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of senior men talking: continually came new arrivals to hail familiarly their friends after the vacation: scouts hurried to and fro with trays of food: from window to window gossip, greetings, appointments were merrily shouted. Michael watched this scene of intimate movement played against the background of elms and gray walls. The golden fume of the October weather transcended somehow all impermanence, and he felt with a sudden springing of imagination that so had this scene been played before, that so forever would it be played for generations to come. Yet for him as yet outside the picture remained, fortunately less eternal, that solitary lunch. He ate it hurriedly and as soon as he had finished set out to find Alan at Christ Church.

Freedom came back with the elation of walking up the High; and in the Christ Church lodge Michael was able to ask without a blush for Alan’s rooms. The great space of Tom quad by absorbing his self-consciousness allowed him to feel himself an unit of the small and decorative population that enhanced the architecture there. The scattered, groups of friends whose voices became part of the very air itself like the wings of the pigeons and the perpetual tapping of footsteps, the two dons treading in slow confabulation that wide flagged terrace, even himself were here forever. Michael captured again in that moment the crystallized vision of Oxford which had first been vouchsafed to him long ago by that old print of St. Mary’s tower. He turned reluctantly away from Tom quad, and going on to seek Alan in Meadows, by mistake found himself in Peckwater. A tall fair undergraduate was standing alone in the center of the quad, cracking a whip. Suddenly Michael realized that his father had been at Christ Church; and this tall fair whip-cracker served for him as the symbol of his father. He must have often stood here so, cracking a whip; and Michael never came into Peckwater without recreating him so occupied on a fine autumn afternoon, whip in hand, very tall and very fair in the glinting sunlight.

Dreams faded out, when Michael ran up the staircase to Alan’s rooms; but he was full-charged again with all that suppressed intellectual excitement which he had counted upon finding in Oxford, but which he had failed to find until the wide tranquillity of Tom quad had given him, as it were, the benediction of the University.

“Hullo, Alan!” he cried. “How are you getting on? I say, why do they stick ‘Mr.’ in front of your name over the door? At St. Mary’s we drop the ‘Mr.’ or any other sort of title. Aren’t you unpacked yet? You are a slacker. Look here, I want you to come out with me at once. I’ve got to get some more picture-wire and a gown and a picture of Mona Lisa.”

“Mona how much?” said Alan.

La Gioconda, you ass.”

“Sorry, my mistake,” said Alan.

“And I saw some rattling bookshops as I came up the High,” Michael went on. “What did you have for lunch? I had bread and cheese⁠—commons we call it at St. Mary’s. I say, I think I’m glad I don’t have to wear a scholar’s gown.”

“I’m an exhibitioner,” said Alan.

“Well, it’s the same thing. I like a commoner’s gown best. Where did you get that tea-caddy? I don’t believe I’ve got one. Pretty good view from your window. Mine looks out on the High.”

“Look here,” asked Alan very solemnly, “where shall I hang this picture my mater gave me?”

He displayed in a green frame The Soul’s Awakening.

“Do you like it?” Michael asked gloomily.

“I prefer these grouse by Thorburn that the governor gave me, but I like them both in a way,” Alan admitted.

“I don’t think it much matters where you hang it,” Michael said. Then, thinking Alan looked rather hurt, he added hastily: “You see it’s such a very square room that practically it might go anywhere.”

“Will you have a meringue?” Alan asked, proffering a crowded plate.

“A meringue?” Michael repeated.

“We’re rather famous for our meringues here,” said Alan gravely. “We make them in the kitchen. I ordered a double lot in case you came in.”

“You seem to have found out a good deal about Christ Church already,” Michael observed.

“The House,” Alan corrected. “We call it⁠—in fact everybody calls it the House.”

Michael was inclined to resent this arrogation by a college not his own of a distinct and slightly affected piece of nomenclature, and he wished he possessed enough knowledge of his own peculiar college customs to counter Alan’s display.

“Well, hurry up and come out of the House,” he urged. “You can’t stay here unpacking all the afternoon.”

“Why do you want to start buying things straight away?” Alan argued.

“Because I know what I want,” Michael insisted.

“Since when?” Alan demanded. “I’m not going to buy anything for a bit.”

“Come on, come on,” Michael urged. He was in a hurry to enjoy the luxury of traversing the quads of Christ Church in company, of strolling down the High in company, of looking into shop windows in company, of finally defeating that first dismal loneliness with Alan and his company.

It certainly proved to be a lavish afternoon. Michael bought three straight-grained pipes so substantially silvered that they made his own old pipes take on an attenuated vulgarity. He bought an obese tobacco jar blazoned with the arms of his college and, similarly blazoned, a protuberant utensil for matches. He bought numerous ounces of those prodigally displayed mixtures of tobacco, every one of which was vouched for by the vendor as in its own way the perfect blend. He bought his cap and his gown and was measured by the tailor for a coat of Harris tweed such as everybody seemed to wear. He found the very autotype of Mona Lisa he coveted, and farther he was persuaded by the picture-dealer to buy for two guineas a signed proof of a small copperplate engraving of the Primavera. This expenditure frightened him from buying any more pictures that

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