Short Fiction by O. Henry (librera reader txt) ๐
Description
William Sydney Porter, known to readers as O. Henry, was a true raconteur. As a draftsman, a bank teller, a newspaper writer, a fugitive from justice in Central America, and a writer living in New York City, he told stories at each stop and about each stop. His stories are known for their vivid characters who come to life, and sometimes death, in only a few pages. But the most famous characteristic of O. Henryโs stories are the famous โtwistโ endings, where the outcome comes as a surprise both to the characters and the readers. O. Henryโs work was widely recognized and lauded, so much so that a few years after his death an award was founded in his name to recognize the best American short story (now stories) of the year.
This collection gathers all of his available short stories that are in the U.S. public domain. They were published in various popular magazines of the time, as well as in the Houston Post, where they were not attributed to him until many years after his death.
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- Author: O. Henry
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โLie downโ โlie down!โ snapped Littlefield. โClose to the horseโ โflat on the groundโ โso.โ He almost threw her upon the grass against the back of the recumbent Fly. Oddly enough, at that moment the words of the Mexican girl returned to his mind:
โIf the life of the girl you love is ever in danger, remember Rafael Ortiz.โ
Littlefield uttered an exclamation.
โOpen fire on him, Nan, across the horseโs back. Fire as fast as you can! You canโt hurt him, but keep him dodging shot for one minute while I try to work a little scheme.โ
Nancy gave a quick glance at Littlefield, and saw him take out his pocketknife and open it. Then she turned her face to obey orders, keeping up a rapid fire at the enemy.
Mexico Sam waited patiently until this innocuous fusillade ceased. He had plenty of time, and he did not care to risk the chance of a bird-shot in his eye when it could be avoided by a little caution. He pulled his heavy Stetson low down over his face until the shots ceased. Then he drew a little nearer, and fired with careful aim at what he could see of his victims above the fallen horse.
Neither of them moved. He urged his horse a few steps nearer. He saw the district attorney rise to one knee and deliberately level his shotgun. He pulled his hat down and awaited the harmless rattle of the tiny pellets.
The shotgun blazed with a heavy report. Mexico Sam sighed, turned limp all over, and slowly fell from his horseโ โa dead rattlesnake.
At ten oโclock the next morning court opened, and the case of the United States versus Rafael Ortiz was called. The district attorney, with his arm in a sling, rose and addressed the court.
โMay it please your honour,โ he said, โI desire to enter a nolle pros in this case. Even though the defendant should be guilty, there is not sufficient evidence in the hands of the government to secure a conviction. The piece of counterfeit coin upon the identity of which the case was built is not now available as evidence. I ask, therefore, that the case be stricken off.โ
At the noon recess Kilpatrick strolled into the district attorneyโs office.
โIโve just been down to take a squint at old Mexico Sam,โ said the deputy. โTheyโve got him laid out. Old Mexico was a tough outfit, I reckon. The boys was wonderinโ down there what you shot him with. Some said it must have been nails. I never see a gun carry anything to make holes like he had.โ
โI shot him,โ said the district attorney, โwith Exhibit A of your counterfeiting case. Lucky thing for meโ โand somebody elseโ โthat it was as bad money as it was! It sliced up into slugs very nicely. Say, Kil, canโt you go down to the jacals and find where that Mexican girl lives? Miss Derwent wants to know.โ
While the Auto WaitsPromptly at the beginning of twilight, came again to that quiet corner of that quiet, small park the girl in gray. She sat upon a bench and read a book, for there was yet to come a half hour in which print could be accomplished.
To repeat: Her dress was gray, and plain enough to mask its impeccancy of style and fit. A large-meshed veil imprisoned her turban hat and a face that shone through it with a calm and unconscious beauty. She had come there at the same hour on the day previous, and on the day before that; and there was one who knew it.
The young man who knew it hovered near, relying upon burnt sacrifices to the great joss, Luck. His piety was rewarded, for, in turning a page, her book slipped from her fingers and bounded from the bench a full yard away.
The young man pounced upon it with instant avidity, returning it to its owner with that air that seems to flourish in parks and public placesโ โa compound of gallantry and hope, tempered with respect for the policeman on the beat. In a pleasant voice, he risked an inconsequent remark upon the weatherโ โthat introductory topic responsible for so much of the worldโs unhappinessโ โand stood poised for a moment, awaiting his fate.
The girl looked him over leisurely; at his ordinary, neat dress and his features distinguished by nothing particular in the way of expression.
โYou may sit down, if you like,โ she said, in a full, deliberate contralto. โReally, I would like to have you do so. The light is too bad for reading. I would prefer to talk.โ
The vassal of Luck slid upon the seat by her side with complaisance.
โDo you know,โ he said, speaking the formula with which park chairmen open their meetings, โthat you are quite the stunningest girl I have seen in a long time? I had my eye on you yesterday. Didnโt know somebody was bowled over by those pretty lamps of yours, did you, honeysuckle?โ
โWhoever you are,โ said the girl, in icy tones, โyou must remember that I am a lady. I will excuse the remark you have just made because the mistake was, doubtless, not an unnatural oneโ โin your circle. I asked you to sit down; if the invitation must constitute me your honeysuckle, consider it withdrawn.โ
โI earnestly beg your pardon,โ pleaded the young ran. His expression of satisfaction had changed to one of penitence and humility. โIt was my fault, you knowโ โI mean, there are girls in parks, you knowโ โthat is, of course, you donโt know, butโ โโ
โAbandon the subject, if you please. Of course I know. Now, tell me about these people passing and crowding, each way, along these paths. Where are they going? Why do they hurry so? Are they happy?โ
The young man had promptly abandoned his air
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