Anna Karenina by Leo Tolstoy (feel good books TXT) 📕
Description
Anna Karenina is certainly somewhat unhappy in her life, but presents a strong and vivacious character when called in to smooth over a major crack that’s appeared in her brother’s marriage. Unfortunately, the very visit designed to help her brother introduces her to Count Alexei Vronsky and sets in motion a chain of events that will ripple through families and the unforgiving society of wealthy Moscow and St. Petersburg.
Initially serialized over five years in The Russian Messenger, Anna Karenina was first published as a two-volume novel in 1878. It was Leo Tolstoy’s second novel, coming after War and Peace and further cementing his role as the primary Russian author of his age. Tolstoy drew on his aristocratic upbringing to set the scene for the novel, and it’s widely believed that he wrote his own experiences and struggles with religion (documented in A Confession) into the central character of Konstantin Levin.
This edition compiles into a single volume the 1901 English translation by Constance Garnett.
Read free book «Anna Karenina by Leo Tolstoy (feel good books TXT) 📕» - read online or download for free at americanlibrarybooks.com
- Author: Leo Tolstoy
Read book online «Anna Karenina by Leo Tolstoy (feel good books TXT) 📕». Author - Leo Tolstoy
Darya Alexandrovna noticed that at this point in his explanation he grew confused, and she did not quite understand this digression, but she felt that having once begun to speak of matters near his heart, of which he could not speak to Anna, he was now making a clean breast of everything, and that the question of his pursuits in the country fell into the same category of matters near his heart, as the question of his relations with Anna.
“Well, I will go on,” he said, collecting himself. “The great thing is that as I work I want to have a conviction that what I am doing will not die with me, that I shall have heirs to come after me—and this I have not. Conceive the position of a man who knows that his children, the children of the woman he loves, will not be his, but will belong to someone who hates them and cares nothing about them! It is awful!”
He paused, evidently much moved.
“Yes, indeed, I see that. But what can Anna do?” queried Darya Alexandrovna.
“Yes, that brings me to the object of my conversation,” he said, calming himself with an effort. “Anna can, it depends on her. … Even to petition the Tsar for legitimization, a divorce is essential. And that depends on Anna. Her husband agreed to a divorce—at that time your husband had arranged it completely. And now, I know, he would not refuse it. It is only a matter of writing to him. He said plainly at that time that if she expressed the desire, he would not refuse. Of course,” he said gloomily, “it is one of those Pharisaical cruelties of which only such heartless men are capable. He knows what agony any recollection of him must give her, and knowing her, he must have a letter from her. I can understand that it is agony to her. But the matter is of such importance, that one must passer par-dessus toutes ces finesses de sentiment. Il y va du bonheur et de l’existence d’Anne et de ses enfants. I won’t speak of myself, though it’s hard for me, very hard,” he said, with an expression as though he were threatening someone for its being hard for him. “And so it is, princess, that I am shamelessly clutching at you as an anchor of salvation. Help me to persuade her to write to him and ask for a divorce.”
“Yes, of course,” Darya Alexandrovna said dreamily, as she vividly recalled her last interview with Alexey Alexandrovitch. “Yes, of course,” she repeated with decision, thinking of Anna.
“Use your influence with her, make her write. I don’t like—I’m almost unable to speak about this to her.”
“Very well, I will talk to her. But how is it she does not think of it herself?” said Darya Alexandrovna, and for some reason she suddenly at that point recalled Anna’s strange new habit of half-closing her eyes. And she remembered that Anna drooped her eyelids just when the deeper questions of life were touched upon. “Just as though she half-shut her eyes to her own life, so as not to see everything,” thought Dolly. “Yes, indeed, for my own sake and for hers I will talk to her,” Dolly said in reply to his look of gratitude.
They got up and walked to the house.
XXIIWhen Anna found Dolly at home before her, she looked intently in her eyes, as though questioning her about the talk she had had with Vronsky, but she made no inquiry in words.
“I believe it’s dinner time,” she said. “We’ve not seen each other at all yet. I am reckoning on the evening. Now I want to go and dress. I expect you do too; we all got splashed at the buildings.”
Dolly went to her room and she felt amused. To change her dress was impossible, for she had already put on her best dress. But in order to signify in some way her preparation for dinner, she asked the maid to brush her dress, changed her cuffs and tie, and put some lace on her head.
“This is all I can do,” she said with a smile to Anna, who came in to her in a third dress, again of extreme simplicity.
“Yes, we are too formal here,” she said, as it were apologizing for her magnificence. “Alexey is delighted at your visit, as he rarely is at anything. He has completely lost his heart to you,” she added. “You’re not tired?”
There was no time for talking about anything before dinner. Going into the drawing-room they found Princess Varvara already there, and the gentlemen of the party in black frock-coats. The architect wore a swallowtail coat. Vronsky presented the doctor and the steward to his guest. The architect he had already introduced to her at the hospital.
A stout butler, resplendent with a smoothly shaven round chin and a starched white cravat, announced that dinner was ready, and the ladies got up. Vronsky asked Sviazhsky to take in Anna Arkadyevna, and himself offered his arm to Dolly. Veslovsky was before Tushkevitch in offering his arm to Princess Varvara, so that Tushkevitch with the steward and the doctor
Comments (0)