Short Fiction by Aleksandr Kuprin (nonfiction book recommendations .txt) 📕

part of the great mystery was about to be consummated. In the temple were left only those initiated into the higher degrees⁠—mystagogues, epopts, prophets and sacrificators.

Boys in white vestments bore about, upon salvers of silver, flesh, bread, dried fruits, and sweet wine of Pelusium. Others poured hippocras out of narrow-necked Tyrian vessels⁠—a drink given in those days to condemned criminals before execution, to arouse their manhood, but which also possessed the great virtue of generating and sustaining in men the fire of a sacred madness.

At a sign from the priest on duty the boys withdrew. A priest who was also the keeper of the gates locked all doors. Then he attentively made the rounds of all those who remained, scrutinizing their faces and testing them with secret words that constituted the pass-orders for this night. Two other priests drew a silvern thurible upon wheels down the length of the temple and around each of its columns. The temple filled with the blue, thick, heady, aromatic fumes of incense, and through the layers of smoke grew barely visible the varicoloured flames of the lamp⁠—lamps made of translucent stones, lamps set in carved gold and suspended from the ceiling upon long chains of silver. In the times of eld this temple of Osiris and Isis was known for its small extent and its poverty, and was hollowed out like a cavern in the heart of the mountain. A narrow subterranean corridor led to it from without. But in the days of the reign of Solomon, who had taken under his protection all religions save those which permitted the offering of children in sacrifice, and thanks to the zeal of Queen Astis, an Aegyptian born, the temple had expanded in depth and height, and had become adorned with rich offerings.

The former altar still remained inviolate in its primordial, austere simplicity, together with a great number of small chambers surrounding it and serving for the keeping of treasures, sacrificial objects, and priestly appurtenances, as well as for special secret purposes during the most occult mystic orgies.

But then, the outer court was truly magnificent, with its pylons in honour of the goddess Hathor, and with a four-sided colonnade of four and twenty columns. The inner, subterranean, hypostylic hall for worshippers was built still more magnificently. Its mosaic floor was all adorned with cunningly wrought images of fishes, beasts, amphibians and reptiles; while the ceiling was overlaid with blue lazure, and upon it shone a sun of gold, glowed a moon of silver, innumerable stars twinkled, and birds soared upon outspread wings. The floor was the earth, the ceiling the sky, and they were joined by round and many-sided columns, like mighty tree trunks; and since all the columns were surmounted by capitals in the form of the tender flowers of lotus or the slender cylinders of the papyrus, the ceiling they supported did in reality seem as light and aethereal as the sky.

The walls to the height of a man were faced with plates of red granite, brought at the desire of Queen Astis out of Thebes, where the local master workers could impart to the granite a smoothness like that of a mirror, together with an amazing polish. Higher, to the very ceiling, the walls, as well as the columns, were gay with graven and limned images with the symbols of the gods of both Aegypts. Here was Sebekh, honoured in Fayum in the form of a crocodile; and Thoth, the god of the moon, depicted as an ibis in the city of Khmunu; and the sun-god Horus, to whom a small idol-temple was consecrated in Edfu; and Bast of Bubastis, in the form of a cat; Shu, the god of the air, as a lion; Ptah⁠—an Apis; Hathor, the goddess of mirth⁠—a heifer; Anubis, the god of embalming, with the head of a jackal; and Menthu out of Hermon; and the Coptic Minu; and Neith of Sais, the goddess of the sky; and, finally, in the form of a ram⁠—the dread god whose name was never uttered, and who was called Khenti-Amentiu, which signifieth: The Dweller in the West.

The half-dark altar reared above the entire temple, and the gold upon the walls of the sanctuary that hid the images of Isis gleamed within its depths. Three gates⁠—a large one in the middle, and two small ones flanking it⁠—opened into the sanctuary. Before the middle one stood a small sacrificial altar with a sacred stone knife of Aethiopian obsidian. Steps led up to the altar, and upon them were disposed young priests and priestesses with tympani and sistrums, with flutes and tabours.

Queen Astis was reclining within a little, secret chamber. A small quadrangular opening, artfully concealed by a large curtain, led directly to the altar, and permitted one to follow all the details of the sacred service without betraying one’s presence. A light, closely-fitting dress of linen gauze, interwoven with silver, tightly enveloped the body of the queen, leaving the arms bare up to the shoulders, and the legs halfway to the calf. Her skin gleamed pinkly through the diaphanous material, and one could see the pure lines and elevations of her graceful body, which, despite the queen’s age of thirty, still had lost none of its litheness, beauty and freshness. Her hair, stained a blue colour, was spread loosely over her shoulders and back, and was adorned with innumerable little aromatic pomanders. Her face was much rouged and whitened; while her eyes, finely outlined by kohl, seemed enormous and glowed in the darkness, like those of some powerful beasts of the feline species. A sacred uraeus of gold hung down from her neck, separating the half-bared breasts.

Ever since Solomon had cooled toward Queen Astis, tired of her unbridled sensuality, she, with all the ardour of southern love-passion, and with all the jealousy of a woman scorned, had given herself up to those secret orgies of perverted lust that constituted the highest cult of the castrates’ service of Isis. She always showed herself surrounded