Bleak House by Charles Dickens (best ebook reader for laptop .txt) 📕
Description
Bleak House, completed by Dickens in 1853, tells several interlocking story-lines and features a host of colorful characters. Though very difficult to summarise, the novel centers around the decades-long legal case of Jarndyce and Jarndyce, involving the fair distribution of assets of a valuable estate. The case is mired in the legal quagmire of the Court of Chancery, whose byzantine and sluggish workings Dickens spares no effort to expose and condemn. Dickens also exposes the miserable condition of the poor, living in squalid, pestilential circumstances.
The novel’s heroine is Esther Summerson, whose parentage is unclear and who has been brought up by a cold and strict godmother, who tells her only: “Your mother, Esther, is your disgrace, and you were hers.” On the death of her godmother, she is given an education through the unexpected intervention of a Mr. Jarndyce of Bleak House, whom she has never met. When she comes of age, she is appointed as a companion to Ada, one of two young people who are “wards of Chancery,” whose fates depend on the outcome of the legal struggle and who are taken into guardianship by Mr. Jarndyce. The other ward Richard, despite Mr. Jarndyce’s frequent warnings, eventually goes astray by pinning all his hopes on a successful outcome of Jarndyce and Jarndyce.
We are also introduced to Sir Leicester and Lady Dedlock, and to their cunning and suspicious lawyer, Mr. Tulkinghorn. He uncovers evidence that Lady Dedlock is not all she seems and determines to remorselessly pursue every lead to expose her secrets.
The novel has a curious construction in that the first-person narrative of Esther, written in the past tense, is interleaved with many chapters written from the omniscient viewpoint and in the present tense.
Several prominent critics such as G. K. Chesterton consider Bleak House to be Dickens’ finest novel, and it is often ranked among the best English-language novels of all time.
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- Author: Charles Dickens
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“Not in his usual spirits?” exclaims Mr. Bucket. “Why, I never heard of such a thing! What’s the matter, George? You don’t intend to tell me you’ve been out of spirits. What should you be out of spirits for? You haven’t got anything on your mind, you know.”
“Nothing particular,” returns the trooper.
“I should think not,” rejoins Mr. Bucket. “What could you have on your mind, you know! And have these pets got anything on their minds, eh? Not they, but they’ll be upon the minds of some of the young fellows, some of these days, and make ’em precious low-spirited. I ain’t much of a prophet, but I can tell you that, ma’am.”
Mrs. Bagnet, quite charmed, hopes Mr. Bucket has a family of his own.
“There, ma’am!” says Mr. Bucket. “Would you believe it? No, I haven’t. My wife and a lodger constitute my family. Mrs. Bucket is as fond of children as myself and as wishful to have ’em, but no. So it is. Worldly goods are divided unequally, and man must not repine. What a very nice backyard, ma’am! Any way out of that yard, now?”
There is no way out of that yard.
“Ain’t there really?” says Mr. Bucket. “I should have thought there might have been. Well, I don’t know as I ever saw a backyard that took my fancy more. Would you allow me to look at it? Thank you. No, I see there’s no way out. But what a very good-proportioned yard it is!”
Having cast his sharp eye all about it, Mr. Bucket returns to his chair next his friend Mr. George and pats Mr. George affectionately on the shoulder.
“How are your spirits now, George?”
“All right now,” returns the trooper.
“That’s your sort!” says Mr. Bucket. “Why should you ever have been otherwise? A man of your fine figure and constitution has no right to be out of spirits. That ain’t a chest to be out of spirits, is it, ma’am? And you haven’t got anything on your mind, you know, George; what could you have on your mind!”
Somewhat harping on this phrase, considering the extent and variety of his conversational powers, Mr. Bucket twice or thrice repeats it to the pipe he lights, and with a listening face that is particularly his own. But the sun of his sociality soon recovers from this brief eclipse and shines again.
“And this is brother, is it, my dears?” says Mr. Bucket, referring to Quebec and Malta for information on the subject of young Woolwich. “And a nice brother he is—half-brother I mean to say. For he’s too old to be your boy, ma’am.”
“I can certify at all events that he is not anybody else’s,” returns Mrs. Bagnet, laughing.
“Well, you do surprise me! Yet he’s like you, there’s no denying. Lord, he’s wonderfully like you! But about what you may call the brow, you know, there his father comes out!” Mr. Bucket compares the faces with one eye shut up, while Mr. Bagnet smokes in stolid satisfaction.
This is an opportunity for Mrs. Bagnet to inform him that the boy is George’s godson.
“George’s godson, is he?” rejoins Mr. Bucket with extreme cordiality. “I must shake hands over again with George’s godson. Godfather and godson do credit to one another. And what do you intend to make of him, ma’am? Does he show any turn for any musical instrument?”
Mr. Bagnet suddenly interposes, “Plays the fife. Beautiful.”
“Would you believe it, governor,” says Mr. Bucket, struck by the coincidence, “that when I was a boy I played the fife myself? Not in a scientific way, as I expect he does, but by ear. Lord bless you! ‘British Grenadiers’—there’s a tune to warm an Englishman up! could you give us ‘British Grenadiers,’ my fine fellow?”
Nothing could be more acceptable to the little circle than this call upon young Woolwich, who immediately fetches his fife and performs the stirring melody, during which performance Mr. Bucket, much enlivened, beats time and never fails to come in sharp with the burden, “British Gra-a-anadeers!” In short, he shows so much musical taste that Mr. Bagnet actually takes his pipe from his lips to express his conviction that he is a singer. Mr. Bucket receives the harmonious impeachment so modestly, confessing how that he did once chaunt a little, for the expression of the feelings of his own bosom, and with no presumptuous idea of entertaining his friends, that he is asked to sing. Not to be behindhand in the sociality of the evening, he complies and gives them “Believe Me, if All Those Endearing Young Charms.” This ballad, he informs Mrs. Bagnet, he considers to have been his most powerful ally in moving the heart of Mrs. Bucket when a maiden, and inducing her to approach the altar—Mr. Bucket’s own words are “to come up to the scratch.”
This sparkling stranger is such a new and agreeable feature in the evening that Mr. George, who testified no great emotions of pleasure on his entrance, begins, in spite of himself, to be rather proud of him. He is so friendly, is a man of so many resources, and so easy to get on with, that it is something to have made him known there. Mr. Bagnet becomes, after another pipe, so sensible of the value of his acquaintance that he solicits the honour of his company on the old girl’s next birthday. If anything can more closely cement and consolidate the esteem which Mr. Bucket has formed for the family, it is the discovery of the nature of the occasion. He drinks to Mrs. Bagnet with a warmth approaching to rapture, engages himself for that day twelvemonth more than thankfully, makes a memorandum of the day in a large black pocketbook with a girdle to it, and breathes a hope that Mrs. Bucket and Mrs. Bagnet may before then become, in a manner, sisters. As he says himself, what is public life without private ties? He is in his humble way a public man, but it is not in that sphere that he finds
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