Short Fiction by O. Henry (librera reader txt) π
Description
William Sydney Porter, known to readers as O. Henry, was a true raconteur. As a draftsman, a bank teller, a newspaper writer, a fugitive from justice in Central America, and a writer living in New York City, he told stories at each stop and about each stop. His stories are known for their vivid characters who come to life, and sometimes death, in only a few pages. But the most famous characteristic of O. Henryβs stories are the famous βtwistβ endings, where the outcome comes as a surprise both to the characters and the readers. O. Henryβs work was widely recognized and lauded, so much so that a few years after his death an award was founded in his name to recognize the best American short story (now stories) of the year.
This collection gathers all of his available short stories that are in the U.S. public domain. They were published in various popular magazines of the time, as well as in the Houston Post, where they were not attributed to him until many years after his death.
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- Author: O. Henry
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The most adventurous boys circled Bulgerβs residence at a respectful distance. He was intolerant of visitors, and repelled the curious with belligerent and gruff inhospitality. In return, the report was current that he was of unsound mind, something of a wizard, and a miser with a vast amount of gold buried in or near his hut. The old man worked at odd jobs, such as weeding gardens and whitewashing; and he collected old bones, scrap metal and bottles from alleys and yards.
One rainy night when the Salvation Army was holding a slenderly attended meeting in its hall, Bulger had appeared and asked permission to join the ranks. The sergeant in command of the post welcomed the old man with that cheerful lack of prejudice that distinguishes the peaceful militants of his order.
Bulger was at once assigned to the position of bass drummer, to his evident, although grimly expressed, joy. Possibly the sergeant, who had the success of his command at heart, perceived that it would be no mean token of successful warfare to have the new recruit thus prominently displayed, representing, as he did, if not a brand from the burning, at least a well-charred and sap-dried chunk.
So every night, when the Army marched from its quarters to the street corner where open-air services were held, Bulger stumbled along with his bass drum behind the sergeant and the corporal, who played βSweet By and Byβ and βOnly an Armor-Bearerβ in unison upon their cornets. And never before in that town was bass drum so soundly whacked. Bulger managed to keep time with the cornets upon his instrument, but his feet were always wo-fully unrhythmic. He shuffled and staggered and rocked from side to side like a bear.
Truly, he was not pleasing to the sight. He was a bent, ungainly old man, with a face screwed to one side and wrinkled like a dry prune. The red shirt, which proclaimed his enlistment into the ranks, was a misfit, being the outer husk of a leviathan corporal who had died some time before. This garment hung upon Bulger in folds. His old brown cap was always pulled down over one eye. These and his wabbling gait gave him the appearance of some great simian, captured and imperfectly educated in pedestrian and musical manoeuvres.
The thoughtless boys and undeveloped men who gathered about the street services of the Army badgered Bulger incessantly. They called upon him to give oral testimony to his conversion, and criticized the technique and style of his drum performance. But the old man paid no attention whatever to their jeers. He rarely spoke to anyone except when, on coming and going, he gruffly saluted his comrades.
The sergeant had met many odd characters, and knew how to study them. He allowed the recruit to have his own silent way for a time. Every evening Bulger appeared at the hall, marched up the street with the squad and back again. Then he would place his drum in the comer where it belonged, and sit upon the last bench in the rear until the hall meeting was concluded.
But one night the sergeant followed the old man outside, and laid his hand upon his shoulder. βComrade,β he said, βis it well with you?β
βNot yet, sergeant,β said Bulger. βIβm only tryin.β Iβm glad you come outside. Iβve been wantinβ to ask you: Do you believe the Lord would take a man in if he come to Him late likeβ βkind of a last resort, you know? Say a man whoβd lost everythingβ βhome and property and friends and health. Wouldnβt it look mean to wait till then and try to come?β
βBless His nameβ βno!ββsaid the sergeant. βCome ye that are heavy laden; thatβs what He says. The poorer, the more miserable, the more unfortunateβ βthe greater His love and forgiveness.β
βYes, Iβm poor,β said Bulger. βAwful poor and miserable. You know when I can think best, sergeant? Itβs when Iβm beating the drum. Other times thereβs a kind of muddled roarinβ in my head. The drum seems to kind of soothe and calm it. Thereβs a thing Iβm tryinβ to study out, but I ainβt made it yet.β
βDo you pray, comrade?β asked the sergeant.
βNo, I donβt,β said Bulger. βWhatβd be the use? I know where the hitch is. Donβt it say somewhere for a man to give up his own family or friends and serve the Lord?β
βIf they stand in his way; not otherwise.β
βIβve got no family,β continued the old man, βnor no friendsβ βbut one. And that one is whatβs driven me to ruin.β
βFree yourself!β cried the sergeant. βHe is no friend, but an enemy who stands between you and salvation.β
βNo,β answered Bulger, emphatically, βno enemy. The best friend I ever had.β
βBut you say heβs driven you to ruin!β
The old man chuckled dryly: βAnd keeps me in rags and livinβ on scraps and sleepinβ like a dog in a patched-up kennel. And yet I never had a better friend. You donβt understand, sergeant. You lose all your friends but the best one, and then youβll know how to hold on to the last one.β
βDo you drink, comrade?β asked the sergeant.
βNot a drop in twenty years,β Bulger replied. The sergeant was puzzled.
βIf this friend stands between you and your soulβs peace, give him up,β was all he could find to say.
βI canβtβ βnow,β said the old man, dropping into a fretful whine. βBut you just let me keep on beating the drum, sergeant, and maybe I will some time. Iβm a-tryinβ. Sometimes I come so near thinkinβ it out that a dozen more licks on the drum would settle it. I get mighty nigh to the point, and then I have to quit. Youβll give me more time, wonβt you, sergeant?β
βAll you want, and God bless you, comrade. Pound away until you hit the right note.β
Afterward the sergeant would often call to Bulger: βTime, comrade! Knocked that friend of yours out yet?β The answer was always unsatisfactory.
One night at a street corner the sergeant prayed loudly that a certain struggling comrade
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