Night and Day by Virginia Woolf (love story novels in english .txt) 📕
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Although known for her later experiments with style and structure, Virginia Woolf set out in her early novels to master the traditional form. Her second novel, Night and Day, presents itself as a seemingly conventional marriage plot, complete with love triangles, broken engagements, and unrequited affections. Beneath these conventional trappings, however, the book’s deeper concerns are resolutely subversive. The main characters—a quartet of friends and would-be lovers—come together, pull apart, and struggle to reconcile socially-prescribed norms of love and marriage with their own beliefs and ambitions.
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- Author: Virginia Woolf
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“Never mind,” she said, “we’ll go to St. Paul’s another day, and it may turn out, though I can’t promise that it will, that he’ll take us past Westminster Abbey, which would be even better.”
Ralph was scarcely aware of what she went on to say. Her mind and body both seemed to have floated into another region of quick-sailing clouds rapidly passing across each other and enveloping everything in a vaporous indistinctness. Meanwhile he remained conscious of his own concentrated desire, his impotence to bring about anything he wished, and his increasing agony of impatience.
Suddenly Mrs. Hilbery pulled the cord with such decision that even Anderson had to listen to the order which she leant out of the window to give him. The carriage pulled up abruptly in the middle of Whitehall before a large building dedicated to one of our Government offices. In a second Mrs. Hilbery was mounting the steps, and Ralph was left in too acute an irritation by this further delay even to speculate what errand took her now to the Board of Education. He was about to jump from the carriage and take a cab, when Mrs. Hilbery reappeared talking genially to a figure who remained hidden behind her.
“There’s plenty of room for us all,” she was saying. “Plenty of room. We could find space for four of you, William,” she added, opening the door, and Ralph found that Rodney had now joined their company. The two men glanced at each other. If distress, shame, discomfort in its most acute form were ever visible upon a human face, Ralph could read them all expressed beyond the eloquence of words upon the face of his unfortunate companion. But Mrs. Hilbery was either completely unseeing or determined to appear so. She went on talking; she talked, it seemed to both the young men, to someone outside, up in the air. She talked about Shakespeare, she apostrophized the human race, she proclaimed the virtues of divine poetry, she began to recite verses which broke down in the middle. The great advantage of her discourse was that it was self-supporting. It nourished itself until Cheyne Walk was reached upon half a dozen grunts and murmurs.
“Now,” she said, alighting briskly at her door, “here we are!”
There was something airy and ironical in her voice and expression as she turned upon the doorstep and looked at them, which filled both Rodney and Denham with the same misgivings at having trusted their fortunes to such an ambassador; and Rodney actually hesitated upon the threshold and murmured to Denham:
“You go in, Denham. I …” He was turning tail, but the door opening and the familiar look of the house asserting its charm, he bolted in on the wake of the others, and the door shut upon his escape. Mrs. Hilbery led the way upstairs. She took them to the drawing-room. The fire burnt as usual, the little tables were laid with china and silver. There was nobody there.
“Ah,” she said, “Katharine’s not here. She must be upstairs in her room. You have something to say to her, I know, Mr. Denham. You can find your way?” she vaguely indicated the ceiling with a gesture of her hand. She had become suddenly serious and composed, mistress in her own house. The gesture with which she dismissed him had a dignity that Ralph never forgot. She seemed to make him free with a wave of her hand to all that she possessed. He left the room.
The Hilberys’ house was tall, possessing many stories and passages with closed doors, all, once he had passed the drawing-room floor, unknown to Ralph. He mounted as high as he could and knocked at the first door he came to.
“May I come in?” he asked.
A voice from within answered “Yes.”
He was conscious of a large window, full of light, of a bare table, and of a long looking-glass. Katharine had risen, and was standing with some white papers in her hand, which slowly fluttered to the ground as she saw her visitor. The explanation was a short one. The sounds were inarticulate; no one could have understood the meaning save themselves. As if the forces of the world were all at work to tear them asunder they sat, clasping hands, near enough to be taken even by the malicious eye of Time himself for a united couple, an indivisible unit.
“Don’t move, don’t go,” she begged of him, when he stooped to gather the papers she had let fall. But he took them in his hands and, giving her by a sudden impulse his own unfinished dissertation, with its mystical conclusion, they read each other’s compositions in silence.
Katharine read his sheets to an end; Ralph followed her figures as far as his mathematics would let him. They came to the end of their tasks at about the same moment, and sat for a time in silence.
“Those were the papers you left on the seat at Kew,” said Ralph at length. “You folded them so quickly that I couldn’t see what they were.”
She blushed very deeply; but as she did not move or attempt to hide her face she had the appearance of someone disarmed of all defences, or Ralph likened her to a wild bird just settling with wings trembling to fold themselves within reach of his hand. The moment of exposure had been exquisitely painful—the light shed startlingly vivid. She had now to get used to the fact that someone shared her loneliness. The bewilderment was half shame and half the prelude to profound rejoicing. Nor was she unconscious that on the surface the whole thing must appear of the utmost absurdity. She looked to see whether Ralph smiled, but found his gaze
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