Such Is Life by Joseph Furphy (children's books read aloud .TXT) 📕
Description
Such Is Life is an Australian novel written by Joseph Furphy under a pseudonym of “Tom Collins” and published in 1903. It purports to be a series of diary entries by the author, selected at approximately one-month intervals during late 1883 and early 1884. “Tom Collins” travels rural New South Wales and Victoria, interacting and talking at length with a variety of characters including the drivers of bullock-teams, itinerant swagmen, boundary riders, and squatters (the owners of large rural properties). The novel is full of entertaining and sometimes melancholy incidents mixed with the philosophical ramblings of the author and his frequent quotations from Shakespeare and poetry. Its depictions of the Australian bush, the rural lifestyle, and the depredations of drought are vivid.
Furphy is sometimes called the “Father of the Australian Novel,” and Such Is Life is considered a classic of Australian literature.
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- Author: Joseph Furphy
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The colt, with a handkerchief across his eyes, was led out of the yard to some nice level ground; then a deadlock supervened. The chap who had backed him on the previous evening for a couple of hours, and was to have ridden him again, didn’t like the set of your saddle, now that he saw it girthed-on. The owner of the colt, speaking for himself, frankly admitted that he never pretended to be a sticker. The third fellow, whilst modestly glancing at his own unrivalled record, regretted he was sworn with a book-oath against backing colts for the current year. The fourth was also out of it. Owing to a boil, which kept him standing in the stirrups even on his own old crock, he was compelled to forego the one transcendant joy of his life. But you—
Well, to begin with, there was your own saddle on the colt; secondly, your conversation had not been that of a man who didn’t pretend to be a sticker; thirdly, the book-oath expedient was simply out of the question; and fourthly, it was too late in the day to allege a boil. What was the use of your remarking that the first backing of a colt is nothing—that, in this case, it is the second step that costs? The four fellows knew as well as you did—everyone except the tenderfoot novelist knows—that in nearly every instance, a freshly backed colt is like a fish out of water; stupid, puzzled, half-sulky, half-docile. It is at the second backing that he is ready to contest the question of fitness for survival; he has had time to think the matter over, and to note the one-sidedness of the alliance. Again, there is a large difference between riding a colt upon a warm evening, and doing the same thing on a cold, dry, gusty morning, when his hair inclines to stand on end. But there was your own reminiscence of the roan filly staring you in the face.
One of the fellows holds the blindfolded colt, whilst another rubs the saddle all over with a wet handkerchief. The colt stands still and composed, with one ear warily cocked, the other indifferently slouched; with his back slightly arched, and—ah! the saints preserve us!—with his tail jammed hard down. Carelessly humming a little tune, you hang your coat on the fence; and in the saying of two credos (note the appositeness of Cervantes’ expression here), you are in the saddle—the same saddle, by the way, with which you took the flashness out of the roan filly that had broken the circus man’s collarbone. What! have I pinch’d you, signior Gremio?
The chap should have let the colt go at once, for, in situations like yours, a person keeps breaking-up as the moments pass. But no—
“Ready, Tom?”
“Yes.”
“You’re sure you’re ready?”
“Yes.”
“I think he’ll buck middlin’ hard.”
Is there no pity sitting in the clouds, that looks into the bottom of your woe? We’ll see presently. Meantime, console yourself with the recollection of the roan filly that had broken the circus man’s collarbone.
“You’ve got the off stirrup all right, Tom?”
“Yes.”
“I’m goin’ to let the beggar rip.”
“Go ahead.”
“Look out now—”
“Right.” But your voice is not what it ought to be, and the soles of your boots are rattling on the flat part of the stirrup-irons.
The chap draws the handkerchief from the colt’s eyes, and walks backward. The colt catches sight of your left foot, and skips three yards to the right. In doing so, he catches sight of the other foot, and skips to the left. Then everything disappears from in front of the saddle—the wicked ears, now laid level backward—the black, tangled mane—the shining neck with the sweeping curve of a circular saw—the clean, oblique shoulders—they have all disappeared, and there is nothing in front of the saddle but a precipice. There is something underneath it, though.
How distinctly you note the grunting of the colt, the thumping of his feet on the ground, and the gratuitous counsel addressed to you in four calmly critical voices:—
“Lean back a bit more, Tom, and give with him.”
“Don’t ride so loose if you can help it, Tom.”
“Hold yourself well down with the reins, and stick to him, Tom.”
“Stick to him, Tom, whatever you do.”
Ay! stick to him! Stick to the lever of a steam hammer, when the ram kicks the safety-trigger! Stick to the two-man tug-of-war rope, when an Irish quarryman, named Bamey, has hold of the other end! Stick to him, quotha! Easier said than done—is it not? And yet you’ve been riding all manner of horses, on and off (mark the significance of that expression) since you were a mere kiddie. However, you have stuck to him for a good solid sixty seconds; now, one of your knees has slipped over the pad, and your stirrup is swinging loose. Good night, sweet prince.
And away circles the colt, slapping at the bit with his front feet, whilst your historic saddle shines in the sun, and the stirrup-irons occasionally meet high in the air. And away in chase go two of the chaps on their bits of stuff. Meanwhile, you explain to the other two that the spill serves you right for riding so carelessly; and that, though your soul lusts to have it out with the colt, a stringent appointment in the township will force you to clear as soon as you can get your saddle. Such is life.
Satan approached, carrying his negatively gifted rider, at a free, flying canter; his
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