Little Women by Louisa May Alcott (e books free to read TXT) 📕

only thing that we can carry with us when we go, and it makes the end so easy.”

“I’ll try, Beth;” and then and there Jo renounced her old ambition, pledged herself to a new and better one, acknowledging the poverty of other desires, and feeling the blessed solace of a belief in the immortality of love.

So the spring days came and went, the sky grew clearer, the earth greener, the flowers were up fair and early, and the birds came back in time to say goodbye to Beth, who, like a tired but trustful child, clung to the hands that had led her all her life, as father and mother guided her tenderly through the Valley of the Shadow, and gave her up to God.

Seldom, except in books, do the dying utter memorable words, see visions, or depart with beatified countenances; and those who have sped many parting souls know that to most the end comes as naturally and simply as sleep. As Beth had hoped, the “tide went out easily;” and in the dark hour before the dawn, on the bosom where she had drawn her first breath, she quietly drew her last, with no farewell but one loving look, one little sigh.

With tears and prayers and tender hands, mother and sisters made her ready for the long sleep that pain would never mar again, seeing with grateful eyes the beautiful serenity that soon replaced the pathetic patience that had wrung their hearts so long, and feeling, with reverent joy, that to their darling death was a benignant angel, not a phantom full of dread.

When morning came, for the first time in many months the fire was out, Jo’s place was empty, and the room was very still. But a bird sang blithely on a budding bough, close by, the snowdrops blossomed freshly at the window, and the spring sunshine streamed in like a benediction over the placid face upon the pillow⁠—a face so full of painless peace that those who loved it best smiled through their tears, and thanked God that Beth was well at last.

XLI Learning to Forget

Amy’s lecture did Laurie good, though, of course, he did not own it till long afterward; men seldom do, for when women are the advisers, the lords of creation don’t take the advice till they have persuaded themselves that it is just what they intended to do; then they act upon it, and, if it succeeds, they give the weaker vessel half the credit of it; if it fails, they generously give her the whole. Laurie went back to his grandfather, and was so dutifully devoted for several weeks that the old gentleman declared the climate of Nice had improved him wonderfully, and he had better try it again. There was nothing the young gentleman would have liked better, but elephants could not have dragged him back after the scolding he had received; pride forbid, and whenever the longing grew very strong, he fortified his resolution by repeating the words that had made the deepest impression, “I despise you;” “Go and do something splendid that will make her love you.”

Laurie turned the matter over in his mind so often that he soon brought himself to confess that he had been selfish and lazy; but then when a man has a great sorrow, he should be indulged in all sorts of vagaries till he has lived it down. He felt that his blighted affections were quite dead now; and, though he should never cease to be a faithful mourner, there was no occasion to wear his weeds ostentatiously. Jo wouldn’t love him, but he might make her respect and admire him by doing something which should prove that a girl’s “No” had not spoilt his life. He had always meant to do something, and Amy’s advice was quite unnecessary. He had only been waiting till the aforesaid blighted affections were decently interred; that being done, he felt that he was ready to “hide his stricken heart, and still toil on.”

As Goethe, when he had a joy or a grief, put it into a song, so Laurie resolved to embalm his love-sorrow in music, and compose a Requiem which should harrow up Jo’s soul and melt the heart of every hearer. Therefore the next time the old gentleman found him getting restless and moody, and ordered him off, he went to Vienna, where he had musical friends, and fell to work with the firm determination to distinguish himself. But, whether the sorrow was too vast to be embodied in music, or music too ethereal to uplift a mortal woe, he soon discovered that the Requiem was beyond him, just at present. It was evident that his mind was not in working order yet, and his ideas needed clarifying; for often in the middle of a plaintive strain, he would find himself humming a dancing tune that vividly recalled the Christmas ball at Nice, especially the stout Frenchman, and put an effectual stop to tragic composition for the time being.

Then he tried an Opera, for nothing seemed impossible in the beginning; but here, again, unforeseen difficulties beset him. He wanted Jo for his heroine, and called upon his memory to supply him with tender recollections and romantic visions of his love. But memory turned traitor; and, as if possessed by the perverse spirit of the girl, would only recall Jo’s oddities, faults, and freaks, would only show her in the most unsentimental aspects⁠—beating mats with her head tied up in a bandanna, barricading herself with the sofa-pillow, or throwing cold water over his passion à la Gummidge⁠—and an irresistible laugh spoilt the pensive picture he was endeavoring to paint. Jo wouldn’t be put into the Opera at any price, and he had to give her up with a “Bless that girl, what a torment she is!” and a clutch at his hair, as became a distracted composer.

When he looked about him for another and a less intractable damsel to