nevertheless, he went on, vaguely anticipating that indefinite something which is always better.
It was with a sense of satisfaction, then, that he saw announced one morning the return of the Casino Company, “with Miss Carrie Madenda.” He had thought of her often enough in days past. How successful she was—how much money she must have! Even now, however, it took a severe run of ill-luck to decide him to appeal to her. He was truly hungry before he said:
“I’ll ask her. She won’t refuse me a few dollars.”
Accordingly, he headed for the Casino one afternoon, passing it several times in an effort to locate the stage entrance. Then he sat in Bryant Park, a block away, waiting. “She can’t refuse to help me a little,” he kept saying to himself.
Beginning with half-past six, he hovered like a shadow about the Thirty-ninth Street entrance, pretending always to be a hurrying pedestrian and yet fearful lest he should miss his object. He was slightly nervous, too, now that the eventful hour had arrived; but being weak and hungry, his ability to suffer was modified. At last he saw that the actors were beginning to arrive, and his nervous tension increased, until it seemed as if he could not stand much more.
Once he thought he saw Carrie coming and moved forward, only to see that he was mistaken.
“She can’t be long, now,” he said to himself, half fearing to encounter her and equally depressed at the thought that she might have gone in by another way. His stomach was so empty that it ached.
Individual after individual passed him, nearly all well dressed, almost all indifferent. He saw coaches rolling by, gentlemen passing with ladies—the evening’s merriment was beginning in this region of theatres and hotels.
Suddenly a coach rolled up and the driver jumped down to open the door. Before Hurstwood could act, two ladies flounced across the broad walk and disappeared in the stage door. He thought he saw Carrie, but it was so unexpected, so elegant and far away, he could hardly tell. He waited a while longer, growing feverish with want, and then seeing that the stage door no longer opened, and that a merry audience was arriving, he concluded it must have been Carrie and turned away.
“Lord,” he said, hastening out of the street into which the more fortunate were pouring, “I’ve got to get something.”
At that hour, when Broadway is wont to assume its most interesting aspect, a peculiar individual invariably took his stand at the corner of Twenty-sixth Street and Broadway—a spot which is also intersected by Fifth Avenue. This was the hour when the theatres were just beginning to receive their patrons. Fire signs announcing the night’s amusements blazed on every hand. Cabs and carriages, their lamps gleaming like yellow eyes, pattered by. Couples and parties of three and four freely mingled in the common crowd, which poured by in a thick stream, laughing and jesting. On Fifth Avenue were loungers—a few wealthy strollers, a gentleman in evening dress with his lady on his arm, some clubmen passing from one smoking-room to another. Across the way the great hotels showed a hundred gleaming windows, their cafés and billiard-rooms filled with a comfortable, well-dressed, and pleasure-loving throng. All about was the night, pulsating with the thoughts of pleasure and exhilaration—the curious enthusiasm of a great city bent upon finding joy in a thousand different ways.
This unique individual was no less than an ex-soldier turned religionist, who, having suffered the whips and privations of our peculiar social system, had concluded that his duty to the God which he conceived lay in aiding his fellow-man. The form of aid which he chose to administer was entirely original with himself. It consisted of securing a bed for all such homeless wayfarers as should apply to him at this particular spot, though he had scarcely the wherewithal to provide a comfortable habitation for himself.
Taking his place amid this lightsome atmosphere, he would stand, his stocky figure cloaked in a great cape overcoat, his head protected by a broad slouch hat, awaiting the applicants who had in various ways learned the nature of his charity. For a while he would stand alone, gazing like any idler upon an ever-fascinating scene. On the evening in question, a policeman passing saluted him as “captain,” in a friendly way. An urchin who had frequently seen him before, stopped to gaze. All others took him for nothing out of the ordinary, save in the matter of dress, and conceived of him as a stranger whistling and idling for his own amusement.
As the
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