Master Flea by E. T. A. Hoffmann (drm ebook reader .txt) 📕
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Ernst Theodor Amadeus Hoffmann was a contemporary of Ludwig von Beethoven: a composer himself, a music critic, and a late-German-Romantic-movement writer of novels and numerous short stories. His incisive wit and poetic imagery allow the reader to peer into the foibles of society and the follies of human psychology. (In fact, Hoffmann’s wit may have gotten him into a bit of legal trouble, as parts of Master Flea were censored and had to be reworked when authorities disliked certain satirical criticisms of contemporary dealings of the court system.)
Join gentleman bachelor Peregrine Tyss as his life as a recluse takes a twist, when he gains an epic advantage of tiny proportions. Part proto-science-fiction and part Romantic fantasy, Master Flea follows the fate of a mysterious, captivating princess at the intersection of numerous suitors, human and insect. Like a lesson from a fable or a tale of classical mythology, Hoffmann’s fairy-tale allegory shows how seeking forbidden knowledge can poison the soul, and how following the heart can heal it.
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- Author: E. T. A. Hoffmann
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If Mr. Tyss began now to amuse himself in society, his faithful companion also laid aside much of his gravity, and exhibited himself as a knavish little voluptuary, an amiable roué. He could not see the fair neck or the white bosom of any beauty, without slipping out of his hiding place with the first opportunity, and springing on the inviting spot, where he very dexterously contrived to elude the attacks of pursuing fingers. This manoeuvre combined a double interest. In the first place, he found a pleasure in it for the thing itself, and then, he hoped, by drawing Peregrine’s attention to the fair ones, to cast Dörtje’s image into shadow. This however seemed to be a fruitless labour, for none of all the ladies, whom he now approached without the least timidity, seemed to him so fair and lovely as his little princess. The great cause however of his continued constancy was that in none he found the words and thoughts so united in his favour as with her. He was convinced that he could never leave her, and this he repeated incessantly. Master Flea was in no little alarm.
One day Peregrine remarked that the old Alina laughed very cunningly, took snuff more frequently than usual, muttered strangely—in short, acted altogether like one who is big with a secret and would fain be disburdened of it. To everything she replied, “Yes, one can’t tell that! one must wait!” whether these words were suited to the occasion or not, till at last Peregrine, full of impatience, exclaimed, “Speak it out at once; tell me what is the matter, without creeping around me with those mysterious looks.”
“Ah!” cried the old woman, clasping her withered hands together, “ah! the dear little thing! the sweet little puppet!”
“Whom do you mean?” asked Peregrine angrily.
“Ah!” said the old woman, smirking. “Ah! whom should I mean but our princess, below here with Mr. Swammer—your bride, Mr. Tyss?”
“Woman!” cried Mr. Tyss, “unlucky woman, she is here! In the house! And you do not tell me till now?”
“Where,” replied the old woman, without in the least losing her composure, “Where should the princess be but here, where she has found her mother?”
“How!” cried Peregrine, “what is it you say, Alina?”
“Yes,” rejoined the old woman, drawing herself up, “Yes, Alina is my right name, and who knows what else may come to light, in a short time, before your nuptials?”
Peregrine entreated her, by all the angels and devils, to go on, but, without paying the least attention to his hurry, she seated herself snugly in the armchair, drew out her snuffbox, took a prodigious pinch, and demonstrated to Peregrine very circumstantially, that there was no worse failing than impatience.
“Calmness, my son; calmness is above all things requisite, or otherwise you run the risk of losing all in the moment that you think you have gained it. Before you get a word out of me, you must first promise to seat yourself there, quite quietly like a pretty-behaved child, and for the life of you not to interrupt me in my story.”
Nothing was left to Peregrine but to obey the old woman, who, when he had seated himself, related things that were strange enough to hear.
According to the old woman’s tale, the two gentlemen, namely, Swammerdam and Leeuwenhoek, had another tough struggle in the chamber, and for a time kept up a terrible clatter. Then again all had become quite still, when a heavy moaning had made her fancy that one of the two was mortally wounded, but on peeping through the keyhole she perceived something quite different from what she had expected. Swammerdam and Leeuwenhoek had seized George Pepusch, and stroked and squeezed him with their fists, so that he grew thinner and thinner, during which operation he had uttered the moans heard by the old woman. At last, when he had grown as thin as a thistle-stem, they had tried to squeeze him through the keyhole, and the poor Pepusch was hanging with half his body out, when she ran away in terror. Soon afterwards she heard a loud laughing, and saw Pepusch in his natural form, quietly led out of the house by the two magicians, while at the room door stood Dörtje and beckoned her in. The little one wished to dress herself, and needed her assistance.
The old woman could not talk enough of the great heap of clothes which the princess brought out of a variety of chests and showed to her, each of which had appeared richer than the other. She declared that none but an Indian princess could possess such jewels as the little one; her eyes still ached with the glitter. She then went on to say how, during the dressing, she had talked of this and that, of the late
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