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required to cultivate my art, for that is a profession that I could never give up.”

“You will be certainly your own master.”

André paused, as if to reflect.

“This is not all I had to say,” he continued at last. “I love and am loved by a pure and beautiful girl; our marriage is arranged, and I think⁠—”

“I think,” broke in the Duke, “that you could not love anyone who was not a fit bride for a member of our family.”

“But I did not belong to this family yesterday. Be at ease, however, for she is worthy of a Champdoce. I am engaged to Sabine de Mussidan.”

A deadly paleness overspread the Duke’s face as he heard this name.

“Never,” said he. “Never; I would rather see you dead at my feet.”

“And I would gladly suffer ten thousand deaths than give her up.”

“Suppose I refuse my consent? Suppose that I forbid⁠—”

“You have no claim to exercise paternal authority over me; this can only be purchased by years of tender care. Duke de Champdoce, I owe you nothing. Leave me to myself, as you have hitherto done, and all will be simplified.”

The Duke reflected. Must he give up his son, who had been restored to him by such a series of almost miraculous chances, or must he see him married to Diana’s daughter? Either alternative appeared to him to be equally disagreeable.

“I will not yield on the point,” said he. “Besides, the Countess would never give her consent. She hates me as much as I hate her.”

M. Lecoq, who had up to this moment looked on in silence, now thought it time to interpose.

“I think,” remarked he blandly, “that I shall have no difficulty in obtaining the consent of Madame de Mussidan.”

The Duke, at these words, threw open his arms.

“Come, my son!” said he. “All shall be as you desire.”

That night, Marie, Duchess de Champdoce, experienced happiness for the first time in the affection and caresses of a son who had been so long lost to her, and seemed to throw off the heavy burden that had so heavily pressed her down beneath its own weight.

When Madame de Mussidan heard that André was Norbert’s son, she declared that nothing could induce her to give her consent to his marriage with her daughter; but among Mascarin’s papers Lecoq had discovered the packet containing the compromising correspondence between the Duke de Champdoce and herself. The detective handed this over to her, and, in her gratitude, she promised to give up all further opposition to the match.

Lecoq always denied that this act came under the head of blackmailing.

André and Sabine took up their residence after marriage at the Château de Mussidan, which had been magnificently restored and decorated. They seldom leave it, for they love it for its vicinity to the leafy groves, in which they first learned that they had given their hearts to each other. And André frequently points out the unfinished work on the balcony, which was the occasion of his first visit to the Château de Mussidan. He says that he will complete it as soon as he has time, but it is doubtful whether he will ever find leisure to do this for a long time, for before the new year comes there is every chance of there being a baptism at the little chapel at Bevron.

Colophon

The Slaves of Paris
was published in 1868 by
Émile Gaboriau.
It was translated from French in 1913 by
Charles Scribner’s Sons.

This ebook was produced for
Standard Ebooks
by
Vince Rice,
and is based on a transcription produced in 2006 by
Dagny, John Bickers, David Widger, and Emma Dudding
for
Project Gutenberg
and on digital scans available at
Google Books.

The cover page is adapted from
The Boulevard Montmartre on a Winter Morning,
a painting completed in 1897 by
Camille Pissarro.
The cover and title pages feature the
League Spartan and Sorts Mill Goudy
typefaces created in 2014 and 2009 by
The League of Moveable Type.

The first edition of this ebook was released on
August 7, 2019, 10:42 p.m.
You can check for updates to this ebook, view its revision history, or download it for different ereading systems at
standardebooks.org/ebooks/emile-gaboriau/the-slaves-of-paris/charles-scribners-sons.

The volunteer-driven Standard Ebooks project relies on readers like you to submit typos, corrections, and other improvements. Anyone can contribute at standardebooks.org.

Uncopyright

May you do good and not evil.
May you find forgiveness for yourself and forgive others.
May you share freely, never taking more than you give.

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Non-authorship activities performed on public domain items⁠—so-called “sweat of the brow” work⁠—don’t create a new copyright. That means nobody can claim a new copyright on a public domain item for, among other things, work like digitization, markup, or typography. Regardless, to dispel any possible doubt on the copyright status of this ebook, Standard Ebooks L3C, its contributors, and the contributors to this ebook release this ebook under the terms in the CC0 1.0 Universal Public Domain Dedication, thus dedicating to the worldwide public domain all of the work they’ve done on this ebook, including but not limited to metadata, the titlepage, imprint, colophon, this Uncopyright, and any changes or enhancements to, or markup on, the original text and artwork. This dedication doesn’t change the copyright status of the underlying works, which, though believed to already be in the U.S. public domain, may not yet be in the public domain of

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