Short Fiction by O. Henry (librera reader txt) π
Description
William Sydney Porter, known to readers as O. Henry, was a true raconteur. As a draftsman, a bank teller, a newspaper writer, a fugitive from justice in Central America, and a writer living in New York City, he told stories at each stop and about each stop. His stories are known for their vivid characters who come to life, and sometimes death, in only a few pages. But the most famous characteristic of O. Henryβs stories are the famous βtwistβ endings, where the outcome comes as a surprise both to the characters and the readers. O. Henryβs work was widely recognized and lauded, so much so that a few years after his death an award was founded in his name to recognize the best American short story (now stories) of the year.
This collection gathers all of his available short stories that are in the U.S. public domain. They were published in various popular magazines of the time, as well as in the Houston Post, where they were not attributed to him until many years after his death.
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- Author: O. Henry
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Suddenly, with a glad cry, he rushed forward with renewed vigor. He saw before him, untouched by the hand of man and unchanged by time, an old familiar object around which he had played when a child. He reached out his arms and ran toward it with a deep sigh of satisfaction.
Later on they found him asleep, with a peaceful smile on his face, lying on the old garbage pile in the middle of the street, the sole relic of his boyhoodβs recollections.
Getting at the FactsIt was late in the afternoon and the day staff was absent. The night editor had just come in, pulled off his coat, vest, collar, and necktie, rolled up his shirtsleeves and eased down his suspenders, and was getting ready for work.
Someone knocked timidly outside the door, and the night editor yelled, βCome in.β
A handsome young lady with entreating blue eyes and a Psyche knot entered with a rolled manuscript in her hand.
The night editor took it silently and unrolled it. It was a poem and he read it half aloud with a convulsive jaw movement that resulted from his organs of speech being partially engaged with about a quarter of a plug of chewing tobacco. The poem ran thus:
A Requiem
The soft, sweet, solemn dawn stole through
The latticed roomβs deep gloom;
He lay in pallid, pulseless peace,
Fulfilled his final doom.
Oh, breaking heart of mineβ βoh, break!
Left lonely here to mourn;
My alter ego, mentor, friend
Thus from me rudely torn.
Within his chamber dead he lies,
And stilled is his sweet lyre;
How long he pored oβer midnight oil.
With grand poetic fire!
Till came the crash, when his bright light
Went out, and all was drear;
And my sad soul was left to wait
In grief and anguish here.
βWhen did this happen?β asked the night editor.
βI wrote it last night, sir,β said the young lady. βIs it good enough to print?β
βLast night! Hβm. A little stale, but the other papers didnβt get it. Now, miss,β continued the night editor, smiling and throwing out his chest, βIβm going to teach you a lesson in the newspaper business. We can use this item, but itβs not in proper shape. Just take that chair, and Iβll rewrite it for you, showing you how to properly condense a news item in order to secure its insertion.β
The young lady seated herself and the night editor knitted his brows and read over the poem two or three times to get the main points. He then wrote a few lines upon a sheet of paper and said:
βNow, miss, here is the form in which your item will appear when we print it:
Fatal Accident
Last evening Mr. Alter Ego of this city was killed by the explosion of a kerosene lamp while at work in his room.
βNow, you see, miss, the item includes the main facts in the case, andβ ββ
βSir!β said the young lady indignantly. βThere is nothing of the kind intimated in the poem. The lines are imaginary and are intended to express the sorrow of a poetβs friend at his untimely demise.β
βWhy, miss,β said the night editor, βit plainly refers to midnight oil, and a crash, and when the light blew up the gent was left for dead in the room.β
βYou horrid thing,β said the young lady, βgive me my manuscript. I will bring it back when the literary editor is in.β
βIβm sorry,β said the night editor as he handed her the roll. βWeβre short on news tonight, and it would have made a nice little scoop. Donβt happen to know of any accidents in your ward: births, runaways, holdups, or breach of promise suits, do you?β
But the slamming of the door was the only answer from the fair poetess.
Too WiseHere is a man in Houston who keeps quite abreast of the times. He reads the papers, has traveled extensively and is an excellent judge of human nature. He has a natural gift for detecting humbugs and fakirs, and it would be a smooth artist indeed who could impose upon him in any way.
Last night as he was going home, a shady looking man with his hat pulled over his eyes stepped out from a doorway and said:
βSay, gent, hereβs a fine diamond ring I found in de gutter. I donβt want to get into no trouble wid it. Gimme a dollar and take it.β
The Houston man smiled as he looked at the flashy ring the man held toward him.
βA very good game, my man,β he said, βbut the police are hot after you fellows. You had better select your rhinestone customers with better judgment. Good night.β
When the man got home he found his wife in tears.
βOh, John,β she said. βI went shopping this afternoon and lost my solitaire diamond ring. Oh, what shall Iβ ββ
John turned without a word and rushed back down the street, but the shady-looking man was not to be found.
His wife often wonders why he never scolded her for losing the ring.
Answers to InquiriesDear Editor: I want to ask a question in arithmetic. I am a school boy and am anxious to know the solution. If my pa, who keeps a grocery on Milam Street, sells four cans of tomatoes for twenty-five cents, and twenty-two pounds of sugar, and one can of extra evaporated apples and three cans of superior California plums, for onlyβ β
There!
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