The Woman in White by Wilkie Collins (portable ebook reader txt) 📕
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The Woman in White tells the story of Walter Hartright, a young and impoverished drawing teacher who falls in love with his aristocratic pupil, Laura Fairlie. He cannot hope to marry her, however, and she is married off against her will to a baronet, Sir Percival Glyde, who is seeking her fortune. The terms of her marriage settlement prevent Glyde accessing her money while she lives, so together with his deceptively charming and cunning friend, Count Fosco, they hatch an unscrupulous deception to do so nonetheless. In an early 19th Century version of “identity theft,” they contrive to fake Laura’s death and confine her to a mental asylum. Their plot is eventually uncovered and exposed by Hartright with the help of Laura’s resourceful half-sister, Marian Halcombe.
The Woman in White was the most popular of Wilkie Collins’ novels in the genre then known as “sensation fiction.” It has never been out of print and is frequently included in lists of the best novels of all time. Published initially in serial form in 1859–60, it achieved an early and remarkable following, probably because of the strength of its characters, in particular the smooth and charming but utterly wicked villain Count Fosco, and the intelligent and steadfast Marian Halcombe opposed to him.
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- Author: Wilkie Collins
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The summer and autumn passed after my return from Paris, and brought no changes with them which need be noticed here. We lived so simply and quietly that the income which I was now steadily earning sufficed for all our wants.
In the February of the new year our first child was born—a son. My mother and sister and Mrs. Vesey were our guests at the little christening party, and Mrs. Clements was present to assist my wife on the same occasion. Marian was our boy’s godmother, and Pesca and Mr. Gilmore (the latter acting by proxy) were his godfathers. I may add here that when Mr. Gilmore returned to us a year later he assisted the design of these pages, at my request, by writing the narrative which appears early in the story under his name, and which, though first in order of precedence, was thus, in order of time, the last that I received.
The only event in our lives which now remains to be recorded, occurred when our little Walter was six months old.
At that time I was sent to Ireland to make sketches for certain forthcoming illustrations in the newspaper to which I was attached. I was away for nearly a fortnight, corresponding regularly with my wife and Marian, except during the last three days of my absence, when my movements were too uncertain to enable me to receive letters. I performed the latter part of my journey back at night, and when I reached home in the morning, to my utter astonishment there was no one to receive me. Laura and Marian and the child had left the house on the day before my return.
A note from my wife, which was given to me by the servant, only increased my surprise, by informing me that they had gone to Limmeridge House. Marian had prohibited any attempt at written explanations—I was entreated to follow them the moment I came back—complete enlightenment awaited me on my arrival in Cumberland—and I was forbidden to feel the slightest anxiety in the meantime. There the note ended. It was still early enough to catch the morning train. I reached Limmeridge House the same afternoon.
My wife and Marian were both upstairs. They had established themselves (by way of completing my amazement) in the little room which had been once assigned to me for a studio, when I was employed on Mr. Fairlie’s drawings. On the very chair which I used to occupy when I was at work Marian was sitting now, with the child industriously sucking his coral upon her lap—while Laura was standing by the well-remembered drawing-table which I had so often used, with the little album that I had filled for her in past times open under her hand.
“What in the name of heaven has brought you here?” I asked. “Does Mr. Fairlie know—?”
Marian suspended the question on my lips by telling me that Mr. Fairlie was dead. He had been struck by paralysis, and had never rallied after the shock. Mr. Kyrle had informed them of his death, and had advised them to proceed immediately to Limmeridge House.
Some dim perception of a great change dawned on my mind. Laura spoke before I had quite realised it. She stole close to me to enjoy the surprise which was still expressed in my face.
“My darling Walter,” she said, “must we really account for our boldness in coming here? I am afraid, love, I can only explain it by breaking through our rule, and referring to the past.”
“There is not the least necessity for doing anything of the kind,” said Marian. “We can be just as explicit, and much more interesting, by referring to the future.” She rose and held up the child kicking and crowing in her arms. “Do you know who this is, Walter?” she asked, with bright tears of happiness gathering in her eyes.
“Even my bewilderment has its limits,” I replied. “I think I can still answer for knowing my own child.”
“Child!” she exclaimed, with all her easy gaiety of old times. “Do you talk in that familiar manner of one of the landed gentry of England? Are you aware, when I present this illustrious baby to your notice, in whose presence you stand? Evidently not! Let me make two eminent personages known to one another: Mr. Walter Hartright—the Heir of Limmeridge.”
So she spoke. In writing those last words, I have written all. The pen falters in my hand. The long, happy labour of many months is over. Marian was the good angel of our lives—let Marian end our Story.
EndnotesThe passages omitted, here and elsewhere, in Miss Halcombe’s diary are only those which bear no reference to Miss Fairlie or to any of the persons with whom she is associated in these pages. ↩
The manner in which Mr. Fairlie’s narrative and other narratives that are shortly to follow it, were originally obtained, forms the subject of an explanation which will appear at a later period. ↩
It is only right to mention here, that I repeat Pesco’s statement to me with the careful suppressions and alterations which the serious nature of the subject and my own sense of duty to my friend demand. My first and last concealments from the reader are those which caution renders absolutely necessary in this portion of the narrative. ↩
ColophonThe Woman in White
was published in 1859 by
Wilkie Collins.
This ebook was produced for
Standard Ebooks
by
David Grigg,
and is based on a transcription produced in 1996 for
Project Gutenberg
and on digital scans available at the
Internet Archive.
The
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