Man and Wife by Wilkie Collins (e book reader pc .txt) 📕
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Man and Wife is the ninth novel by Wilkie Collins, and was published in serial form in 1870. Like many of his other novels it has a complex plot and tackles social issues, in this case the then-lax state of the marriage laws, particularly in Scotland and Ireland. As always, Collins deals carefully but frankly with human personal behavior. To avoid offending Victorian morals too greatly, much is implied rather than stated outright. Nevertheless, even dealing with such matters at all led to his novels being derided as “sensation fiction” by his critics. By today’s standards, of course, they wouldn’t even raise an eyebrow.
In Man and Wife, the main character Anne Silvester has fallen pregnant to a muscular and handsome, but boorish man, Geoffrey Delamayn, to whom she is not married. She is working as a governess at a house in Scotland. Anne arranges to meet Delamayn secretly at a garden party and angrily demands that he fulfill his promise to marry her, that very day. He very reluctantly agrees to a secret, private marriage, knowing that a public marriage would badly affect his inheritance prospects. How is the marriage to be arranged quickly but kept quiet? Anne has a plan based on her understanding of the looseness of the marriage laws in Scotland. Naturally, of course, things go badly wrong with this plan and many complexities arise.
Collins is deeply critical of the state of contemporary marriage laws, both in how loosely they were framed, and in how little power over their own lives they gave to women once they were married, even if married to a brutal man. He also uses this novel to denounce the worship of sporting heroes and the obsession with physical prowess rather than mental superiority as a primary indication of male virtue.
Though not as popular as his novels The Woman in White and The Moonstone, Man and Wife received a good critical reception when it was released and was a commercial success.
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- Author: Wilkie Collins
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“And her marriage violates the provision!” exclaimed Sir Patrick.
“Yes. The codicil actually executed is now worthless. And the other codicil remains unsigned until the lawyer can produce Miss Silvester. He has left the house to apply to Geoffrey at Fulham, as the only means at our disposal of finding the lady. Some hours have passed—and he has not yet returned.”
“It is useless to wait for him,” said Sir Patrick. “While the lawyer was on his way to Fulham, Lord Holchester’s son was on his way to Portland Place. This is even more serious than you suppose. Tell me, what under less pressing circumstances I should have no right to ask. Apart from the unexecuted codicil what is Geoffrey Delamayn’s position in the will?”
“He is not even mentioned in it.”
“Have you got the will?”
Mr. Marchwood unlocked a drawer, and took it out.
Sir Patrick instantly rose from his chair. “No waiting for the lawyer!” he repeated, vehemently. “This is a matter of life and death. Lady Holchester bitterly resents her son’s marriage. She speaks and feels as a friend of Mrs. Glenarm. Do you think Lord Holchester would take the same view if he knew of it?”
“It depends entirely on the circumstances.”
“Suppose I informed him—as I inform you in confidence—that his son has gravely wronged Miss Silvester? And suppose I followed that up by telling him that his son has made atonement by marrying her?”
“After the feeling that he has shown in the matter, I believe he would sign the codicil.”
“Then, for God’s sake, let me see him!”
“I must speak to the doctor.”
“Do it instantly!”
With the will in his hand, Mr. Marchwood advanced to the bedroom door. It was opened from within before he could get to it. The doctor appeared on the threshold. He held up his hand warningly when Mr. Marchwood attempted to speak to him.
“Go to Lady Holchester,” he said. “It’s all over.”
“Dead?”
“Dead.”
Sixteenth Scene The Inn XLVIII The PlaceEarly in the present century it was generally reported among the neighbors of one Reuben Limbrick that he was in a fair way to make a comfortable little fortune by dealing in salt.
His place of abode was in Staffordshire, on a morsel of freehold land of his own—appropriately called Salt Patch. Without being absolutely a miser, he lived in the humblest manner, saw very little company; skillfully invested his money; and persisted in remaining a single man.
Toward eighteen hundred and forty he first felt the approach of the chronic malady which ultimately terminated his life. After trying what the medical men of his own locality could do for him, with very poor success, he met by accident with a doctor living in the western suburbs of London, who thoroughly understood his complaint. After some journeying backward and forward to consult this gentleman, he decided on retiring from business, and on taking up his abode within an easy distance of his medical man.
Finding a piece of freehold land to be sold in the neighborhood of Fulham, he bought it, and had a cottage residence built on it, under his own directions. He surrounded the whole—being a man singularly jealous of any intrusion on his retirement, or of any chance observation of his ways and habits—with a high wall, which cost a large sum of money, and which was rightly considered a dismal and hideous object by the neighbors. When the new residence was completed, he called it after the name of the place in Staffordshire where he had made his money, and where he had lived during the happiest period of his life. His relatives, failing to understand that a question of sentiment was involved in this proceeding, appealed to hard facts, and reminded him that there were no salt mines in the neighborhood. Reuben Limbrick answered, “So much the worse for the neighborhood”—and persisted in calling his property, “Salt Patch.”
The cottage was so small that it looked quite lost in the large garden all round it. There was a ground-floor and a floor above it—and that was all.
On either side of the passage, on the lower floor, were two rooms. At the right-hand side, on entering by the front-door, there was a kitchen, with its outhouses attached. The room next to the kitchen looked into the garden. In Reuben Limbrick’s time it was called the study and contained a small collection of books and a large store of fishing-tackle. On the left-hand side of the passage there was a drawing-room situated at the back of the house, and communicating with a dining-room in the front. On the upper floor there were five bedrooms—two on one side of the passage, corresponding in size with the dining-room and the drawing-room below, but not opening into each other; three on the other side of the passage, consisting of one larger room in front, and of two small rooms at the back. All these were solidly and completely furnished. Money had not been spared, and workmanship had not been stinted. It was all substantial—and, upstairs and downstairs, it was all ugly.
The situation of Salt Patch was lonely. The lands of
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