An American Tragedy by Theodore Dreiser (i can read book club .TXT) 📕
Description
Clyde Griffith’s parents are poor street-preachers, but Clyde doesn’t “believe,” and finds their work demeaning. At fifteen he gets a job and starts to ease out of their lives, eventually landing in some trouble that causes him to flee the town where they live. Two years later, Clyde meets his well-off uncle, who owns a large factory in upstate New York. Clyde talks his way into a job at the factory, and soon finds himself supervising a roomful of women. All alone, generally shunned by his uncle’s family, and starved for companionship, he breaks the factory’s rules and begins a relationship with a young woman who works for him. But Clyde has visions of marrying a high-society woman, and fortune smiles on him in the form of the daughter of one of his uncle’s neighbors. Soon Clyde finds himself in a love triangle of his own making, and one from which he seems incapable of extracting himself.
A newspaperman before he became a novelist, Theodore Dreiser collected crime stories for years of young men in relationships with young women of poorer means, where the young men found a richer, prettier girl who would go with him, and often took extreme measures to escape from the first girl. An American Tragedy, based on one of the most infamous of those real-life stories, is a study in lazy ambition, the very real class system in America, and how easy it is to drift into evil. It is populated with poor people who desire nothing more than to be rich, rich people whose only concern is to keep up with their neighbors and not be associated with the “wrong element,” and elements of both who care far more about appearances than reality. It offers further evidence that the world may be very different from 100 years ago, but the people in it are very much the same.
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- Author: Theodore Dreiser
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Her tone was very soft and pleading, an attempt to make Clyde feel that things could not be as bad as he was imagining. But the mere mention of his father in connection with all this—the assumption that he, of all people, might prove an escape from drudgery for them both, was a little too much. It showed how dreadfully incomplete was her understanding of his true position in this world. Worse, she was looking for help from that quarter. And, not finding it, later might possibly reproach him for that—who could tell—for his lies in connection with it. It made so very clear now the necessity for frustrating, if possible, and that at once, any tendency toward this idea of marriage. It could not be—ever.
And yet how was he to oppose this idea with safety, since she felt that she had this claim on him—how say to her openly and coldly that he could not and would not marry her? And unless he did so now she might think it would be fair and legitimate enough for her to compel him to do so. She might even feel privileged to go to his uncle—his cousin (he could see Gilbert’s cold eyes) and expose him! And then destruction! Ruin! The end of all his dreams in connection with Sondra and everything else here. But all he could think of saying now was: “But I can’t do this, Bert, not now, anyway,” a remark which at once caused Roberta to assume that the idea of marriage, as she had interjected it here, was not one which, under the circumstances, he had the courage to oppose—his saying, “not now, anyway.” Yet even as she was thinking this, he went swiftly on with: “Besides I don’t want to get married so soon. It means too much to me at this time. In the first place I’m not old enough and I haven’t got anything to get married on. And I can’t leave here. I couldn’t do half as well anywhere else. You don’t realize what this chance means to me. My father’s all right, but he couldn’t do what my uncle could and he wouldn’t. You don’t know or you wouldn’t ask me to do this.”
He paused, his face a picture of puzzled fear and opposition. He was not unlike a harried animal, deftly pursued by hunter and hound. But Roberta, imagining that his total defection had been caused by the social side of Lycurgus as opposed to her own low state and not because of the superior lure of any particular girl, now retorted resentfully, although she desired not to appear so: “Oh, yes, I know well enough why you can’t leave. It isn’t your position here, though, half as much as it is those society people you are always running around with. I know. You don’t care for me any more, Clyde, that’s it, and you don’t want to give these other people up for me. I know that’s it and nothing else. But just the same it wasn’t so very long ago that you did, although you don’t seem to remember it now.” Her cheeks burned and her eyes flamed as she said this. She paused a moment while he gazed at her wondering about the outcome of all this. “But you can’t leave me to make out any way I can, just the same, because I won’t be left this way, Clyde. I can’t! I can’t! I tell you.” She grew tense and staccato, “It means too much to me. I don’t know how to do alone and I, besides, have no one to turn to but you and you must help me. I’ve got to get out of this, that’s all, Clyde, I’ve got to. I’m not going to be left to face my people and everybody without any help or marriage or anything.” As she said this, her eyes turned appealingly and yet savagely toward him and she emphasized it all with her hands, which she clinched and unclinched in a dramatic way. “And if you can’t help me out in the way you thought,” she went on most agonizedly as Clyde could see, “then you’ve got to help me out in this other, that’s all. At least until I can do for myself I just won’t be left. I don’t ask you to marry me forever,” she now added, the thought that if by presenting this demand in some modified form, she could induce Clyde to marry her, it might be possible afterwards that his feeling toward her would change to a much more kindly one. “You can leave me after a while if you want to. After I’m out of this. I can’t prevent you from doing that and I wouldn’t want to if I could. But you can’t leave me now. You can’t. You can’t! Besides,” she added, “I didn’t want to get myself in this position and I wouldn’t have, but for you. But you made me and made me let you come in here. And now you want to leave me to shift for myself, just because you think you won’t be able to go in society any more, if they find out about me.”
She paused, the strain of this contest proving almost too much for her tired nerves. At the same time she began to sob nervously and yet not violently—a marked effort at self-restraint and recovery marking her every gesture. And after a moment or two in which both stood there, he gazing dumbly and wondering what else he was to say in answer to all this, she struggling and finally managing to recover her poise, she added: “Oh, what is it about me that’s so different to what I was a couple of months ago, Clyde? Will you tell me that? I’d like to know. What is it that has caused you to change
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