So Big by Edna Ferber (read books for money .txt) 📕
Description
Selina Peake moves from Chicago to a rural Dutch farming area just outside the city to teach in a one room school. As she attempts to fit into the community, she learns about her own strength in adapting to rural life. She marries an uneducated but sweet Dutch farmer named Pervus DeJong and has a son, Dirk, nicknamed “So Big.” She wishes her son to have the same appreciation for the arts and education she has, and although he becomes an architect, his disillusionment with the architectural apprentice system leads him to a career as a successful bond salesman. He later regrets eschewing his architecture career when he meets a beautiful and eccentric artist.
Ferber was not confident in the book’s prospects when it was first published. Nevertheless, it became very popular, won her the Pulitzer Prize for Fiction in 1925, and was later made into three different motion pictures.
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- Author: Edna Ferber
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“But you ran away?”
“Not far. I came back. Nobody ever knew I ran, even. But I ran. I knew.”
“Why did you come back?”
Maartje elucidated her philosophy without being in the least aware that it could be called by any such high-sounding name. “You can’t run away far enough. Except you stop living you can’t run away from life.”
The girlish look had fled. She was world-old. Her strong arms ceased their pounding and thumping for a moment. On the steps just outside Klaas and Jakob were scanning the weekly reports preparatory to going into the city late that afternoon.
Selina had the difficult task of winning Roelf to her all over again. He was like a trusting little animal, who, wounded by the hand he has trusted, is shy of it. She used blandishments on this boy of thirteen such as she had never vouchsafed the man she was going to marry. He had asked her, bluntly, one day: “Why are you going to marry with him?” He never spoke the name.
She thought deeply. What to say? The answer ready on her tongue would have little meaning for this boy. There came to her a line from Lancelot and Elaine. She answered, “To serve him, and to follow him through the world.” She thought that rather fine-sounding until Roelf promptly rejected it. “That’s no reason. An answer out of a book. Anyway, to follow him through the world is dumb. He stays right here in High Prairie all his life.”
“How do you know!” Selina retorted, almost angrily. Startled, too.
“I know. He stays.”
Still, he could not withstand her long. Together they dug and planted flower beds in Pervus’s dingy front yard. It was too late for tulips now. Pervus had brought her some seeds from town. They ranged all the way from poppies to asters; from purple iris to morning glories. The last named were to form the back-porch vine, of course, because they grew quickly. Selina, city-bred, was ignorant of varieties, but insisted she wanted an old-fashioned garden—marigolds, pinks, mignonette, phlox. She and Roelf dug, spaded, planted. The DeJong place was markedly ugly even in that community of squat houses. It lacked the air of sparkling cleanliness that saved the other places from sordidness. The house, even then, was thirty years old—a gray, weather-beaten frame box with a mansard roof and a flat face staring out at the dense willows by the roadside. It needed paint; the fences sagged; the window curtains were awry. The parlour was damp, funereal. The old woman who tended the house for Pervus slopped about all day with a pail and a wet gray rag. There was always a crazy campanile of dirty dishes stacked on the table, and the last meal seemed never to catch up with the next. About the whole house there was a starkness, a bareness that proclaimed no woman who loved it dwelt therein.
Selina told herself (and Pervus) that she would change all that. She saw herself going about with a brush and a can of white paint, leaving beauty in her wake, where ugliness had been.
Her trousseau was of the scantiest. Pervus’s household was already equipped with such linens as they would need. The question of a wedding gown troubled her until Maartje suggested that she be married in the old Dutch wedding dress that lay in the bride’s chest in Selina’s bedroom.
“A real Dutch bride,” Maartje said. “Your man will think that is fine.” Pervus was delighted. Selina basked in his love like a kitten in the sun. She was, after all, a very lonely little bride with only two photographs on the shelf in her bedroom to give her courage and counsel. The old Dutch wedding gown was many inches too large for her. The skirt-band overlapped her slim waist; her slender little bosom did not fill out the generous width of the bodice; but the effect of the whole was amazingly quaint as well as pathetic. The wings of the stiffly embroidered coif framed the white face from which the eyes looked out, large and dark. She had even tried to wear the hand-carved shoes, but had to give that up. In them her feet were as lost as minnows in a rowboat. She had much difficulty with the queer old buttons and fastenings. It was as though the dead and gone Sophia Kroon were trying, with futile ghostly fingers, to prevent this young thing from meeting the fate that was to be hers.
They were married at the Pools’. Klaas and Maartje had insisted on furnishing the wedding supper—ham, chickens, sausages, cakes, pickles, beer. The Reverend Dekker married them and all through the ceremony Selina chided herself because she could not keep her mind on his words in the fascination of watching his short stubby beard as it waggled with every motion of his jaw. Pervus looked stiff, solemn, and uncomfortable in his wedding blacks—not at all the handsome giant of the everyday corduroys and blue shirt. In the midst of the ceremony Selina had her moment of panic when she actually saw herself running shrieking from this company, this man, this house, down the road, on, on toward—toward what? The feeling was so strong that she was surprised to find herself still standing there in the Dutch wedding gown answering “I do” in the proper place.
The wedding gifts were few. The Pools had given them a “hanging lamp,” coveted of the farmer’s wife; a hideous atrocity in yellow, with pink roses on its shade and prisms dangling and tinkling all around the edge. It was intended to hang suspended from the parlour ceiling, and worked up and down on a sort of pulley chain. From the Widow Paarlenberg came a water set in red frosted glass shading to pink—a fat pitcher and six tumblers. Roelf’s gift, the result of many weeks’ labour in the work-shed, was a bride’s chest copied from
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