Notes from Underground by Fyodor Dostoevsky (best black authors .txt) 📕
Description
Notes from Underground is a fictional collection of memoirs written by a civil servant living alone in St. Petersburg. The man is never named and is generally referred to as the Underground Man. The “underground” in the book refers to the narrator’s isolation, which he described in chapter 11 as “listening through a crack under the floor.”
It is considered to be one of the first existentialist novels. With this book, Dostoevsky challenged the ideologies of his time, like nihilism and utopianism. The Underground Man shows how idealized rationality in utopias is inherently flawed, because it doesn’t account for the irrational side of humanity.
This novel has had a big impact on many different works of literature and philosophy. It has influenced writers like Franz Kafka and Friedrich Nietzsche. A similar character is also found in Martin Scorsese’s Taxi Driver.
Notes from Underground was published in 1864 as the first four issues of Epoch, a Russian magazine by Fyodor and Mikhail Dostoevsky. Presented here is Constance Garnett’s translation from 1918.
Read free book «Notes from Underground by Fyodor Dostoevsky (best black authors .txt) 📕» - read online or download for free at americanlibrarybooks.com
- Author: Fyodor Dostoevsky
Read book online «Notes from Underground by Fyodor Dostoevsky (best black authors .txt) 📕». Author - Fyodor Dostoevsky
“No, I must do a great deal to make up for all that,” I cried. “But I will make up for it or perish on the spot this very night. Start!”
We set off. There was a perfect whirl in my head.
“They won’t go down on their knees to beg for my friendship. That is a mirage, cheap mirage, revolting, romantic and fantastical—that’s another ball on Lake Como. And so I am bound to slap Zverkov’s face! It is my duty to. And so it is settled; I am flying to give him a slap in the face. Hurry up!”
The driver tugged at the reins.
“As soon as I go in I’ll give it him. Ought I before giving him the slap to say a few words by way of preface? No. I’ll simply go in and give it him. They will all be sitting in the drawing-room, and he with Olympia on the sofa. That damned Olympia! She laughed at my looks on one occasion and refused me. I’ll pull Olympia’s hair, pull Zverkov’s ears! No, better one ear, and pull him by it round the room. Maybe they will all begin beating me and will kick me out. That’s most likely, indeed. No matter! Anyway, I shall first slap him; the initiative will be mine; and by the laws of honour that is everything: he will be branded and cannot wipe off the slap by any blows, by nothing but a duel. He will be forced to fight. And let them beat me now. Let them, the ungrateful wretches! Trudolyubov will beat me hardest, he is so strong; Ferfitchkin will be sure to catch hold sideways and tug at my hair. But no matter, no matter! That’s what I am going for. The blockheads will be forced at last to see the tragedy of it all! When they drag me to the door I shall call out to them that in reality they are not worth my little finger. Get on, driver, get on!” I cried to the driver. He started and flicked his whip, I shouted so savagely.
“We shall fight at daybreak, that’s a settled thing. I’ve done with the office. Ferfitchkin made a joke about it just now. But where can I get pistols? Nonsense! I’ll get my salary in advance and buy them. And powder, and bullets? That’s the second’s business. And how can it all be done by daybreak? and where am I to get a second? I have no friends. Nonsense!” I cried, lashing myself up more and more. “It’s of no consequence! The first person I meet in the street is bound to be my second, just as he would be bound to pull a drowning man out of water. The most eccentric things may happen. Even if I were to ask the director himself to be my second tomorrow, he would be bound to consent, if only from a feeling of chivalry, and to keep the secret! Anton Antonitch. …”
The fact is, that at that very minute the disgusting absurdity of my plan and the other side of the question was clearer and more vivid to my imagination than it could be to anyone on earth. But. …
“Get on, driver, get on, you rascal, get on!”
“Ugh, sir!” said the son of toil.
Cold shivers suddenly ran down me. Wouldn’t it be better … to go straight home? My God, my God! Why did I invite myself to this dinner yesterday? But no, it’s impossible. And my walking up and down for three hours from the table to the stove? No, they, they and no one else must pay for my walking up and down! They must wipe out this dishonour! Drive on!
And what if they give me into custody? They won’t dare! They’ll be afraid of the scandal. And what if Zverkov is so contemptuous that he refuses to fight a duel? He is sure to; but in that case I’ll show them … I will turn up at the posting station when he’s setting off tomorrow, I’ll catch him by the leg, I’ll pull off his coat when he gets into the carriage. I’ll get my teeth into his hand, I’ll bite him. “See what lengths you can drive a desperate man to!” He may hit me on the head and they may belabour me from behind. I will shout to the assembled multitude: “Look at this young puppy who is driving off to captivate the Circassian girls after letting me spit in his face!”
Of course, after that everything will be over! The office will have vanished off the face of the earth. I shall be arrested, I shall be tried, I shall be dismissed from the service, thrown in prison, sent to Siberia. Never mind! In fifteen years when they let me out of prison I will trudge off to him, a beggar, in rags. I shall find him in some provincial town. He will be married and happy. He will have a grownup daughter. … I shall say to him: “Look, monster, at my hollow cheeks and my rags! I’ve lost everything—my career, my happiness, art, science, the woman I loved, and all through you. Here are pistols. I have come to discharge my pistol and … and I … forgive you. Then I shall fire into the air and he will hear nothing more of me. …”
I was actually on the point of tears, though I knew perfectly well at that moment that all this was out of Pushkin’s “Silvio” and Lermontov’s Masquerade. And
Comments (0)