Struggles and Triumphs by P. T. Barnum (love novels in english TXT) 📕

Hero, bold and true,
Amid his fortune’s fall?
Who to the utmost yielded up
What Honor could not keep,
Then took the field of life again
With courage calm and deep?
Come! shout a gallant chorus,
Until the glasses dance⁠—
Here’s health and luck to Barnum,
The Napoleon of Finance.

Yet, no⁠—our hero would not look
With smiles on such a cup;
Throw out the wine⁠—with water clear,
Fill the pure crystal up.
Then rise, and greet with deep respect,
The courage he has shown,
And drink to him who well deserves
A seat on Fortune’s throne.
Here’s health and luck to Barnum!
An Elba he has seen,
And never may his map of life
Display a St. Helene!

Mrs. Anna Bache, Philadelphia.

XXXIV Menagerie and Museum Memoranda

A Remarkable Character⁠—Old Grizzly Adams⁠—The California Menagerie⁠—Terribly Wounded by Bears⁠—My Uptown Show⁠—Extraordinary Will and Vigor⁠—A Lesson for Munchausen⁠—The California Golden Pigeons⁠—Pigeons of All Colors⁠—Process of Their Creation⁠—M. Guillaudeu⁠—A Naturalist Deceived⁠—The Most Wonderful Birds in the World⁠—The Curiosities Transferred to the Menagerie⁠—Old Adams Taken In⁠—A Change of Color⁠—Motley the Only Wear⁠—Old Grizzly Undeceived⁠—Tour of the Bear-Tamer Through the Country⁠—A Beautiful Hunting Suit⁠—A Life and Death Struggle for a Wager⁠—Old Adams Wins⁠—His Death⁠—The Last Joke on Barnum⁠—The Prince of Wales Visits the Museum⁠—I Call on the Prince in Boston⁠—Stephen A. Douglas⁠—“Before and After” in a Barber Shop⁠—How Tom Higginson “Did” Barnum⁠—The Museum Flourishing.

I was now fairly embarked on board the good old ship American Museum, to try once more my skill as captain, and to see what fortune the voyage would bring me. Curiosities began to pour into the Museum halls, and I was eager for enterprises in the show line, whether as part of the Museum itself, or as outside accessories or accompaniments. Among the first to give me a call, with attractions sure to prove a success, was James C. Adams, of hard-earned, grizzly-bear fame. This extraordinary man was eminently what is called “a character.” He was universally known as “Grizzly Adams,” from the fact that he had captured a great many grizzly bears, at the risk and cost of fearful encounters and perils. He was brave, and with his bravery there was enough of the romantic in his nature to make him a real hero. For many years a hunter and trapper in the Rocky and Sierra Nevada Mountains, he acquired a recklessness, which, added to his natural invincible courage, rendered him one of the most striking men of the age, and he was emphatically a man of pluck. A month after I had repurchased the Museum, he arrived in New York with his famous collection of California animals, captured by himself, consisting of twenty or thirty immense grizzly bears, at the head of which stood “Old Sampson,” together with several wolves, half a dozen different species of California bears, California lions, tigers, buffalo, elk, and “Old Neptune,” the great sea-lion from the Pacific.

Old Adams had trained all these monsters so that with him they were as docile as kittens, though many of the most ferocious among them would attack a stranger without hesitation, if he came within their grasp. In fact the training of these animals was no fool’s play, as Old Adams learned to his cost, for the terrific blows which he received from time to time, while teaching them “docility,” finally cost him his life.

Adams called on me immediately on his arrival in New York. He was dressed in his hunter’s suit of buckskin, trimmed with the skins and bordered with the hanging tails of small Rocky Mountain animals; his cap consisting of the skin of a wolf’s head and shoulders, from which depended several tails, and under which appeared his stiff, bushy, gray hair and his long, white, grizzly beard; in fact Old Adams was quite as much of a show as his beasts. They had come around Cape Horn on the clipper ship “Golden Fleece,” and a sea voyage of three and a half months had probably not added much to the beauty or neat appearance of the old bear-hunter. During our conversation, Grizzly Adams took off his cap, and showed me the top of his head. His skull was literally broken in. It had on various occasions been struck by the fearful paws of his grizzly students; and the last blow, from the bear called “General Fremont,” had laid open his brain so that its workings were plainly visible. I remarked that I thought it was a dangerous wound and might possibly prove fatal.

“Yes,” replied Adams, “that will fix me out. It had nearly healed; but old Fremont opened it for me, for the third or fourth time, before I left California, and he did his business so thoroughly, I’m a used-up man. However I reckon I may live six months or a year yet.” This was spoken as coolly as if he had been talking about the life of a dog. The immediate object of “old Adams” in calling upon me was this; I had purchased, a week previously, one-half interest in his California menagerie, from a man who had come by way of the Isthmus from California, and who claimed to own an equal interest with Adams in the show. Adams declared that the man had only advanced him some money, and did not possess the right to sell half of the concern. However, the man held a bill of sale for half of the “California Menagerie,” and old Adams finally consented to accept me as an equal partner in the speculation, saying that he guessed I could do the managing part, and he would show up the animals. I obtained a canvas tent, and erecting it on the present site of Wallack’s Theater, Adams there opened his novel California Menagerie. On the morning of opening, a band of music preceded a procession of animal cages down Broadway and up the Bowery, old Adams dressed in his hunting costume, heading the line, with a platform wagon on which were placed three immense grizzly bears, two of which he