Sinister Street by Compton Mackenzie (great books to read TXT) 📕

There were pink roses everywhere on the gray houses. As he went through the gate of Plashers Mead, he hugged himself with the thought of Guy’s pleasure at seeing him so unexpectedly on this burnished afternoon of midsummer. The leaves of the old espalier rustled crisply: they were green and glossy, and the apples, still scarcely larger than nuts, promised in the autumn when he and Guy would be together here a ruddy harvest. The house was unresponsive when he knocked at the door. He waited for a minute or two, and then he went into the stone-paved hall and up the steep stairs to the long corridor, at whose far end the framed view of the open doorway into Guy’s green room glowed as vividly as if it gave upon a high-walled sunlit garden. The room itself was empty. There were only the books and a lingering smell of tobacco smoke, and through the bay-window the burble of the stream swiftly flowing. Michael looked out over the orchard and away to the far-flung horizon of the wold beyond.

Here assuredly, he told himself, was the perfect refuge. Here in this hollow waterway was peace. From here sometimes in the morning he and Guy would ride into Oxford, whence at twilight they would steal forth again and, dipping down from the bleak road, find Plashers Mead set safe in a land that was tributary only to the moon. Guy’s diamond pencil, with which he was wont upon the window to inscribe mottoes, lay on the sill. Michael picked it up and scratched upon the glass: The fresh green lap of fair King Richard’s land, setting the date below.

Then suddenly coming down past the house with the stream he saw in a canoe Guy with a girl. The canoe swept past the window and was lost round the bend, hidden immediately by reeds and overarching willows. Yet Michael had time to see the girl, to see her cheeks of frailest rose, to know she was a fairy’s child and that Guy was deep in love. Although the fleet vision thrilled him with a romantic beauty, Michael was disheartened. Even here at Plashers Mead, where he had counted upon finding a cloister, the disintegration of life’s progress had begun. It would be absurd for him to intrude now upon Guy. He would scarcely be welcomed now in this June weather. After all, he must go to London; so he left behind him the long gray house and walked up the slanting hill that led to the nearest railway station. By the gate where he and Guy had first seen Plashers Mead, he paused to throw one regret back into that hollow waterway, one regret for the long gray house on its green island circled by singing streams.

There were two hours to wait at the station before the train would arrive. He would be in London about half-past nine. Discovering a meadow pied with daisies, Michael slept in the sun.

When he woke, the grass was smelling fresh in the shadows, and the sun was westering. He went across to the station and, during the ten minutes left before his train came in, walked up and down the platform in the spangled airs of evening, past the tea-roses planted there, slim tawny buds and ivory cups dabbled with creamy flushes.

It was dark when Michael reached Paddington, and he felt depressed, wishing he had come back with the others. No doubt they would all be at the theater. Or should he drive home and perhaps find them there?

“Know anything about this golf-bag, Bill?” one porter was shouting to another.

Michael went over to look at the label in case it might be Alan’s bag. But it was an abandoned golf-bag belonging to no one: there were no initials even painted on the canvas. This forsaken golf-bag doubled Michael’s depression, and though he had always praised Paddington as the best of railway stations, he thought tonight it was the gloomiest in London. Then he remembered in a listless way that he had forgotten to inquire about his suitcase, which had been sent after him from Oxford to Shipcott, the station for Wychford. It must be lying there now with Manon Lescaut inside. He made arrangements to recapture it, which consummated his depression. Then he called a hansom and drove to Cheyne Walk. They had all gone to the Opera, the parlormaid told him. Michael could not bear to stay at home tonight alone: so, getting back into the hansom, he told the man to drive to the Oxford Music-hall. It would be grimly amusing to see on the programs there the theatrical view of St. Mary’s tower.

Book IV Romantic Education

Sancta ad vos anima atque istius inscia culpae descendam, magnorum haud umquam indignus avorum.

Virgil

For Fancy cannot live on real food:
In youth she will despise familiar joy
To dwell in mournful shades, as they grow real,
Then buildeth she of joy her fair ideal.

Robert Bridges I Ostia Ditis

When Michael reached the Oxford Music-hall he wondered why he had overspurred his fatigue to such a point. There was no possibility of pleasure here, and he would have done better to stay at home and cure with sleep what was after all a natural depression. It had been foolish to expect a sedative from contact with this unquiet assemblage. In the mass they had nothing but a mechanical existence, subject as they were to the brightness or dimness of the electrolier that regulated their attention. Michael did not bother to buy a program. From every podgy hand he could see dangling the lithograph of St. Mary’s tower with its glazed moonlight; and he was not sufficiently aware of the glib atom who bounced about the golden dazzle of the stage to trouble about his name. He mingled with the slow pace of the men and women on the promenade. They were going backward and forward like flies, meeting for