Bleak House by Charles Dickens (best ebook reader for laptop .txt) 📕
Description
Bleak House, completed by Dickens in 1853, tells several interlocking story-lines and features a host of colorful characters. Though very difficult to summarise, the novel centers around the decades-long legal case of Jarndyce and Jarndyce, involving the fair distribution of assets of a valuable estate. The case is mired in the legal quagmire of the Court of Chancery, whose byzantine and sluggish workings Dickens spares no effort to expose and condemn. Dickens also exposes the miserable condition of the poor, living in squalid, pestilential circumstances.
The novel’s heroine is Esther Summerson, whose parentage is unclear and who has been brought up by a cold and strict godmother, who tells her only: “Your mother, Esther, is your disgrace, and you were hers.” On the death of her godmother, she is given an education through the unexpected intervention of a Mr. Jarndyce of Bleak House, whom she has never met. When she comes of age, she is appointed as a companion to Ada, one of two young people who are “wards of Chancery,” whose fates depend on the outcome of the legal struggle and who are taken into guardianship by Mr. Jarndyce. The other ward Richard, despite Mr. Jarndyce’s frequent warnings, eventually goes astray by pinning all his hopes on a successful outcome of Jarndyce and Jarndyce.
We are also introduced to Sir Leicester and Lady Dedlock, and to their cunning and suspicious lawyer, Mr. Tulkinghorn. He uncovers evidence that Lady Dedlock is not all she seems and determines to remorselessly pursue every lead to expose her secrets.
The novel has a curious construction in that the first-person narrative of Esther, written in the past tense, is interleaved with many chapters written from the omniscient viewpoint and in the present tense.
Several prominent critics such as G. K. Chesterton consider Bleak House to be Dickens’ finest novel, and it is often ranked among the best English-language novels of all time.
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- Author: Charles Dickens
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“George,” says Mr. Bagnet. “You know me. It’s my old girl that advises. She has the head. But I never own to it before her. Discipline must be maintained. Wait till the greens is off her mind. Then we’ll consult. Whatever the old girl says, do—do it!”
“I intend to, Mat,” replies the other. “I would sooner take her opinion than that of a college.”
“College,” returns Mr. Bagnet in short sentences, bassoon-like. “What college could you leave—in another quarter of the world—with nothing but a grey cloak and an umbrella—to make its way home to Europe? The old girl would do it tomorrow. Did it once!”
“You are right,” says Mr. George.
“What college,” pursues Bagnet, “could you set up in life—with two penn’orth of white lime—a penn’orth of fuller’s earth—a ha’porth of sand—and the rest of the change out of sixpence in money? That’s what the old girl started on. In the present business.”
“I am rejoiced to hear it’s thriving, Mat.”
“The old girl,” says Mr. Bagnet, acquiescing, “saves. Has a stocking somewhere. With money in it. I never saw it. But I know she’s got it. Wait till the greens is off her mind. Then she’ll set you up.”
“She is a treasure!” exclaims Mr. George.
“She’s more. But I never own to it before her. Discipline must be maintained. It was the old girl that brought out my musical abilities. I should have been in the artillery now but for the old girl. Six years I hammered at the fiddle. Ten at the flute. The old girl said it wouldn’t do; intention good, but want of flexibility; try the bassoon. The old girl borrowed a bassoon from the bandmaster of the Rifle Regiment. I practised in the trenches. Got on, got another, get a living by it!”
George remarks that she looks as fresh as a rose and as sound as an apple.
“The old girl,” says Mr. Bagnet in reply, “is a thoroughly fine woman. Consequently she is like a thoroughly fine day. Gets finer as she gets on. I never saw the old girl’s equal. But I never own to it before her. Discipline must be maintained!”
Proceeding to converse on indifferent matters, they walk up and down the little street, keeping step and time, until summoned by Quebec and Malta to do justice to the pork and greens, over which Mrs. Bagnet, like a military chaplain, says a short grace. In the distribution of these comestibles, as in every other household duty, Mrs. Bagnet develops an exact system, sitting with every dish before her, allotting to every portion of pork its own portion of pot-liquor, greens, potatoes, and even mustard, and serving it out complete. Having likewise served out the beer from a can and thus supplied the mess with all things necessary, Mrs. Bagnet proceeds to satisfy her own hunger, which is in a healthy state. The kit of the mess, if the table furniture may be so denominated, is chiefly composed of utensils of horn and tin that have done duty in several parts of the world. Young Woolwich’s knife, in particular, which is of the oyster kind, with the additional feature of a strong shutting-up movement which frequently balks the appetite of that young musician, is mentioned as having gone in various hands the complete round of foreign service.
The dinner done, Mrs. Bagnet, assisted by the younger branches (who polish their own cups and platters, knives and forks), makes all the dinner garniture shine as brightly as before and puts it all away, first sweeping the hearth, to the end that Mr. Bagnet and the visitor may not be retarded in the smoking of their pipes. These household cares involve much pattening and counter-pattening in the backyard and considerable use of a pail, which is finally so happy as to assist in the ablutions of Mrs. Bagnet herself. That old girl reappearing by and by, quite fresh, and sitting down to her needlework, then and only then—the greens being only then to be considered as entirely off her mind—Mr. Bagnet requests the trooper to state his case.
This Mr. George does with great discretion, appearing to address himself to Mr. Bagnet, but having an eye solely on the old girl all the time, as Bagnet has himself. She, equally discreet, busies herself with her needlework. The case fully stated, Mr. Bagnet resorts to his standard artifice for the maintenance of discipline.
“That’s the whole of it, is it, George?” says he.
“That’s the whole of it.”
“You act according to my opinion?”
“I shall be guided,” replies George, “entirely by it.”
“Old girl,” says Mr. Bagnet, “give him my opinion. You know it. Tell him what it is.”
It is that he cannot have too little to do with people who are too deep for him and cannot be too careful of interference with matters he does not understand—that the plain rule is to do nothing in the dark, to be a party to nothing underhanded or mysterious, and never to put his foot where he cannot see the ground. This, in effect, is Mr. Bagnet’s opinion, as delivered through the old girl, and it so relieves Mr. George’s mind by confirming his own opinion and banishing his doubts that he composes himself to smoke another pipe on that exceptional occasion and to have a talk over old times with the whole Bagnet family, according to their various ranges of experience.
Through these means it comes to pass that Mr. George does not again rise to his full height in that parlour until the time is drawing on when the bassoon and fife are expected by a British public at the theatre; and as it takes time even then for Mr. George, in his domestic character of Bluffy, to take leave of Quebec and Malta and insinuate a sponsorial
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