A Room With a View by E. M. Forster (top fiction books of all time TXT) 📕

at all. Why should he invite us in that absurd manner? We might as well invite him. We are each paying for ourselves.”

Miss Bartlett, who had intended to lament over the Emersons, was launched by this remark into unexpected thoughts.

“If that is so, dear⁠—if the drive we and Mr. Beebe are going with Mr. Eager is really the same as the one we are going with Mr. Beebe, then I foresee a sad kettle of fish.”

“How?”

“Because Mr. Beebe has asked Eleanor Lavish to come, too.”

“That will mean another carriage.”

“Far worse. Mr. Eager does not like Eleanor. She knows it herself. The truth must be told; she is too unconventional for him.”

They were now in the newspaper-room at the English bank. Lucy stood by the central table, heedless of Punch and the Graphic, trying to answer, or at all events to formulate the questions rioting in her brain. The well-known world had broken up, and there emerged Florence, a magic city where people thought and did the most extraordinary things. Murder, accusations of murder, a lady clinging to one man and being rude to another⁠—were these the daily incidents of her streets? Was there more in her frank beauty than met the eye⁠—the power, perhaps, to evoke passions, good and bad, and to bring them speedily to a fulfillment?

Happy Charlotte, who, though greatly troubled over things that did not matter, seemed oblivious to things that did; who could conjecture with admirable delicacy “where things might lead to,” but apparently lost sight of the goal as she approached it. Now she was crouching in the corner trying to extract a circular note from a kind of linen nosebag which hung in chaste concealment round her neck. She had been told that this was the only safe way to carry money in Italy; it must only be broached within the walls of the English bank. As she groped she murmured: “Whether it is Mr. Beebe who forgot to tell Mr. Eager, or Mr. Eager who forgot when he told us, or whether they have decided to leave Eleanor out altogether⁠—which they could scarcely do⁠—but in any case we must be prepared. It is you they really want; I am only asked for appearances. You shall go with the two gentlemen, and I and Eleanor will follow behind. A one-horse carriage would do for us. Yet how difficult it is!”

“It is indeed,” replied the girl, with a gravity that sounded sympathetic.

“What do you think about it?” asked Miss Bartlett, flushed from the struggle, and buttoning up her dress.

“I don’t know what I think, nor what I want.”

“Oh, dear, Lucy! I do hope Florence isn’t boring you. Speak the word, and, as you know, I would take you to the ends of the earth tomorrow.”

“Thank you, Charlotte,” said Lucy, and pondered over the offer.

There were letters for her at the bureau⁠—one from her brother, full of athletics and biology; one from her mother, delightful as only her mother’s letters could be. She had read in it of the crocuses which had been bought for yellow and were coming up puce, of the new parlourmaid, who had watered the ferns with essence of lemonade, of the semidetached cottages which were ruining Summer Street, and breaking the heart of Sir Harry Otway. She recalled the free, pleasant life of her home, where she was allowed to do everything, and where nothing ever happened to her. The road up through the pine-woods, the clean drawing-room, the view over the Sussex Weald⁠—all hung before her bright and distinct, but pathetic as the pictures in a gallery to which, after much experience, a traveller returns.

“And the news?” asked Miss Bartlett.

“Mrs. Vyse and her son have gone to Rome,” said Lucy, giving the news that interested her least. “Do you know the Vyses?”

“Oh, not that way back. We can never have too much of the dear Piazza Signoria.”

“They’re nice people, the Vyses. So clever⁠—my idea of what’s really clever. Don’t you long to be in Rome?”

“I die for it!”

The Piazza Signoria is too stony to be brilliant. It has no grass, no flowers, no frescoes, no glittering walls of marble or comforting patches of ruddy brick. By an odd chance⁠—unless we believe in a presiding genius of places⁠—the statues that relieve its severity suggest, not the innocence of childhood, nor the glorious bewilderment of youth, but the conscious achievements of maturity. Perseus and Judith, Hercules and Thusnelda, they have done or suffered something, and though they are immortal, immortality has come to them after experience, not before. Here, not only in the solitude of Nature, might a hero meet a goddess, or a heroine a god.

“Charlotte!” cried the girl suddenly. “Here’s an idea. What if we popped off to Rome tomorrow⁠—straight to the Vyses’ hotel? For I do know what I want. I’m sick of Florence. No, you said you’d go to the ends of the earth! Do! Do!”

Miss Bartlett, with equal vivacity, replied:

“Oh, you droll person! Pray, what would become of your drive in the hills?”

They passed together through the gaunt beauty of the square, laughing over the unpractical suggestion.

VI The Reverend Arthur Beebe, the Reverend Cuthbert Eager, Mr. Emerson, Mr. George Emerson, Miss Eleanor Lavish, Miss Charlotte Bartlett, and Miss Lucy Honeychurch Drive Out in Carriages to See a View; Italians Drive Them

It was Phaethon who drove them to Fiesole that memorable day, a youth all irresponsibility and fire, recklessly urging his master’s horses up the stony hill. Mr. Beebe recognized him at once. Neither the Ages of Faith nor the Age of Doubt had touched him; he was Phaethon in Tuscany driving a cab. And it was Persephone whom he asked leave to pick up on the way, saying that she was his sister⁠—Persephone, tall and slender and pale, returning with the Spring to her mother’s cottage, and still shading her eyes from the unaccustomed light. To her Mr. Eager objected, saying that here was the thin edge of the wedge, and one must guard against imposition. But the ladies interceded, and when it had been made