Crime and Punishment by Fyodor Dostoevsky (love novels in english TXT) 📕
Description
Crime and Punishment tells the story of Rodion Raskolnikov, an ex-student who plans to murder a pawnbroker to test his theory of personality. Having accomplished the deed, Raskolnikov struggles with mental anguish while trying to both avoid the consequences and hide his guilt from his friends and family.
Dostoevsky’s original idea for the novel centered on the Marmeladov family and the impact of alcoholism in Russia, but inspired by a double murder in France he decided to rework it around the new character of Raskolnikov. The novel was first serialized in The Russian Messenger over the course of 1866, where it was an instant success. It was published in a single volume in 1867. Presented here is Constance Garnett’s 1914 translation.
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- Author: Fyodor Dostoevsky
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“No matter, I’ll come all the same.”
“As you like, it’s nothing to me, but I won’t come with you; here we are at home. By the way, I am convinced that you regard me with suspicion just because I have shown such delicacy and have not so far troubled you with questions … you understand? It struck you as extraordinary; I don’t mind betting it’s that. Well, it teaches one to show delicacy!”
“And to listen at doors!”
“Ah, that’s it, is it?” laughed Svidrigaïlov. “Yes, I should have been surprised if you had let that pass after all that has happened. Ha-ha! Though I did understand something of the pranks you had been up to and were telling Sofya Semyonovna about, what was the meaning of it? Perhaps I am quite behind the times and can’t understand. For goodness’ sake, explain it, my dear boy. Expound the latest theories!”
“You couldn’t have heard anything. You’re making it all up!”
“But I’m not talking about that (though I did hear something). No, I’m talking of the way you keep sighing and groaning now. The Schiller in you is in revolt every moment, and now you tell me not to listen at doors. If that’s how you feel, go and inform the police that you had this mischance: you made a little mistake in your theory. But if you are convinced that one mustn’t listen at doors, but one may murder old women at one’s pleasure, you’d better be off to America and make haste. Run, young man! There may still be time. I’m speaking sincerely. Haven’t you the money? I’ll give you the fare.”
“I’m not thinking of that at all,” Raskolnikov interrupted with disgust.
“I understand (but don’t put yourself out, don’t discuss it if you don’t want to). I understand the questions you are worrying over—moral ones, aren’t they? Duties of citizen and man? Lay them all aside. They are nothing to you now, ha-ha! You’ll say you are still a man and a citizen. If so you ought not to have got into this coil. It’s no use taking up a job you are not fit for. Well, you’d better shoot yourself, or don’t you want to?”
“You seem trying to enrage me, to make me leave you.”
“What a queer fellow! But here we are. Welcome to the staircase. You see, that’s the way to Sofya Semyonovna. Look, there is no one at home. Don’t you believe me? Ask Kapernaumov. She leaves the key with him. Here is Madame de Kapernaumov herself. Hey, what? She is rather deaf. Has she gone out? Where? Did you hear? She is not in and won’t be till late in the evening probably. Well, come to my room; you wanted to come and see me, didn’t you? Here we are. Madame Resslich’s not at home. She is a woman who is always busy, an excellent woman I assure you. … She might have been of use to you if you had been a little more sensible. Now, see! I take this five-percent bond out of the bureau—see what a lot I’ve got of them still—this one will be turned into cash today. I mustn’t waste any more time. The bureau is locked, the flat is locked, and here we are again on the stairs. Shall we take a cab? I’m going to the Islands. Would you like a lift? I’ll take this carriage. Ah, you refuse? You are tired of it! Come for a drive! I believe it will come on to rain. Never mind, we’ll put down the hood. …”
Svidrigaïlov was already in the carriage. Raskolnikov decided that his suspicions were at least for that moment unjust. Without answering a word he turned and walked back towards the Hay Market. If he had only turned round on his way he might have seen Svidrigaïlov get out not a hundred paces off, dismiss the cab and walk along the pavement. But he had turned the corner and could see nothing. Intense disgust drew him away from Svidrigaïlov.
“To think that I could for one instant have looked for help from that coarse brute, that depraved sensualist and blackguard!” he cried.
Raskolnikov’s judgment was uttered too lightly and hastily: there was something about Svidrigaïlov which gave him a certain original, even a mysterious character. As concerned his sister, Raskolnikov was convinced that Svidrigaïlov would not leave her in peace. But it was too tiresome and unbearable to go on thinking and thinking about this.
When he was alone, he had not gone twenty paces before he sank, as usual, into deep thought. On the bridge he stood by the railing and began gazing at the water. And his sister was standing close by him.
He met her at the entrance to the bridge, but passed by without seeing her. Dounia had never met him like this in the street before and was struck with dismay. She stood still and did not know whether to call to him or not. Suddenly she saw Svidrigaïlov coming quickly from the direction of the Hay Market.
He seemed to be approaching cautiously. He did not go on to the bridge, but stood aside on the pavement, doing all he could to avoid Raskolnikov’s seeing him. He had observed Dounia for some time and had been making signs to her. She fancied he was signalling to beg her not to speak to her brother, but to come to him.
That was what Dounia did. She stole by her brother and went up to Svidrigaïlov.
“Let us make haste away,” Svidrigaïlov
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