Anna Karenina by Leo Tolstoy (feel good books TXT) 📕
Description
Anna Karenina is certainly somewhat unhappy in her life, but presents a strong and vivacious character when called in to smooth over a major crack that’s appeared in her brother’s marriage. Unfortunately, the very visit designed to help her brother introduces her to Count Alexei Vronsky and sets in motion a chain of events that will ripple through families and the unforgiving society of wealthy Moscow and St. Petersburg.
Initially serialized over five years in The Russian Messenger, Anna Karenina was first published as a two-volume novel in 1878. It was Leo Tolstoy’s second novel, coming after War and Peace and further cementing his role as the primary Russian author of his age. Tolstoy drew on his aristocratic upbringing to set the scene for the novel, and it’s widely believed that he wrote his own experiences and struggles with religion (documented in A Confession) into the central character of Konstantin Levin.
This edition compiles into a single volume the 1901 English translation by Constance Garnett.
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- Author: Leo Tolstoy
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After extreme unction the sick man became suddenly much better. He did not cough once in the course of an hour, smiled, kissed Kitty’s hand, thanking her with tears, and said he was comfortable, free from pain, and that he felt strong and had an appetite. He even raised himself when his soup was brought, and asked for a cutlet as well. Hopelessly ill as he was, obvious as it was at the first glance that he could not recover, Levin and Kitty were for that hour both in the same state of excitement, happy, though fearful of being mistaken.
“Is he better?”
“Yes, much.”
“It’s wonderful.”
“There’s nothing wonderful in it.”
“Anyway, he’s better,” they said in a whisper, smiling to one another.
This self-deception was not of long duration. The sick man fell into a quiet sleep, but he was waked up half an hour later by his cough. And all at once every hope vanished in those about him and in himself. The reality of his suffering crushed all hopes in Levin and Kitty and in the sick man himself, leaving no doubt, no memory even of past hopes.
Without referring to what he had believed in half an hour before, as though ashamed even to recall it, he asked for iodine to inhale in a bottle covered with perforated paper. Levin gave him the bottle, and the same look of passionate hope with which he had taken the sacrament was now fastened on his brother, demanding from him the confirmation of the doctor’s words that inhaling iodine worked wonders.
“Is Katya not here?” he gasped, looking round while Levin reluctantly assented to the doctor’s words. “No; so I can say it. … It was for her sake I went through that farce. She’s so sweet; but you and I can’t deceive ourselves. This is what I believe in,” he said, and, squeezing the bottle in his bony hand, he began breathing over it.
At eight o’clock in the evening Levin and his wife were drinking tea in their room when Marya Nikolaevna ran in to them breathlessly. She was pale, and her lips were quivering. “He is dying!” she whispered. “I’m afraid will die this minute.”
Both of them ran to him. He was sitting raised up with one elbow on the bed, his long back bent, and his head hanging low.
“How do you feel?” Levin asked in a whisper, after a silence.
“I feel I’m setting off,” Nikolay said with difficulty, but with extreme distinctness, screwing the words out of himself. He did not raise his head, but simply turned his eyes upwards, without their reaching his brother’s face. “Katya, go away!” he added.
Levin jumped up, and with a peremptory whisper made her go out.
“I’m setting off,” he said again.
“Why do you think so?” said Levin, so as to say something.
“Because I’m setting off,” he repeated, as though he had a liking for the phrase. “It’s the end.”
Marya Nikolaevna went up to him.
“You had better lie down; you’d be easier,” she said.
“I shall lie down soon enough,” he pronounced slowly, “when I’m dead,” he said sarcastically, wrathfully. “Well, you can lay me down if you like.”
Levin laid his brother on his back, sat down beside him, and gazed at his face, holding his breath. The dying man lay with closed eyes, but the muscles twitched from time to time on his forehead, as with one thinking deeply and intensely. Levin involuntarily thought with him of what it was that was happening to him now, but in spite of all his mental efforts to go along with him he saw by the expression of that calm, stern face that for the dying man all was growing clearer and clearer that was still as dark as ever for Levin.
“Yes, yes, so,” the dying man articulated slowly at intervals. “Wait a little.” He was silent. “Right!” he pronounced all at once reassuringly, as though all were solved for him. “O Lord!” he murmured, and sighed deeply.
Marya Nikolaevna felt his feet. “They’re getting cold,” she whispered.
For a long while, a very long while it seemed to Levin, the sick man lay motionless. But he was still alive, and from time to time he sighed. Levin by now was exhausted from mental strain. He felt that, with no mental effort, could he understand what it was that was right. He could not even think of the problem of death itself, but with no will of his own thoughts kept coming to him of what he had to do next; closing the dead man’s eyes, dressing him, ordering the coffin. And, strange to say, he felt utterly cold, and was not conscious of sorrow nor of loss, less still of pity for his brother. If he had any feeling for his brother at that moment, it was envy for the knowledge the dying man had now that he could not have.
A long time more he sat over him so, continually expecting the end. But the end did not come. The door opened and Kitty appeared. Levin got up to stop her. But at the moment he was getting up, he caught the sound of the dying man stirring.
“Don’t go away,” said Nikolay and held out his hand. Levin gave him his, and angrily waved to his wife to go away.
With the dying man’s hand in his hand, he sat for half an hour, an hour, another hour. He did not think of
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