Man and Wife by Wilkie Collins (e book reader pc .txt) 📕
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Man and Wife is the ninth novel by Wilkie Collins, and was published in serial form in 1870. Like many of his other novels it has a complex plot and tackles social issues, in this case the then-lax state of the marriage laws, particularly in Scotland and Ireland. As always, Collins deals carefully but frankly with human personal behavior. To avoid offending Victorian morals too greatly, much is implied rather than stated outright. Nevertheless, even dealing with such matters at all led to his novels being derided as “sensation fiction” by his critics. By today’s standards, of course, they wouldn’t even raise an eyebrow.
In Man and Wife, the main character Anne Silvester has fallen pregnant to a muscular and handsome, but boorish man, Geoffrey Delamayn, to whom she is not married. She is working as a governess at a house in Scotland. Anne arranges to meet Delamayn secretly at a garden party and angrily demands that he fulfill his promise to marry her, that very day. He very reluctantly agrees to a secret, private marriage, knowing that a public marriage would badly affect his inheritance prospects. How is the marriage to be arranged quickly but kept quiet? Anne has a plan based on her understanding of the looseness of the marriage laws in Scotland. Naturally, of course, things go badly wrong with this plan and many complexities arise.
Collins is deeply critical of the state of contemporary marriage laws, both in how loosely they were framed, and in how little power over their own lives they gave to women once they were married, even if married to a brutal man. He also uses this novel to denounce the worship of sporting heroes and the obsession with physical prowess rather than mental superiority as a primary indication of male virtue.
Though not as popular as his novels The Woman in White and The Moonstone, Man and Wife received a good critical reception when it was released and was a commercial success.
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- Author: Wilkie Collins
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“I wish to heaven I had never set eyes on her!” said Arnold.
“Lay the saddle on the right horse,” returned Sir Patrick. “Wish you had never set eyes on Geoffrey Delamayn.”
Arnold hung his head. Sir Patrick’s sharp tongue had got the better of him once more.
Twelfth Scene Drury Lane XLIV The Letter and the LawThe many-toned murmur of the current of London life—flowing through the murky channel of Drury Lane—found its muffled way from the front room to the back. Piles of old music lumbered the dusty floor. Stage masks and weapons, and portraits of singers and dancers, hung round the walls. An empty violin case in one corner faced a broken bust of Rossini in another. A frameless print, representing the Trial of Queen Caroline, was pasted over the fireplace. The chairs were genuine specimens of ancient carving in oak. The table was an equally excellent example of dirty modern deal. A small morsel of drugget was on the floor; and a large deposit of soot was on the ceiling. The scene thus presented, revealed itself in the back drawing-room of a house in Drury Lane, devoted to the transaction of musical and theatrical business of the humbler sort. It was late in the afternoon, on Michaelmas-day. Two persons were seated together in the room: they were Anne Silvester and Sir Patrick Lundie.
The opening conversation between them—comprising, on one side, the narrative of what had happened at Perth and at Swanhaven; and, on the other, a statement of the circumstances attending the separation of Arnold and Blanche—had come to an end. It rested with Sir Patrick to lead the way to the next topic. He looked at his companion, and hesitated.
“Do you feel strong enough to go on?” he asked. “If you would prefer to rest a little, pray say so.”
“Thank you, Sir Patrick. I am more than ready,
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