A Portrait of the Artist as a Young Man by James Joyce (best way to read books .TXT) 📕

the chief part, that of a farcical pedagogue. He had been cast for it on account of his stature and grave manners for he was now at the end of his second year at Belvedere and in number two.

A score of the younger boys in white knickers and singlets came pattering down from the stage, through the vestry and into the chapel. The vestry and chapel were peopled with eager masters and boys. The plump bald sergeant major was testing with his foot the springboard of the vaulting horse. The lean young man in a long overcoat, who was to give a special display of intricate club swinging, stood near watching with interest, his silver-coated clubs peeping out of his deep sidepockets. The hollow rattle of the wooden dumbbells was heard as another team made ready to go up on the stage: and in another moment the excited prefect was hustling the boys through the vestry like a flock of geese, flapping the wings of his soutane nervously and crying to the laggards to make haste. A little troop of Neapolitan peasants were practising their steps at the end of the chapel, some circling their arms above their heads, some swaying their baskets of paper violets and curtseying. In a dark corner of the chapel at the gospel side of the altar a stout old lady knelt amid her copious black skirts. When she stood up a pinkdressed figure, wearing a curly golden wig and an oldfashioned straw sunbonnet, with black pencilled eyebrows and cheeks delicately rouged and powdered, was discovered. A low murmur of curiosity ran round the chapel at the discovery of this girlish figure. One of the prefects, smiling and nodding his head, approached the dark corner and, having bowed to the stout old lady, said pleasantly:

—Is this a beautiful young lady or a doll that you have here, Mrs. Tallon?

Then, bending down to peer at the smiling painted face under the leaf of the bonnet, he exclaimed:

—No! Upon my word I believe it’s little Bertie Tallon after all!

Stephen at his post by the window heard the old lady and the priest laugh together and heard the boys’ murmurs of admiration behind him as they passed forward to see the little boy who had to dance the sunbonnet dance by himself. A movement of impatience escaped him. He let the edge of the blind fall and, stepping down from the bench on which he had been standing, walked out of the chapel.

He passed out of the schoolhouse and halted under the shed that flanked the garden. From the theatre opposite came the muffled noise of the audience and sudden brazen clashes of the soldiers’ band. The light spread upwards from the glass roof making the theatre seem a festive ark, anchored among the hulks of houses, her frail cables of lanterns looping her to her moorings. A side door of the theatre opened suddenly and a shaft of light flew across the grassplots. A sudden burst of music issued from the ark, the prelude of a waltz: and when the side door closed again the listener could hear the faint rhythm of the music. The sentiment of the opening bars, their languor and supple movement, evoked the incommunicable emotion which had been the cause of all his day’s unrest and of his impatient movement of a moment before. His unrest issued from him like a wave of sound: and on the tide of flowing music the ark was journeying, trailing her cables of lanterns in her wake. Then a noise like dwarf artillery broke the movement. It was the clapping that greeted the entry of the dumbbell team on the stage.

At the far end of the shed near the street a speck of pink light showed in the darkness and as he walked towards it he became aware of a faint aromatic odour. Two boys were standing in the shelter of a doorway, smoking, and before he reached them he had recognised Heron by his voice.

—Here comes the noble Dedalus! cried a high throaty voice. Welcome to our trusty friend!

This welcome ended in a soft peal of mirthless laughter as Heron salaamed and then began to poke the ground with his cane.

—Here I am, said Stephen, halting and glancing from Heron to his friend.

The latter was a stranger to him but in the darkness, by the aid of the glowing cigarette tips, he could make out a pale dandyish face over which a smile was travelling slowly, a tall overcoated figure and a hard hat. Heron did not trouble himself about an introduction but said instead:

—I was just telling my friend Wallis what a lark it would be tonight if you took off the rector in the part of the schoolmaster. It would be a ripping good joke.

Heron made a poor attempt to imitate for his friend Wallis the rector’s pedantic bass and then, laughing at his failure, asked Stephen to do it.

—Go on, Dedalus, he urged, you can take him off rippingly. He that will not hear the churcha let him be to theea as the heathena and the publicana.

The imitation was prevented by a mild expression of anger from Wallis in whose mouthpiece the cigarette had become too tightly wedged.

—Damn this blankety blank holder, he said, taking it from his mouth and smiling and frowning upon it tolerantly. It’s always getting stuck like that. Do you use a holder?

—I don’t smoke, answered Stephen.

—No, said Heron, Dedalus is a model youth. He doesn’t smoke and he doesn’t go to bazaars and he doesn’t flirt and he doesn’t damn anything or damn all.

Stephen shook his head and smiled in his rival’s flushed and mobile face, beaked like a bird’s. He had often thought it strange that Vincent Heron had a bird’s face as well as a bird’s name. A shock of pale hair lay on the forehead like a ruffled crest: the forehead was narrow and bony and a thin hooked nose stood out between the closeset prominent