An American Tragedy by Theodore Dreiser (i can read book club .TXT) 📕
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Clyde Griffith’s parents are poor street-preachers, but Clyde doesn’t “believe,” and finds their work demeaning. At fifteen he gets a job and starts to ease out of their lives, eventually landing in some trouble that causes him to flee the town where they live. Two years later, Clyde meets his well-off uncle, who owns a large factory in upstate New York. Clyde talks his way into a job at the factory, and soon finds himself supervising a roomful of women. All alone, generally shunned by his uncle’s family, and starved for companionship, he breaks the factory’s rules and begins a relationship with a young woman who works for him. But Clyde has visions of marrying a high-society woman, and fortune smiles on him in the form of the daughter of one of his uncle’s neighbors. Soon Clyde finds himself in a love triangle of his own making, and one from which he seems incapable of extracting himself.
A newspaperman before he became a novelist, Theodore Dreiser collected crime stories for years of young men in relationships with young women of poorer means, where the young men found a richer, prettier girl who would go with him, and often took extreme measures to escape from the first girl. An American Tragedy, based on one of the most infamous of those real-life stories, is a study in lazy ambition, the very real class system in America, and how easy it is to drift into evil. It is populated with poor people who desire nothing more than to be rich, rich people whose only concern is to keep up with their neighbors and not be associated with the “wrong element,” and elements of both who care far more about appearances than reality. It offers further evidence that the world may be very different from 100 years ago, but the people in it are very much the same.
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- Author: Theodore Dreiser
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In connection with the autopsy and its results there was a decided setback. For while the joint report of the five doctors showed: “An injury to the mouth and nose; the tip of the nose appears to have been slightly flattened, the lips swollen, one front tooth slightly loosened, and an abrasion of the mucous membrane within the lips”—all agreed that these injuries were by no means fatal. The chief injury was to the skull (the very thing which Clyde in his first confession had maintained), which appeared to have been severely bruised by a blow of “some sharp instrument,” unfortunately in this instance, because of the heaviness of the blow of the boat, “signs of fracture and internal haemorrhage which might have produced death.”
But—the lungs when placed in water, sinking—an absolute proof that Roberta could not have been dead when thrown into the water, but alive and drowning, as Clyde had maintained. And no other signs of violence or struggle, although her arms and fingers appeared to be set in such a way as to indicate that she might have been reaching or seeking to grasp something. The wale of the boat? Could that be? Might Clyde’s story, after all, conceal a trace of truth? Certainly these circumstances seemed to favor him a little. Yet as Mason and the others agreed, all these circumstances most distinctly seemed to prove that although he might not have slain her outright before throwing her into the water, none the less he had struck her and then had thrown her, perhaps unconscious, into the water.
But with what? If he could but make Clyde say that!
And then an inspiration! He would take Clyde and, although the law specifically guaranteed accused persons against compulsions, compel him to retrace the scenes of his crime. And although he might not be able to make him commit himself in any way, still, once on the ground and facing the exact scene of his crime, his actions might reveal something of the whereabouts of the suit, perhaps, or possibly some instrument with which he had struck her.
And in consequence, on the third day following Clyde’s incarceration, a second visit to Big Bittern, with Kraut, Heit, Mason, Burton, Burleigh, Earl Newcomb and Sheriff Slack as his companions, and a slow re-canvassing of all the ground he had first traveled on that dreadful day. And with Kraut, following instructions from Mason, “playing up” to him, in order to ingratiate himself into his good graces, and possibly cause him to make a clean breast of it. For Kraut was to argue that the evidence, so far was so convincing that you “never would get a jury to believe that you didn’t do it,” but that, “if you would talk right out to Mason, he could do more for you with the judge and the governor than anyone could—get you off, maybe, with life or twenty years, while this way you’re likely to get the chair, sure.”
Yet Clyde, because of that same fear that had guided him at Bear Lake, maintaining a profound silence. For why should he say that he had struck her, when he had not—intentionally at least? Or with what, since no thought of the camera had come up as yet.
At the lake, after definite measurements by the county surveyor as to the distance from the spot where Roberta had drowned to the spot where Clyde had landed, Earl Newcomb suddenly returning to Mason with an important discovery. For under a log not so far from the spot at which Clyde had stood to remove his wet clothes, the tripod he had hidden, a little rusty and damp, but of sufficient weight, as Mason and all these others were now ready to believe, to have delivered the blow upon Roberta’s skull which had felled her and so make it possible for him to carry her to the boat and later drown her. Yet, confronted with this and turning paler than before, Clyde denying that he had a camera or a tripod with him, although Mason was instantly deciding that he would re-question all witnesses to find out whether any recalled seeing a tripod or camera in Clyde’s possession.
And before the close of this same day learning from the guide who had driven Clyde and Roberta over, as well as the boatman who had seen Clyde drop his bag into the boat, and a young waitress at Grass Lake who had seen Clyde and Roberta going out from the inn to the station on the morning of their departure from Grass Lake, that all now recalled a “yellow bundle of sticks,” fastened to his bag which must have been the very tripod.
And then Burton Burleigh deciding that it might not really have been the tripod, after all with which he had struck her but possibly and even probably the somewhat heavier body of the camera itself, since an edge of it would explain the wound on the top of the head and the flat surface would explain the general wounds on her face. And because of this conclusion, without any knowledge on the part of Clyde, however, Mason securing diverse from among the woodsmen of the region and setting them to diving in the immediate vicinity of the spot where Roberta’s body had been found, with the result that after an entire day’s diving on the part of six—and because of a promised and substantial reward, one Jack Bogart arose with the very camera which Clyde, as the boat had turned over, had let fall. Worse, after examination it proved to contain a roll of films, which upon being submitted to an expert chemist for development, showed finally to be a series of pictures of Roberta, made on shore—one sitting on a log, a second posed by the side of the boat on shore, a third reaching up toward the branches of a tree—all very dim and water-soaked but still decipherable. And the exact
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