Short Fiction by Leonid Andreyev (fastest ebook reader TXT) 📕
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Leonid Andreyev was a Russian playwright and author of short stories and novellas, writing primarily in the first two decades of the 20th century. Matching the depression he suffered from an early age, his writing is always dark of tone with subjects including biblical parables, Russian life, eldritch horror and revolutionary fervour. H. P. Lovecraft was a reader of his work, and The Seven Who Were Hanged (included here) has even been cited as direct inspiration for the assassination of Arch-Duke Ferdinand: the event that started the first World War. Originally a lawyer, his first published short story brought him to the attention of Maxim Gorky who not only became a firm friend but also championed Andreyev’s writing in his collections to great commercial acclaim.
Widely translated into English during his life, this collection comprises the best individual translations of each of his short stories and novellas available in the public domain, presented in chronological order of their original publication in Russian.
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- Author: Leonid Andreyev
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The firing squad put them to death. Remember the names which I have mentioned; and with regard to those whom I have not mentioned by name, remember merely that they were put to death. But don’t go and make a sign of the cross upon your brow, or worse than that—don’t go and order a requiem mass—they did not like such things. Honor the dead with the silence of truth, and if you must lie, lie in some merrier fashion, but never by saying mass: they did not like that.
VThat first quake that destroyed the prison and the city had a voice of rare power and of queer, superhuman dignity: it roared from below, from beneath the ground, it was vast and hoarse and menacing; and everything shook and crumbled. And ere I grasped what was going on, I knew that all was over, that it was perhaps the end of the earth. But I was not particularly frightened: why should I be especially frightened even if it were the end of the world? Long did he roar, that deaf subterranean trumpeter.
And all at once politely opened the door.
VII had sat a long time in prison, without hope. I had tried to flee and failed. Nor could you have managed to escape, for that accursed prison was very well built.
And I had become accustomed to the iron of the bars and to the stone of the walls, and they seemed to me eternal, and he who had built them the strongest in the world. And it was no use to think whether he was just or not, so strong and eternal he was. Even in my dreams I saw no freedom—I did not believe, expect or feel it. And I feared to call it. It is perilous to call freedom; while you keep still, you may live; but call freedom once, ever so softly, you must either gain it or die. This is true, so said Pascale, the professor.
And thus without hope I sat in prison, and suddenly opened the door. Politely and of its own accord. At any rate it was no human hand that opened it.
VIIThe streets were in ruins, in a terrible chaos. All the material of which people build was resolved to its elements and lay as it had been in the beginning. The houses were crumbling, bursting, reeling like drunken, squatting down upon the ground, on their own crushed legs. Others were sulkily casting themselves down upon the ground, with their heads upon the pavement—crash! And opened were the little boxes in which human beings live—pretty little boxes, all plastered with paper. The pictures still hung on the walls, but the people were no more; they had been thrown out, they were lying beneath masses of stone. And the earth was twitching convulsively—for, you must know that the subterranean trumpeter had started to roar again, that deaf devil who can never have enough noise because he is so deaf. Sweet, painstaking, gigantic devil!
But I was free and I did not understand it yet. I hesitated to walk away from that accursed prison. I was standing there, blinking stupidly at the ruins. And the comrades had also assembled, none attempting to leave, crowding distractedly, like the children about the figure of a dissipated, drunken mother that had fallen to the ground. A fine mother, indeed!
Suddenly Pascale, the professor, said:
“Look!”
One of the walls which we had deemed eternal had burst in two; and the window, with its iron bars, had split in two as well. The iron was twisted and torn like a rotten rag—think of it, the iron! In my hands it had not even rattled, it had pretended to be eternal, the most powerful thing on earth, and now it was not worth to be spat upon—the iron, think of it!
Then I, and the rest of us, understood that we were free.
VIIIFree!
IXIt is harder for you to bend a grass blade than for him to bend three iron rails one atop the other. Three or a hundred, it is all the same to him. It is more difficult for you to raise a cup of water to your lips than for him to raise a sea of water, to shake it up, to lift the dregs thereof and to cast them out upon the shore; to bring the cold to boiling. It is harder for you to gnaw through a piece of sugar than for him to gnaw through a mountain. It is more difficult for you to tear a thin and rotting thread than for him to break three wire ropes twisted into one braid. You will perspire and flush with exertion before you manage to stir up an anthill with your stick—and he with one push destroys your city. He has picked up an iron steamship as you with your hand pick up a tiny pebble, and has cast it ashore—have you ever seen the like of such strength?
XAll that had been open he has shut; the door of your house has grown into its walls, and together they have choked you: your door, your walls, your ceiling. And he likewise has opened the
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