The Castle of Otranto by Horace Walpole (e textbook reader txt) 📕
Description
The Castle of Otranto is considered to be the first “Gothic” novel—that is, containing a combination of tropes, like hidden passages, haunted paintings, mysterious sounds, skeletal ghosts, ancestral curses, and unexplained deaths, that essentially invented the genre later made famous by authors like Edgar Allan Poe, Bram Stoker, or Henry James. Walpole made a point of creating a novel that blends supernatural elements with more realistic depictions of characters and events.
The plot centers around Manfred, the lord of Otranto Castle, who has just witnessed the death of his son under mysterious circumstances, just as his son was about to be married. Manfred is thrust into a galloping and melodramatic series of events that lean heavily on the supernatural.
Walpole initially published The Castle of Otranto under a pseudonym, claiming that his work was a translation of an ancient Italian manuscript. This framing, along with the purposely archaic writing style, gives the supernatural airs of the novel a decidedly authentic flavor. In later editions Walpole acknowledges his authorship.
Otranto remains a fast-paced and familiar read, thanks to the variety of recognizable tropes it introduced and made popular.
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- Author: Horace Walpole
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“Herald,” said Manfred, as soon as he had digested these reflections, “return to thy master, and tell him, ere we liquidate our differences by the sword, Manfred would hold some converse with him. Bid him welcome to my castle, where by my faith, as I am a true knight, he shall have courteous reception, and full security for himself and followers. If we cannot adjust our quarrel by amicable means, I swear he shall depart in safety, and shall have full satisfaction according to the laws of arms: So help me God and His holy Trinity!”
The herald made three obeisances and retired.
During this interview Jerome’s mind was agitated by a thousand contrary passions. He trembled for the life of his son, and his first thought was to persuade Isabella to return to the castle. Yet he was scarce less alarmed at the thought of her union with Manfred. He dreaded Hippolita’s unbounded submission to the will of her Lord; and though he did not doubt but he could alarm her piety not to consent to a divorce, if he could get access to her; yet should Manfred discover that the obstruction came from him, it might be equally fatal to Theodore. He was impatient to know whence came the herald, who with so little management had questioned the title of Manfred: yet he did not dare absent himself from the convent, lest Isabella should leave it, and her flight be imputed to him. He returned disconsolately to the monastery, uncertain on what conduct to resolve. A monk, who met him in the porch and observed his melancholy air, said—
“Alas! brother, is it then true that we have lost our excellent Princess Hippolita?”
The holy man started, and cried, “What meanest thou, brother? I come this instant from the castle, and left her in perfect health.”
“Martelli,” replied the other friar, “passed by the convent but a quarter of an hour ago on his way from the castle, and reported that her Highness was dead. All our brethren are gone to the chapel to pray for her happy transit to a better life, and willed me to wait thy arrival. They know thy holy attachment to that good Lady, and are anxious for the affliction it will cause in thee—indeed we have all reason to weep; she was a mother to our house. But this life is but a pilgrimage; we must not murmur—we shall all follow her! May our end be like hers!”
“Good brother, thou dreamest,” said Jerome. “I tell thee I come from the castle, and left the Princess well. Where is the Lady Isabella?”
“Poor Gentlewoman!” replied the friar; “I told her the sad news, and offered her spiritual comfort. I reminded her of the transitory condition of mortality, and advised her to take the veil: I quoted the example of the holy Princess Sanchia of Arragon.”
“Thy zeal was laudable,” said Jerome, impatiently; “but at present it was unnecessary: Hippolita is well—at least I trust in the Lord she is; I heard nothing to the contrary—yet, methinks, the Prince’s earnestness—Well, brother, but where is the Lady Isabella?”
“I know not,” said the friar; “she wept much, and said she would retire to her chamber.”
Jerome left his comrade abruptly, and hastened to the Princess, but she was not in her chamber. He inquired of the domestics of the convent, but could learn no news of her. He searched in vain throughout the monastery and the church, and despatched messengers round the neighbourhood, to get intelligence if she had been seen; but to no purpose. Nothing could equal the good man’s perplexity. He judged that Isabella, suspecting Manfred of having precipitated his wife’s death, had taken the alarm, and withdrawn herself to some more secret place of concealment. This new flight would probably carry the Prince’s fury to the height. The report of Hippolita’s death, though it seemed almost incredible, increased his consternation; and though Isabella’s escape bespoke her aversion of Manfred for a husband, Jerome could feel no comfort from it, while it endangered the life of his son. He determined to return to the castle, and made several of his brethren accompany him to attest his innocence to Manfred, and, if necessary, join their intercession with his for Theodore.
The Prince, in the meantime, had passed into the court, and ordered the gates of the castle to be flung open for the reception of the stranger knight and his train. In a few minutes the cavalcade arrived. First came two harbingers with wands. Next a herald, followed by two pages and two trumpets. Then a hundred foot-guards. These were attended by as many horse. After them fifty footmen, clothed in scarlet and black, the colours of the knight. Then a led horse. Two heralds on each side of a gentleman on horseback bearing a banner with the arms of Vicenza and Otranto quarterly—a circumstance that much offended Manfred—but he stifled his resentment. Two more pages. The knight’s confessor telling his beads. Fifty more footmen clad as before. Two knights habited in complete armour, their beavers down, comrades to the principal knight. The squires of the two knights, carrying their shields and devices. The knight’s own squire. A hundred gentlemen bearing an enormous sword, and seeming to faint under the weight of it. The knight himself on a chestnut steed, in complete armour, his lance in the rest, his face entirely concealed by his vizor, which was surmounted by a large plume of scarlet and black feathers.
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