Greenmantle by John Buchan (snow like ashes series .txt) ๐
Description
Greenmantle is the second of John Buchanโs novels to feature Richard Hannay, a Scottish intelligence office in the British army, and as such is the sequel to The Thirty-Nine Steps.
The book gives the account of Hannay and his associateโs separate journeys through war-torn Europe to Constantinople to thwart an uprising that is poised to throw the Middle East, India, and North Africa into disarray, changing the course of the war.
The book was popular when first published and although it has never been made into a film, the director Alfred Hitchcock was said to prefer Greenmantle to The Thirty-Nine Steps, and considered filming it on several occasions.
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- Author: John Buchan
Read book online ยซGreenmantle by John Buchan (snow like ashes series .txt) ๐ยป. Author - John Buchan
Presently we stopped, and Stumm led the way out. The train must have been specially halted for him, for it was a one-horse little place whose name I could not make out. The stationmaster was waiting, bowing and saluting, and outside was a motorcar with big headlights. Next minute we were sliding through dark woods where the snow lay far deeper than in the north. There was a mild frost in the air, and the tyres slipped and skidded at the corners.
We hadnโt far to go. We climbed a little hill and on the top of it stopped at the door of a big black castle. It looked enormous in the winter night, with not a light showing anywhere on its front. The door was opened by an old fellow who took a long time about it and got well cursed for his slowness. Inside the place was very noble and ancient. Stumm switched on the electric light, and there was a great hall with black tarnished portraits of men and women in old-fashioned clothes, and mighty horns of deer on the walls.
There seemed to be no superfluity of servants. The old fellow said that food was ready, and without more ado we went into the dining-roomโ โanother vast chamber with rough stone walls above the panellingโ โand found some cold meats on the table beside a big fire. The servant presently brought in a ham omelette, and on that and the cold stuff we dined. I remember there was nothing to drink but water. It puzzled me how Stumm kept his great body going on the very moderate amount of food he ate. He was the type you expect to swill beer by the bucket and put away a pie in a sitting.
When we had finished, he rang for the old man and told him that we should be in the study for the rest of the evening. โYou can lock up and go to bed when you like,โ he said, โbut see you have coffee ready at seven sharp in the morning.โ
Ever since I entered that house I had the uncomfortable feeling of being in a prison. Here was I alone in this great place with a fellow who could, and would, wring my neck if he wanted. Berlin and all the rest of it had seemed comparatively open country; I had felt that I could move freely and at the worst make a bolt for it. But here I was trapped, and I had to tell myself every minute that I was there as a friend and colleague. The fact is, I was afraid of Stumm, and I donโt mind admitting it. He was a new thing in my experience and I didnโt like it. If only he had drunk and guzzled a bit I should have been happier.
We went up a staircase to a room at the end of a long corridor. Stumm locked the door behind him and laid the key on the table. That room took my breath away, it was so unexpected. In place of the grim bareness of downstairs here was a place all luxury and colour and light. It was very large, but low in the ceiling, and the walls were full of little recesses with statues in them. A thick grey carpet of velvet pile covered the floor, and the chairs were low and soft and upholstered like a ladyโs boudoir. A pleasant fire burned on the hearth and there was a flavour of scent in the air, something like incense or burnt sandalwood. A French clock on the mantelpiece told me that it was ten minutes past eight. Everywhere on little tables and in cabinets was a profusion of knickknacks, and there was some beautiful embroidery framed on screens. At first sight you would have said it was a womanโs drawing-room.
But it wasnโt. I soon saw the difference. There had never been a womanโs hand in that place. It was the room of a man who had a passion for frippery, who had a perverted taste for soft delicate things. It was the complement to his bluff brutality. I began to see the queer other side to my host, that evil side which gossip had spoken of as not unknown in the German army. The room seemed a horribly unwholesome place, and I was more than ever afraid of Stumm.
The hearthrug was a wonderful old Persian thing, all faint greens and pinks. As he stood on it he looked uncommonly like a bull in a china-shop. He seemed to bask in the comfort of it, and sniffed like a satisfied animal. Then he sat down at an escritoire, unlocked a drawer and took out some papers.
โWe will now settle your business, friend Brandt,โ he said. โYou will go to Egypt and there take your orders from one whose name and address are in this envelope. This card,โ and he lifted a square piece of grey pasteboard with a big stamp at the corner and some code words stencilled on it, โwill be your passport. You will show it to the man you seek. Keep it jealously, and never use it save under orders or in the last necessity. It is your badge as an accredited agent of the German Crown.โ
I took the card and the envelope and put them in my pocketbook.
โWhere do I go after Egypt?โ I asked.
โThat remains to be seen. Probably you will go up the Blue Nile. Riza, the man you will meet, will direct you. Egypt is a nest of our agents who work peacefully under the nose of the English Secret Service.โ
โI am willing,โ I
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