The Slaves of Paris by Émile Gaboriau (good book recommendations .txt) 📕
Description
In this, Gaboriau’s penultimate Lecoq novel, Lecoq doesn’t make an appearance until the last few chapters of the book. In fact, the protagonists’ identity remains unclear until almost halfway through. They’re not missed, though, because the antagonists are a group of blackmailers of exhaustive ingenuity and knowledge, and piecing together the game they’re playing with several noblemen and women occupies all of one’s faculties for most of the book.
Young love, old love, forbidden love, lost love, along with a couple of missing individuals: what is the blackmailers’ endgame? Will Lecoq be able to figure it out in time? Called “French sensational” in its day, Lecoq’s last case is still sensational today.
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- Author: Émile Gaboriau
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“Ah! it is to the banker’s they have gone!”
He questioned a man coming downstairs and heard that M. Martin Rigal, the banker, had his offices and residence there.
“I have struck a vein of good luck today,” thought he; “and now if my little friend the chestnut seller can only tell me the names of these men, I have done a good day’s work. I do hope that he has not gone.”
The boy was still there, and he had two customers standing by the chafing-dish which contained the glowing charcoal, and a working lad in cap and blouse was arguing so hotly with the lad that they did not notice André’s appearance.
“You can stow that chat,” said the boy; “I have told your father the price I would take. You want my station and stock-in-trade. Hand over two hundred and fifty francs, and they are yours.”
“But my dad will only give two hundred,” returned the other.
“Then he don’t need give nothing, for he won’t get ’em,” answered the chestnut vender sharply. “Two hundred francs for a pitch like this! Why, I have sometimes taken ten francs and more, and that ain’t a lie, on the word of Toto Chupin.”
André was tickled with this strange designation, and addressed himself to the lad who bore it.
“My good boy,” said he, “I think you were here an hour ago. Did you see anything of three gentlemen who came out of the house and stood talking together for a short time?”
The lad turned sharply round and examined his questioner from tip to toe with an air of the most supreme impertinence; and then, in a tone which matched his look, replied—
“What does it signify to you who they are? Mind your own business, and be off!”
André had had some little experience of this delightful class of street Arab, of which Toto Chupin was so favorable a specimen, and knew their habits, customs, and language.
“Come, my chicken,” said he, “spit it out, it won’t blister your tongue, to answer a man who asks a civil question.”
“Well, then, I saw ’em, sharp enough, and what then?”
“Why, that I should like to have their names if they have such an article belonging to ’em!”
Toto raised his cap and scratched his head, as if to stimulate his brains, and as he brushed up his thick head of dirty yellow hair, he eyed André cunningly.
“And suppose I know the blokes’ names and tells ’em out to you, what will you stand?” asked he.
“Ten sous.”
The delightful youth puffed out his cheeks, then expelled the pent-up wind by a sudden slap, as a mark of his disgust at the meanness of the offer.
“Pull up your braces, my lord,” said he sarcastically, “or you’ll be losing the contents of your breeches pockets. Ten sous, indeed! Perhaps you’d like me to lend ’em to yer?”
André smiled pleasantly.
“Did you think, my little man, that I was going to offer you twenty thousand shiners?” asked he.
“Won again!” cried Toto; “I laid myself a new hat that you weren’t a fool, and I have collared the stakes.”
“Why do you think I am not a fool?”
“Because a fool would have begun by offering me five francs and gone up slick to ten, while you began at a modest figure.”
The painter smiled.
“But you were too old a bird to be caught like that,” continued the lad; and as he spoke, he stopped, and contracted his brow as if in deep perplexity. Of course he was acquainted with the names, but ought he to give them? Instantly he scented an enemy. Harmless people did not usually ask questions of itinerant chestnut venders, and to open his mouth might be to injure Mascarin, Beaumarchef, or the guileless Tantaine.
This last thought determined the lad.
“Keep your ten sous, my pippin,” said the boy; “I’ll tell you what you want to know all gratis and for nothing, because I’ve taken a real fancy to the cut of your mug. The tall chap was Mascarin, the fat un Doctor Hortebise, and t’other—stop, let me think it out in my knowledge box; ah! I have it, he was Verminet.”
André was so delighted that, drawing from his pocket a five-franc piece, he tossed it to the boy.
“Thanks, my noble lord,” said Chupin, and was about to add something more in a similar vein, when he glanced down the street. His look changed in an instant, and he fixed his eyes upon the painter’s face with a very strange expression.
“What is the matter, my lad?” asked André, surprised at this sudden change.
“Nothing,” answered Chupin; “nothing at all; only
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