Bleak House by Charles Dickens (best ebook reader for laptop .txt) 📕

him. He was as high as the monument when he was on trial at our place. A good riddance to me, whether as clerk or client! Well, Tony, that as I was mentioning is what they’re up to.”

Mr. Guppy, refolding his arms, resettles himself against the parapet, as resuming a conversation of interest.

“They are still up to it, sir,” says Mr. Guppy, “still taking stock, still examining papers, still going over the heaps and heaps of rubbish. At this rate they’ll be at it these seven years.”

“And Small is helping?”

“Small left us at a week’s notice. Told Kenge his grandfather’s business was too much for the old gentleman and he could better himself by undertaking it. There had been a coolness between myself and Small on account of his being so close. But he said you and I began it, and as he had me there⁠—for we did⁠—I put our acquaintance on the old footing. That’s how I come to know what they’re up to.”

“You haven’t looked in at all?”

“Tony,” says Mr. Guppy, a little disconcerted, “to be unreserved with you, I don’t greatly relish the house, except in your company, and therefore I have not; and therefore I proposed this little appointment for our fetching away your things. There goes the hour by the clock! Tony”⁠—Mr. Guppy becomes mysteriously and tenderly eloquent⁠—“it is necessary that I should impress upon your mind once more that circumstances over which I have no control have made a melancholy alteration in my most cherished plans and in that unrequited image which I formerly mentioned to you as a friend. That image is shattered, and that idol is laid low. My only wish now in connection with the objects which I had an idea of carrying out in the court with your aid as a friend is to let ’em alone and bury ’em in oblivion. Do you think it possible, do you think it at all likely (I put it to you, Tony, as a friend), from your knowledge of that capricious and deep old character who fell a prey to the⁠—spontaneous element, do you, Tony, think it at all likely that on second thoughts he put those letters away anywhere, after you saw him alive, and that they were not destroyed that night?”

Mr. Weevle reflects for some time. Shakes his head. Decidedly thinks not.

“Tony,” says Mr. Guppy as they walk towards the court, “once again understand me, as a friend. Without entering into further explanations, I may repeat that the idol is down. I have no purpose to serve now but burial in oblivion. To that I have pledged myself. I owe it to myself, and I owe it to the shattered image, as also to the circumstances over which I have no control. If you was to express to me by a gesture, by a wink, that you saw lying anywhere in your late lodgings any papers that so much as looked like the papers in question, I would pitch them into the fire, sir, on my own responsibility.”

Mr. Weevle nods. Mr. Guppy, much elevated in his own opinion by having delivered these observations, with an air in part forensic and in part romantic⁠—this gentleman having a passion for conducting anything in the form of an examination, or delivering anything in the form of a summing up or a speech⁠—accompanies his friend with dignity to the court.

Never since it has been a court has it had such a Fortunatus’ purse of gossip as in the proceedings at the rag and bottle shop. Regularly, every morning at eight, is the elder Mr. Smallweed brought down to the corner and carried in, accompanied by Mrs. Smallweed, Judy, and Bart; and regularly, all day, do they all remain there until nine at night, solaced by gipsy dinners, not abundant in quantity, from the cook’s shop, rummaging and searching, digging, delving, and diving among the treasures of the late lamented. What those treasures are they keep so secret that the court is maddened. In its delirium it imagines guineas pouring out of teapots, crown-pieces overflowing punch-bowls, old chairs and mattresses stuffed with Bank of England notes. It possesses itself of the sixpenny history (with highly coloured folding frontispiece) of Mr. Daniel Dancer and his sister, and also of Mr. Elwes, of Suffolk, and transfers all the facts from those authentic narratives to Mr. Krook. Twice when the dustman is called in to carry off a cartload of old paper, ashes, and broken bottles, the whole court assembles and pries into the baskets as they come forth. Many times the two gentlemen who write with the ravenous little pens on the tissue-paper are seen prowling in the neighbourhood⁠—shy of each other, their late partnership being dissolved. The Sol skilfully carries a vein of the prevailing interest through the Harmonic nights. Little Swills, in what are professionally known as “patter” allusions to the subject, is received with loud applause; and the same vocalist “gags” in the regular business like a man inspired. Even Miss M. Melvilleson, in the revived Caledonian melody of “We’re a-Nodding,” points the sentiment that “the dogs love broo” (whatever the nature of that refreshment may be) with such archness and such a turn of the head towards next door that she is immediately understood to mean Mr. Smallweed loves to find money, and is nightly honoured with a double encore. For all this, the court discovers nothing; and as Mrs. Piper and Mrs. Perkins now communicate to the late lodger whose appearance is the signal for a general rally, it is in one continual ferment to discover everything, and more.

Mr. Weevle and Mr. Guppy, with every eye in the court’s head upon them, knock at the closed door of the late lamented’s house, in a high state of popularity. But being contrary to the court’s expectation admitted, they immediately become unpopular and are considered to mean no good.

The shutters are more or less closed all over the house, and the ground-floor is sufficiently dark to require candles. Introduced into the back shop by Mr. Smallweed the younger, they, fresh from the sunlight,