Monsieur Lecoq by Émile Gaboriau (romance novel chinese novels .txt) 📕
Description
The last Lecoq novel goes back to the beginning, to Monsieur Lecoq’s first case, the case that began his reputation as a master of detection, master of disguise, and master of detail. The case begins simply: Lecoq and several other policemen come upon a crime as it’s being committed. Three men are dead and the killer is in custody. But who is he? Lecoq and his companion officer spend months trying to figure it out, to no avail. Lecoq finally goes to visit his old mentor in order to gain some insight.
The scene then changes to some fifty years previous; in the aftermath of Waterloo, some noblemen return from exile. One of them insults the character of a local who has acted honorably on the nobleman’s behalf, and the remainder of the novel is devoted to how those few minutes end up unravelling the lives of everyone present, and many who aren’t.
Gaboriau again demonstrates his ability to mix detective mystery and Dickensian drama, and foreshadows the style of the first two novels of his more famous English cousin in detection.
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- Author: Émile Gaboriau
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It is needless, however, to recapitulate her oaths; let us rather follow the train of Lecoq’s meditation. By what means could he secure some clue to the murderer’s identity? He was still convinced that the prisoner must belong to the higher ranks of society. After all, it was not so extraordinary that he should have succeeded in feigning an appetite, that he should have concealed his distaste for a nauseous beverage, and that he should have entered the Black Maria without hesitation. Such conduct was quite possible, indeed almost probable on the part of a man, endowed with considerable strength of will, and realizing the imminence of his peril. But granting this, would he be equally able to hide his feelings when he was obliged to submit to the humiliating formalities that awaited him—formalities which in certain cases can, and must, be pushed even to the verge of insult and outrage?
No; Lecoq could not believe that this would be possible. He felt sure that the disgraceful position in which the prisoner would find himself would cause him to revolt, to lose his self-control, to utter some word that might give the desired clue.
It was not until the gloomy vehicle had turned off the Pont Neuf on to the Quai de l’Horloge that the young detective became conscious of what was transpiring around him. Soon the van passed through an open gateway, and drew up in a small, damp courtyard.
Lecoq immediately alighted, and opened the door of the compartment in which the supposed murderer was confined, exclaiming as he did so: “Here we are, get out.” There was no fear of the prisoner escaping. The iron gate had been closed, and at least a dozen agents were standing near at hand, waiting to have a look at the new arrivals.
The prisoner slowly stepped to the ground. His expression of face remained unchanged, and each gesture evinced the perfect indifference of a man accustomed to such ordeals.
Lecoq scrutinized his demeanor as attentively as an anatomist might have watched the action of a muscle. He noted that the prisoner seemed to experience a sensation of satisfaction directly his foot touched the pavement of the courtyard, that he drew a long breath, and then stretched and shook himself, as if to regain the elasticity of his limbs, cramped by confinement in the narrow compartment from which he had just emerged. Then he glanced around him, and a scarcely perceptible smile played upon his lips. One might have sworn that the place was familiar to him, that he was well acquainted with these high grim walls, these grated windows, these heavy doors—in short, with all the sinister belongings of a prison.
“Good Lord!” murmured Lecoq, greatly chagrined, “does he indeed recognize the place?”
And his sense of disappointment and disquietude increased when, without waiting for a word, a motion, or a sign, the prisoner turned toward one of the five or six doors that opened into the courtyard. Without an instant’s hesitation he walked straight toward the very doorway he was expected to enter—Lecoq asked himself was it chance? But his amazement and disappointment increased tenfold when, after entering the gloomy corridor, he saw the culprit proceed some little distance, resolutely turn to the left, pass by the keeper’s room, and finally enter the registrar’s office. An old offender could not have done better.
Big drops of perspiration stood on Lecoq’s forehead. “This man,” thought he, “has certainly been here before; he knows the ropes.”
The registrar’s office was a large room heated almost to suffocation by an immense stove, and badly lighted by three small windows, the panes of which were covered with a thick coating of dust. There sat the clerk reading a newspaper, spread out over the open register—that fatal book in which are inscribed the names of all those whom misconduct, crime, misfortune, madness, or error have brought to these grim portals.
Three or four attendants, who were awaiting the hour for entering upon their duties, reclined half asleep upon the wooden benches that lined three sides of the room. These benches, with a couple of tables, and some dilapidated chairs, constituted the entire furniture of the office, in one corner of which stood a measuring machine, under which each culprit was obliged to pass, the exact height of the prisoners being recorded in order that the description of their persons might be complete in every respect.
At the entrance of the culprit accompanied by Lecoq, the clerk raised his head. “Ah!” said he, “has the van arrived?”
“Yes,” responded Lecoq. And showing the orders signed by M. d’Escorval, he added: “Here are this man’s papers.”
The registrar took the documents and read them. “Oh!” he exclaimed, “a triple assassination! Oh! oh!” The glance he gave the prisoner was positively deferential. This was no common culprit, no ordinary vagabond, no vulgar thief.
“The investigating magistrate orders a private examination,” continued the clerk, “and I must get the prisoner other clothing, as the things he is wearing now will be used as evidence. Let someone go at once and tell the superintendent that the other occupants of the van must wait.”
At this moment, the governor of the Depot entered the office. The clerk at once dipped his pen in the ink, and turning to the prisoner he asked: “What is your name?”
“May.”
“Your Christian name?”
“I have none.”
“What, have you no Christian name?”
The prisoner seemed to reflect for a moment, and then answered, sulkily: “I may as well tell you that you need not tire yourself by questioning me. I shan’t answer anyone else but the magistrate. You would like to make me cut my own throat, wouldn’t you? A very clever trick,
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