We by Yevgeny Zamyatin (the unexpected everything .txt) 📕
Description
D-503 is the Builder of the Integral, the United State’s first spaceship. A life of calculations and equations in the United State leaves little room for emotional expression outside of the pink slips that give one private time with another Number. The façade however starts to crack when I-330, a mysterious she-Number with a penchant for the Ancients, enters the picture.
We, Yevgeny Zamyatin’s fourth novel, was written in 1920–21, but remained unpublished until its English release in 1924 due to conditions in the Soviet Union at the time (it was eventually published there in 1988). Its dystopian future setting predates Orwell’s 1984 and Huxley’s Brave New World, and it’s now considered a founding member of the genre. It has been translated into English and other languages many times; presented here is the original 1924 translation by Gregory Zilboorg.
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- Author: Yevgeny Zamyatin
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The blunt snout of some unknown beast was to be seen dimly through the glass of the Wall; its yellow eyes kept repeating the same thought which remained incomprehensible to me. We looked into each other’s eyes for a long while. Eyes are shafts which lead from the superficial world into a world which is beneath the surface. A thought awoke in me: “what if that yellow-eyed one, sitting there on that absurd dirty heap of leaves, is happier than I, in his life which cannot be calculated in figures!” I waved my hand. The yellow eyes twinkled, moved back and disappeared in the foliage. What a pitiful being! How absurd the idea that he might be happier! Happier than I he may be, but I am an exception, am I not? I am sick.
I noticed that I was approaching the dark red walls of the Ancient House and I saw the grown-together lips of the old woman. I ran to her with all speed.
“Is she here?”
The grown-together lips opened slowly:
“Who is ‘she’?”
“Who? I-330, of course. You remember we came together, she and I, in an aero the other day.”
“Oh, yes, yes, yes—yes.”
Ray-wrinkles around the lips, artful rays radiating from the eyes. They were making their way deeper and deeper into me.
“Well, she is here, all right. Came in a while ago.”
“Here!” I noticed at the feet of the old woman a bush of silver—bitter wormwood. (The court of the Ancient House, being a part of the museum is carefully kept in its prehistoric state.) A branch of the bush touched the old woman, she caressed that branch; upon her knees lay stripes of sunshine. For a second I myself, the sun, the old woman, the wormwood, those yellow eyes, all seemed to be one; we were firmly united by common veins and one common blood, boisterous, magnificent blood, was running through those veins.
I am ashamed now to write down all this, but I promised to be frank to the end of these records: yes, I bent over and kissed that soft, grown-together mouth of the old woman. She wiped it with her hand and laughed.
Running, I passed through familiar, half-dark, echoing rooms, and for some reason I ran straight to the bedroom. When I had reached the door, a thought flashed: “And if she is there … not alone?” I stopped and listened. But all I heard was the ticktock of my heart, not within me, but somewhere near, outside me.
I entered. The large bed—untouched. A mirror … another mirror in the door of the cupboard, and in the keyhole an ancient key upon an ancient ring. No one was there. I called softly: “I-330, are you here?”—and then in a still lower voice with closed eyes, holding my breath—in a voice as though I were kneeling before her, “I-, dear.” Silence. Only the water was dripping fast into the white basin of the washstand. I cannot now explain why, but I disliked that sound. I turned the faucet hard and went out. She was not there, so much was clear. She must be in another “apartment.”
I ran down a wide, sombre stairway, pulled one door, another, a third—locked. Every room was locked save that of “our” apartment. And she was not there. I went back again to the same apartment without knowing why. I walked slowly, with difficulty; my shoe-soles suddenly became as heavy as cast-iron. I remember distinctly my thought, “It is a mistake that the force of gravity is a constant; consequently all my formulae. …”
Suddenly—an explosion! A door slammed down below; someone stamped quickly over the flagstones. I again became lightfooted, extremely light! I dashed to the railing to bend over, and in one word, one exclamation, expressed everything: “You!”
I became cold. Below in the square shadow of the window-frame, flapping its pink wing-ears, the head of S- passed by!
Like lightning I saw only the naked conclusion. Without any premises (I don’t recall any premises even now) the conclusion: he must not see me here! And on the tips of my toes, pressing myself against the wall, I sneaked upstairs into the unlocked apartment.
I stopped for a second at the door. He was stamping upward, here. If only the door. … I prayed to the door but it was a wooden one—It squeaked, it squealed. Like a wind something red passed my eyes, something green, and the yellow Buddha. In front of the mirror-door of the cupboard, my pale face; my ears still following those steps, my lips. … Now he was already passing the green and yellow, now he was passing Buddha, now at the doorsill of the bedroom. …
I grasped the key of the cupboard; the ring oscillated. This oscillation reminded me of something. Again a conclusion, a naked conclusion without premises; a conclusion, or to be more exact, a fragment of one: “Now I-330 is. …” I brusquely opened the cupboard and when inside in the darkness shut the
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