Those Barren Leaves by Aldous Huxley (100 books to read txt) 📕
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Mrs. Aldwinkle, an English aristocrat of a certain age, has purchased a mansion in the Italian countryside. She wishes to bring a salon of intellectual luminaries into her orbit, and to that end she invites a strange cast of characters to spend time with her in her palazzo: Irene, her young niece; Ms. Thriplow, a governess-turned-novelist; Mr. Calamy, a handsome young man of great privilege and even greater ennui; Mr. Cardan, a worldly gentleman whose main talent seems to be the enjoyment of life; Hovenden, a young motorcar-obsessed lord with a speech impediment; and Mr. Falx, a socialist leader. To this unlikely cast is soon added Mr. Chelifer, an author with an especially florid, overwrought style that is wasted on his day job as editor of The Rabbit Fancier’s Gazette, and the Elvers, a scheming brother who is the guardian of his mentally-challenged sister.
As this unlikely group mingles, they discuss a great many grand topics: love, art, language, life, culture. Yet very early on the reader comes to realize that behind the pompousness of their elaborate discussions lies nothing but vacuity—these characters are a satire of the self-important intellectuals of Huxley’s era.
His skewering of their intellectual barrenness continues as the group moves on to a trip around the surrounding country, in a satire of the Grand Tour tradition. The party brings their English snobbery out in full force as they traipse around Rome, sure of nothing else except in their belief that Italy is culturally superior simply because it’s Italy.
As the vacation winds down, we’re left with a biting lampoon of the elites who suppose themselves to be at the height of art and culture—the kinds of personalities that arise in every generation, sure of their own greatness but unable to actually contribute anything to the world of art and culture that they feel is so important.
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- Author: Aldous Huxley
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“In this horrible bourgeois age”—Mrs. Aldwinkle’s vocabulary (like Mr. Falx’s, though for different reasons) contained no word of bitterer disparagement than “bourgeois”—“it’s only Southern people who still understand or even, I believe, feel passion.” Mrs. Aldwinkle believed in passion, passionately.
From behind the glowing red end of his cigar Mr. Cardan began to speak. In the darkness his voice sounded more than ever ripe and fruity. “You’re quite right,” he assured Mrs. Aldwinkle, “quite right. It’s the climate, of course. The warmth has a double effect on the inhabitants, direct and indirect. The direct effect needs no explaining; warmth calls to warmth. It’s obvious. But the indirect is fully as important. In a hot country one doesn’t care to work too hard. One works enough to keep oneself alive (and it’s tolerably easy to keep alive under these stars), and one cultivates long leisures. Now it’s sufficiently obvious that practically the only thing that anybody who is not a philosopher can do in his leisure is to make love. No serious-minded, hardworking man has the time, the spare energy or the inclination to abandon himself to passion. Passion can only flourish among the well-fed unemployed. Consequently, except among women and men of the leisured class, passion in all its luxuriant intricacy hardly exists in the hardworking North. It is only among those whose desires and whose native idleness are fostered by the cherishing Southern heat that it has flourished and continues to flourish, as you rightly point out, my dear Lilian, even in this burgess age.”
Mr. Cardan had hardly begun to speak before Mrs. Aldwinkle indignantly moved on again. He outraged all her feelings.
Mr. Cardan talking all the way, they passed the silhouettes of modest Venus, of Diana and her attendant dog, of Hercules leaning on his club and Atlas bending under the weight of his globe, of Bacchus lifting to heaven the stump of a broken arm whose hand had once held the wine cup. Arrived at the end of the terrace, they turned and walked back again past the same row of symbols.
“It’s easy to talk like that,” said Mrs. Aldwinkle, when he had finished. “But it doesn’t make any difference to the grandeur of passion, to its purity and beauty and …” She faded out breathlessly.
“Wasn’t it Bossuet,” asked Irene timidly, but with determination, for she felt that she owed it to Aunt Lilian to intervene; and besides, Aunt Lilian liked her to take part in the conversation, “wasn’t it Bossuet who said that there was something of the Infinite in passion?”
“Splendid, Irene,” Mr. Cardan cried encouragingly.
Irene blushed in the concealing darkness. “But I think Bossuet’s quite right,” she declared. She could become a lioness, in spite of her blushes, when it was a question of supporting Aunt Lilian. “I think he’s absolutely right,” she confirmed, after a moment of recollection, out of her own experience. She herself had felt most infinitely, more than once—for Irene had run through a surprising number of passions in her time. “I can’t think,” her Aunt Lilian used to say to her, when Irene came in the evenings to brush her hair before she went to bed, “I can’t think how it is that you’re not wildly in love with Peter—or Jacques—or Mario.” (The name might change as Mrs. Aldwinkle and her niece moved in their seasonal wanderings, backwards and forwards across the map of Europe; but, after all, what’s in a name?) “If I were your age I should be quite bowled over by him.” And thinking more seriously now of Peter, or Jacques, or Mario, Irene would discover that Aunt Lilian was quite right; the young man was indeed a very remarkable young man. And for the remainder of their stay at the Continental, the Bristol, the Savoia, she would be in love—passionately. What she had felt on these occasions was decidedly infinite. Bossuet, there was no doubt of it, knew what he was talking about.
“Well, if you think he’s right, Irene,” said Mr. Cardan, “why then, there’s nothing for me to do but retire from the argument. I bow before superior authority.” He took the cigar out of his mouth and bowed.
Irene felt herself blushing once more. “Now you’re making fun of me,” she said.
Mrs. Aldwinkle put her arm protectively round the young girl’s shoulders. “I won’t let you tease her, Cardan,” she said. “She’s the only one of you all who has a real feeling for what is noble and fine and grand.” She drew Irene closer to her, pressed her in a sidelong and peripatetic embrace. Happily, devotedly, Irene abandoned herself. Aunt Lilian was wonderful!
“Oh, I know,” said Mr. Cardan apologetically, “that I’m nothing but an old capripede.”
Meanwhile Lord Hovenden, humming loudly and walking a little apart from the rest of the company, was making it clear, he hoped, to everyone that he was occupied with his own thoughts and had not heard anything that had been said for the last five minutes. What had been said disturbed him none the less. How did Irene know so much about passion, he wondered? Had there been, could there still be … other people? Painfully and persistently the question asked itself. With the idea of dissociating himself still more completely from all that had been said, he addressed himself to Mr. Falx.
“Tell me, Mr. Falx,” he said in a pensive voice, as though he had been thinking about the subject for some time before he spoke, “what do you think of the Fascist Trades Unions?”
Mr. Falx told him.
Passion, Calamy was thinking, passion. … One could have enough of it, good Lord! He sighed. If one could say: Never again, and be sure of meaning what one said, it would be a great comfort. Still, he reflected, there was something rather perversely attractive about this Thriplow woman.
Miss Thriplow meanwhile would have liked to say something showing that she too believed in passion—but in a passion of a rather different brand from Mrs. Aldwinkle’s; in a natural, spontaneous and almost childish kind of passion, not the hothouse growth that flourishes in drawing-rooms. Cardan was right
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