Scaramouche by Rafael Sabatini (best color ebook reader txt) 📕
Description
Scaramouche tells the tale of André-Louis Moreau, a young lawyer in Brittany. When his friend is killed by an unremorseful landowner, Moreau swears revenge and begins a life of adventure on the run. His travels lead him to joining a traveling theater troupe, becoming a master swordsman, and even to revolution.
While the story of Scaramouche is fiction, Sabatini was always very careful to portray history as accurately as he could in his novels. Thus, the backdrop of the French Revolution is vibrant, immediate, and carefully described. In general Sabatini’s prose is sharp and entertaining.
Scaramouche was incredibly popular in its day, and was Sabatini’s most famous novel. The first line is written on Sabatini’s grave.
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- Author: Rafael Sabatini
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“Ah, it is you, Chapelier! Why don’t you speak to them? Why don’t you tell them what to do? Up with you, man!” And he pointed to the plinth.
Le Chapelier’s dark, restless eyes searched the other’s impassive face for some trace of the irony he suspected. They were as wide asunder as the poles, these two, in their political views; and mistrusted as André-Louis was by all his colleagues of the Literary Chamber of Rennes, he was by none mistrusted so thoroughly as by this vigorous republican. Indeed, had Le Chapelier been able to prevail against the influence of the seminarist Vilmorin, André-Louis would long since have found himself excluded from that assembly of the intellectual youth of Rennes, which he exasperated by his eternal mockery of their ideals.
So now Le Chapelier suspected mockery in that invitation, suspected it even when he failed to find traces of it on André-Louis’ face, for he had learnt by experience that it was a face not often to be trusted for an indication of the real thoughts that moved behind it.
“Your notions and mine on that score can hardly coincide,” said he.
“Can there be two opinions?” quoth André-Louis.
“There are usually two opinions whenever you and I are together, Moreau—more than ever now that you are the appointed delegate of a nobleman. You see what your friends have done. No doubt you approve their methods.” He was coldly hostile.
André-Louis looked at him without surprise. So invariably opposed to each other in academic debates, how should Le Chapelier suspect his present intentions?
“If you won’t tell them what is to be done, I will,” said he.
“Nom de Dieu! If you want to invite a bullet from the other side, I shall not hinder you. It may help to square the account.”
Scarcely were the words out than he repented them; for as if in answer to that challenge André-Louis sprang up on to the plinth. Alarmed now, for he could only suppose it to be André-Louis’ intention to speak on behalf of Privilege, of which he was a publicly appointed representative, Le Chapelier clutched him by the leg to pull him down again.
“Ah, that, no!” he was shouting. “Come down, you fool. Do you think we will let you ruin everything by your clowning? Come down!”
André-Louis, maintaining his position by clutching one of the legs of the bronze horse, flung his voice like a bugle-note over the heads of that seething mob.
“Citizens of Rennes, the motherland is in danger!”
The effect was electric. A stir ran, like a ripple over water, across that froth of upturned human faces, and completest silence followed. In that great silence they looked at this slim young man, hatless, long wisps of his black hair fluttering in the breeze, his neckcloth in disorder, his face white, his eyes on fire.
André-Louis felt a sudden surge of exaltation as he realized by instinct that at one grip he had seized that crowd, and that he held it fast in the spell of his cry and his audacity.
Even Le Chapelier, though still clinging to his ankle, had ceased to tug. The reformer, though unshaken in his assumption of André-Louis’ intentions, was for a moment bewildered by the first note of his appeal.
And then, slowly, impressively, in a voice that travelled clear to the ends of the square, the young lawyer of Gavrillac began to speak.
“Shuddering in horror of the vile deed here perpetrated, my voice demands to be heard by you. You have seen murder done under your eyes—the murder of one who nobly, without any thought of self, gave voice to the wrongs by which we are all oppressed. Fearing that voice, shunning the truth as foul things shun the light, our oppressors sent their agents to silence him in death.”
Le Chapelier released at last his hold of André-Louis’ ankle, staring up at him the while in sheer amazement. It seemed that the fellow was in earnest; serious for once; and for once on the right side. What had come to him?
“Of assassins what shall you look for but assassination? I have a tale to tell which will show that this is no new thing that you have witnessed here today; it will reveal to you the forces with which you have to deal. Yesterday …”
There was an interruption. A voice in the crowd, some twenty paces, perhaps, was raised to shout:
“Yet another of them!”
Immediately after the voice came a pistol-shot, and a bullet flattened itself against the bronze figure just behind André-Louis.
Instantly there was turmoil in the crowd, most intense about the spot whence the shot had been fired. The assailant was one of a considerable group of the opposition, a group that found itself at once beset on every side, and hard put to it to defend him.
From the foot of the plinth rang the voice of the students making chorus to Le Chapelier, who was bidding André-Louis to seek shelter.
“Come down! Come down at once! They’ll murder you as they murdered La Rivière.”
“Let them!” He flung wide his arms in a gesture supremely theatrical, and laughed. “I stand here at their mercy. Let them, if they will, add mine to the blood that will presently rise up to choke them. Let them assassinate me. It is a trade they understand. But until they do so, they shall not prevent me from speaking to you, from telling you what is to be looked for in them.” And again he laughed, not merely in exaltation as they supposed who watched him from below, but also in amusement. And his amusement had two sources. One was to discover how glibly he uttered the phrases proper to whip up the emotions of a crowd: the other was in the remembrance of how the crafty Cardinal de Retz, for the purpose of inflaming popular sympathy on his behalf, had been in the habit of hiring fellows to
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