The Devil's Dictionary by Ambrose Bierce (feel good books .txt) 📕

once more common than it is now.

Arasthus tells of a peasant who was occupied by a different devil for

every day in the week, and on Sundays by two. They were frequently

seen, always walking in his shadow, when he had one, but were finally

driven away by the village notary, a holy man; but they took the

peasant with them, for he vanished utterly. A devil thrown out of a

woman by the Archbishop of Rheims ran through the trees, pursued by a

hundred persons, until the open country was reached, where by a leap

higher than a church spire he escaped into a bird. A chaplain in

Cromwell’s army exorcised a soldier’s obsessing devil by throwing the

soldier into the water, when the devil came to the surface. The

soldier, unfortunately, did not.

 

OBSOLETE, adj. No longer used by the timid. Said chiefly of words.

A word which some lexicographer has marked obsolete is ever thereafter

an object of dread and loathing to the fool writer, but if it is a

good word and has no exact modern equivalent equally good, it is good

enough for the good writer. Indeed, a writer’s attitude toward

“obsolete” words is as true a measure of his literary ability as

anything except the character of his work. A dictionary of obsolete

and obsolescent words would not only be singularly rich in strong and

sweet parts of speech; it would add large possessions to the

vocabulary of every competent writer who might not happen to be a

competent reader.

 

OBSTINATE, adj. Inaccessible to the truth as it is manifest in the

splendor and stress of our advocacy.

The popular type and exponent of obstinacy is the mule, a most

intelligent animal.

 

OCCASIONAL, adj. Afflicting us with greater or less frequency. That,

however, is not the sense in which the word is used in the phrase

“occasional verses,” which are verses written for an “occasion,” such

as an anniversary, a celebration or other event. True, they afflict

us a little worse than other sorts of verse, but their name has no

reference to irregular recurrence.

 

OCCIDENT, n. The part of the world lying west (or east) of the

Orient. It is largely inhabited by Christians, a powerful subtribe of

the Hypocrites, whose principal industries are murder and cheating,

which they are pleased to call “war” and “commerce.” These, also, are

the principal industries of the Orient.

 

OCEAN, n. A body of water occupying about two-thirds of a world made

for man — who has no gills.

 

OFFENSIVE, adj. Generating disagreeable emotions or sensations, as

the advance of an army against its enemy.

“Were the enemy’s tactics offensive?” the king asked. “I should

say so!” replied the unsuccessful general. “The blackguard wouldn’t

come out of his works!”

 

OLD, adj. In that stage of usefulness which is not inconsistent with

general inefficiency, as an old man. Discredited by lapse of time

and offensive to the popular taste, as an old book.

 

“Old books? The devil take them!” Goby said.

“Fresh every day must be my books and bread.”

Nature herself approves the Goby rule

And gives us every moment a fresh fool.

 

Harley Shum

 

OLEAGINOUS, adj. Oily, smooth, sleek.

Disraeli once described the manner of Bishop Wilberforce as

“unctuous, oleaginous, saponaceous.” And the good prelate was ever

afterward known as Soapy Sam. For every man there is something in the

vocabulary that would stick to him like a second skin. His enemies

have only to find it.

 

OLYMPIAN, adj. Relating to a mountain in Thessaly, once inhabited by

gods, now a repository of yellowing newspapers, beer bottles and

mutilated sardine cans, attesting the presence of the tourist and his

appetite.

 

His name the smirking tourist scrawls

Upon Minerva’s temple walls,

Where thundered once Olympian Zeus,

And marks his appetite’s abuse.

 

Averil Joop

 

OMEN, n. A sign that something will happen if nothing happens.

 

ONCE, adv. Enough.

 

OPERA, n. A play representing life in another world, whose

inhabitants have no speech but song, no motions but gestures and no

postures but attitudes. All acting is simulation, and the word

simulation is from simia, an ape; but in opera the actor takes for

his model Simia audibilis (or Pithecanthropos stentor) — the ape

that howls.

 

The actor apes a man — at least in shape;

The opera performer apes and ape.

 

OPIATE, n. An unlocked door in the prison of Identity. It leads into

the jail yard.

 

OPPORTUNITY, n. A favorable occasion for grasping a disappointment.

 

OPPOSE, v. To assist with obstructions and objections.

 

How lonely he who thinks to vex

With bandinage the Solemn Sex!

Of levity, Mere Man, beware;

None but the Grave deserve the Unfair.

 

Percy P. Orminder

 

OPPOSITION, n. In politics the party that prevents the Government from

running amuck by hamstringing it.

The King of Ghargaroo, who had been abroad to study the science of

government, appointed one hundred of his fattest subjects as members

of a parliament to make laws for the collection of revenue. Forty of

these he named the Party of Opposition and had his Prime Minister

carefully instruct them in their duty of opposing every royal measure.

Nevertheless, the first one that was submitted passed unanimously.

Greatly displeased, the King vetoed it, informing the Opposition that

if they did that again they would pay for their obstinacy with their

heads. The entire forty promptly disemboweled themselves.

“What shall we do now?” the King asked. “Liberal institutions

cannot be maintained without a party of Opposition.”

“Splendor of the universe,” replied the Prime Minister, “it is

true these dogs of darkness have no longer their credentials, but all

is not lost. Leave the matter to this worm of the dust.”

So the Minister had the bodies of his Majesty’s Opposition

embalmed and stuffed with straw, put back into the seats of power and

nailed there. Forty votes were recorded against every bill and the

nation prospered. But one day a bill imposing a tax on warts was

defeated — the members of the Government party had not been nailed to

their seats! This so enraged the King that the Prime Minister was put

to death, the parliament was dissolved with a battery of artillery,

and government of the people, by the people, for the people perished

from Ghargaroo.

 

OPTIMISM, n. The doctrine, or belief, that everything is beautiful,

including what is ugly, everything good, especially the bad, and

everything right that is wrong. It is held with greatest tenacity by

those most accustomed to the mischance of falling into adversity, and

is most acceptably expounded with the grin that apes a smile. Being a

blind faith, it is inaccessible to the light of disproof — an

intellectual disorder, yielding to no treatment but death. It is

hereditary, but fortunately not contagious.

 

OPTIMIST, n. A proponent of the doctrine that black is white.

A pessimist applied to God for relief.

“Ah, you wish me to restore your hope and cheerfulness,” said God.

“No,” replied the petitioner, “I wish you to create something that

would justify them.”

“The world is all created,” said God, “but you have overlooked

something — the mortality of the optimist.”

 

ORATORY, n. A conspiracy between speech and action to cheat the

understanding. A tyranny tempered by stenography.

 

ORPHAN, n. A living person whom death has deprived of the power of

filial ingratitude — a privation appealing with a particular

eloquence to all that is sympathetic in human nature. When young the

orphan is commonly sent to an asylum, where by careful cultivation of

its rudimentary sense of locality it is taught to know its place. It

is then instructed in the arts of dependence and servitude and

eventually turned loose to prey upon the world as a bootblack or

scullery maid.

 

ORTHODOX, n. An ox wearing the popular religious joke.

 

ORTHOGRAPHY, n. The science of spelling by the eye instead of the

ear. Advocated with more heat than light by the outmates of every

asylum for the insane. They have had to concede a few things since

the time of Chaucer, but are none the less hot in defence of those to

be conceded hereafter.

 

A spelling reformer indicted

For fudge was before the court cicted.

The judge said: “Enough —

His candle we’ll snough,

And his sepulchre shall not be whicted.”

 

OSTRICH, n. A large bird to which (for its sins, doubtless) nature

has denied that hinder toe in which so many pious naturalists have

seen a conspicuous evidence of design. The absence of a good working

pair of wings is no defect, for, as has been ingeniously pointed out,

the ostrich does not fly.

 

OTHERWISE, adv. No better.

 

OUTCOME, n. A particular type of disappointment. By the kind of

intelligence that sees in an exception a proof of the rule the wisdom

of an act is judged by the outcome, the result. This is immortal

nonsense; the wisdom of an act is to be juded by the light that the

doer had when he performed it.

 

OUTDO, v.t. To make an enemy.

 

OUT-OF-DOORS, n. That part of one’s environment upon which no

government has been able to collect taxes. Chiefly useful to inspire

poets.

 

I climbed to the top of a mountain one day

To see the sun setting in glory,

And I thought, as I looked at his vanishing ray,

Of a perfectly splendid story.

 

‘Twas about an old man and the ass he bestrode

Till the strength of the beast was o’ertested;

Then the man would carry him miles on the road

Till Neddy was pretty well rested.

 

The moon rising solemnly over the crest

Of the hills to the east of my station

Displayed her broad disk to the darkening west

Like a visible new creation.

 

And I thought of a joke (and I laughed till I cried)

Of an idle young woman who tarried

About a church-door for a look at the bride,

Although ‘twas herself that was married.

 

To poets all Nature is pregnant with grand

Ideas — with thought and emotion.

I pity the dunces who don’t understand

The speech of earth, heaven and ocean.

 

Stromboli Smith

 

OVATION, n. n ancient Rome, a definite, formal pageant in honor of

one who had been disserviceable to the enemies of the nation. A

lesser “triumph.” In modern English the word is improperly used to

signify any loose and spontaneous expression of popular homage to the

hero of the hour and place.

 

“I had an ovation!” the actor man said,

But I thought it uncommonly queer,

That people and critics by him had been led

By the ear.

 

The Latin lexicon makes his absurd

Assertion as plain as a peg;

In “ovum” we find the true root of the word.

It means egg.

 

Dudley Spink

 

OVEREAT, v. To dine.

 

Hail, Gastronome, Apostle of Excess,

Well skilled to overeat without distress!

Thy great invention, the unfatal feast,

Shows Man’s superiority to Beast.

 

John Boop

 

OVERWORK, n. A dangerous disorder affecting high public functionaries

who want to go fishing.

 

OWE, v. To have (and to hold) a debt. The word formerly signified

not indebtedness, but possession; it meant “own,” and in the minds of

debtors there is still a good deal of confusion between assets and

liabilities.

 

OYSTER, n. A slimy, gobby shellfish which civilization gives men the

hardihood to eat without removing its entrails! The shells are

sometimes given to the poor.

P

PAIN, n. An uncomfortable frame of mind that may have a physical

basis in something that is being done to the body, or may be purely

mental, caused by the good fortune of another.

 

PAINTING, n. The art of protecting flat