Short Fiction by O. Henry (librera reader txt) π
Description
William Sydney Porter, known to readers as O. Henry, was a true raconteur. As a draftsman, a bank teller, a newspaper writer, a fugitive from justice in Central America, and a writer living in New York City, he told stories at each stop and about each stop. His stories are known for their vivid characters who come to life, and sometimes death, in only a few pages. But the most famous characteristic of O. Henryβs stories are the famous βtwistβ endings, where the outcome comes as a surprise both to the characters and the readers. O. Henryβs work was widely recognized and lauded, so much so that a few years after his death an award was founded in his name to recognize the best American short story (now stories) of the year.
This collection gathers all of his available short stories that are in the U.S. public domain. They were published in various popular magazines of the time, as well as in the Houston Post, where they were not attributed to him until many years after his death.
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- Author: O. Henry
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βThatβs Garvey,β said Coltrane; βthe man you sold out to. Thereβs no doubt but heβs considerably cracked. I had to send him up for moonshining once, several years ago, in spite of the fact that I believed him irresponsible. Why, whatβs the matter, Yancey?β
Goree was wiping his forehead, and his face had lost its colour. βDo I look queer, too?β he asked, trying to smile. βIβm just remembering a few more things.β Some of the alcohol had evaporated from his brain. βI recollect now where I got that two hundred dollars.β
βDonβt think of it,β said Coltrane cheerfully. βLater on weβll figure it all out together.β
They rode out of the branch, and when they reached the foot of the hill Goree stopped again.
βDid you ever suspect I was a very vain kind of fellow, Colonel?β he asked. βSort of foolish proud about appearances?β
The colonelβs eyes refused to wander to the soiled, sagging suit of flax and the faded slouch hat.
βIt seems to me,β he replied, mystified, but humouring him, βI remember a young buck about twenty, with the tightest coat, the sleekest hair, and the prancingest saddle horse in the Blue Ridge.β
βRight you are,β said Goree eagerly. βAnd itβs in me yet, though it donβt show. Oh, Iβm as vain as a turkey gobbler, and as proud as Lucifer. Iβm going to ask you to indulge this weakness of mine in a little matter.β
βSpeak out, Yancey. Weβll create you Duke of Laurel and Baron of Blue Ridge, if you choose; and you shall have a feather out of Stellaβs peacockβs tail to wear in your hat.β
βIβm in earnest. In a few minutes weβll pass the house up there on the hill where I was born, and where my people have lived for nearly a century. Strangers live there nowβ βand look at me! I am about to show myself to them ragged and poverty-stricken, a wastrel and a beggar. Colonel Coltrane, Iβm ashamed to do it. I want you to let me wear your coat and hat until we are out of sight beyond. I know you think it a foolish pride, but I want to make as good a showing as I can when I pass the old place.β
βNow, what does this mean?β said Coltrane to himself, as he compared his companionβs sane looks and quiet demeanour with his strange request. But he was already unbuttoning the coat, assenting readily, as if the fancy were in no wise to be considered strange.
The coat and hat fitted Goree well. He buttoned the former about him with a look of satisfaction and dignity. He and Coltrane were nearly the same sizeβ βrather tall, portly, and erect. Twenty-five years were between them, but in appearance they might have been brothers. Goree looked older than his age; his face was puffy and lined; the colonel had the smooth, fresh complexion of a temperate liver. He put on Goreeβs disreputable old flax coat and faded slouch hat.
βNow,β said Goree, taking up the reins, βIβm all right. I want you to ride about ten feet in the rear as we go by, Colonel, so that they can get a good look at me. Theyβll see Iβm no back number yet, by any means. I guess Iβll show up pretty well to them once more, anyhow. Letβs ride on.β
He set out up the hill at a smart trot, the colonel following, as he had been requested.
Goree sat straight in the saddle, with head erect, but his eyes were turned to the right, sharply scanning every shrub and fence and hiding-place in the old homestead yard. Once he muttered to himself, βWill the crazy fool try it, or did I dream half of it?β
It was when he came opposite the little family burying ground that he saw what he had been looking forβ βa puff of white smoke, coming from the thick cedars in one corner. He toppled so slowly to the left that Coltrane had time to urge his horse to that side, and catch him with one arm.
The squirrel hunter had not overpraised his aim. He had sent the bullet where he intended, and where Goree had expected that it would passβ βthrough the breast of Colonel Abner Coltraneβs black frock coat.
Goree leaned heavily against Coltrane, but he did not fall. The horses kept pace, side by side, and the Colonelβs arm kept him steady. The little white houses of Laurel shone through the trees, half a mile away. Goree reached out one hand and groped until it rested upon Coltraneβs fingers, which held his bridle.
βGood friend,β he said, and that was all.
Thus did Yancey Goree, as he rode past his old home, make, considering all things, the best showing that was in his power.
The Duplicity of HargravesWhen Major Pendleton Talbot, of Mobile, sir, and his daughter, Miss Lydia Talbot, came to Washington to reside, they selected for a boarding place a house that stood fifty yards back from one of the quietest avenues. It was an old-fashioned brick building, with a portico upheld by tall white pillars. The yard was shaded by stately locusts and elms, and a catalpa tree in season rained its pink and white blossoms upon the grass. Rows of high box bushes lined the fence and walks. It was the Southern style and aspect of the place that pleased
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