Bleak House by Charles Dickens (best ebook reader for laptop .txt) 📕
Description
Bleak House, completed by Dickens in 1853, tells several interlocking story-lines and features a host of colorful characters. Though very difficult to summarise, the novel centers around the decades-long legal case of Jarndyce and Jarndyce, involving the fair distribution of assets of a valuable estate. The case is mired in the legal quagmire of the Court of Chancery, whose byzantine and sluggish workings Dickens spares no effort to expose and condemn. Dickens also exposes the miserable condition of the poor, living in squalid, pestilential circumstances.
The novel’s heroine is Esther Summerson, whose parentage is unclear and who has been brought up by a cold and strict godmother, who tells her only: “Your mother, Esther, is your disgrace, and you were hers.” On the death of her godmother, she is given an education through the unexpected intervention of a Mr. Jarndyce of Bleak House, whom she has never met. When she comes of age, she is appointed as a companion to Ada, one of two young people who are “wards of Chancery,” whose fates depend on the outcome of the legal struggle and who are taken into guardianship by Mr. Jarndyce. The other ward Richard, despite Mr. Jarndyce’s frequent warnings, eventually goes astray by pinning all his hopes on a successful outcome of Jarndyce and Jarndyce.
We are also introduced to Sir Leicester and Lady Dedlock, and to their cunning and suspicious lawyer, Mr. Tulkinghorn. He uncovers evidence that Lady Dedlock is not all she seems and determines to remorselessly pursue every lead to expose her secrets.
The novel has a curious construction in that the first-person narrative of Esther, written in the past tense, is interleaved with many chapters written from the omniscient viewpoint and in the present tense.
Several prominent critics such as G. K. Chesterton consider Bleak House to be Dickens’ finest novel, and it is often ranked among the best English-language novels of all time.
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- Author: Charles Dickens
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When we went downstairs, we were presented to Mr. Skimpole, who was standing before the fire telling Richard how fond he used to be, in his school-time, of football. He was a little bright creature with a rather large head, but a delicate face and a sweet voice, and there was a perfect charm in him. All he said was so free from effort and spontaneous and was said with such a captivating gaiety that it was fascinating to hear him talk. Being of a more slender figure than Mr. Jarndyce and having a richer complexion, with browner hair, he looked younger. Indeed, he had more the appearance in all respects of a damaged young man than a well-preserved elderly one. There was an easy negligence in his manner and even in his dress (his hair carelessly disposed, and his neckkerchief loose and flowing, as I have seen artists paint their own portraits) which I could not separate from the idea of a romantic youth who had undergone some unique process of depreciation. It struck me as being not at all like the manner or appearance of a man who had advanced in life by the usual road of years, cares, and experiences.
I gathered from the conversation that Mr. Skimpole had been educated for the medical profession and had once lived, in his professional capacity, in the household of a German prince. He told us, however, that as he had always been a mere child in point of weights and measures and had never known anything about them (except that they disgusted him), he had never been able to prescribe with the requisite accuracy of detail. In fact, he said, he had no head for detail. And he told us, with great humour, that when he was wanted to bleed the prince or physic any of his people, he was generally found lying on his back in bed, reading the newspapers or making fancy-sketches in pencil, and couldn’t come. The prince, at last, objecting to this, “in which,” said Mr. Skimpole, in the frankest manner, “he was perfectly right,” the engagement terminated, and Mr. Skimpole having (as he added with delightful gaiety) “nothing to live upon but love, fell in love, and married, and surrounded himself with rosy cheeks.” His good friend Jarndyce and some other of his good friends then helped him, in quicker or slower succession, to several openings in life, but to no purpose, for he must confess to two of the oldest infirmities in the world: one was that he had no idea of time, the other that he had no idea of money. In consequence of which he never kept an appointment, never could transact any business, and never knew the value of anything! Well! So he had got on in life, and here he was! He was very fond of reading the papers, very fond of making fancy-sketches with a pencil, very fond of nature, very fond of art. All he asked of society was to let him live. That wasn’t much. His wants were few. Give him the papers, conversation, music, mutton, coffee, landscape, fruit in the season, a few sheets of Bristol-board, and a little claret, and he asked no more. He was a mere child in the world, but he didn’t cry for the moon. He said to the world, “Go your several ways in peace! Wear red coats, blue coats, lawn sleeves; put pens behind your ears, wear aprons; go after glory, holiness, commerce, trade, any object you prefer; only—let Harold Skimpole live!”
All this and a great deal more he told us, not only with the utmost brilliancy and enjoyment, but with a certain vivacious candour—speaking of himself as if he were not at all his own affair, as if Skimpole were a third person, as if he knew that Skimpole had his singularities but still had his claims too, which were the general business of the community and must not be slighted. He was quite enchanting. If I felt at all confused at that early time in endeavouring to reconcile anything he said with anything I had thought about the duties and accountabilities of life (which I am far from sure of), I was confused by not exactly understanding why he was free of them. That he was free of them, I scarcely doubted; he was so very clear about it himself.
“I covet nothing,” said Mr. Skimpole in the same light way. “Possession is nothing to me. Here is my friend Jarndyce’s excellent house. I feel obliged to him for possessing it. I can sketch it and alter it. I can set it to music. When I am here, I have sufficient possession of it and have neither trouble, cost, nor responsibility. My steward’s name, in short, is Jarndyce, and he can’t cheat me. We have been mentioning Mrs. Jellyby. There is a bright-eyed woman, of a strong will and immense power of business detail, who throws herself into objects with surprising ardour! I don’t regret that I have not a strong will and an immense power of business detail to throw myself into objects with surprising ardour. I can admire her without envy. I can sympathize with the objects. I can dream of them. I can lie down on the grass—in fine weather—and float along an African river, embracing all the natives I meet, as sensible of the deep silence and sketching the dense overhanging tropical growth as accurately as if I were there. I don’t know that it’s of any direct use my doing so, but it’s all I can do, and I do it thoroughly. Then, for heaven’s sake, having Harold Skimpole, a confiding child, petitioning you, the world, an agglomeration of practical people of business habits, to let him live and admire the human family, do it somehow or other, like good souls, and suffer him to ride his rocking-horse!”
It was plain
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