Ragged Trousered Philanthropists by Robert Tressell (fiction novels to read .txt) 📕
Another answer is that `The Philanthropists' is not a treatise oressay, but a novel. My main object was to write a readable story fullof human interest and based on the happenings of everyday life, thesubject of Socialism being treated incidentally.
This was the task I set myself. To what extent I have succeeded isfor others to say; but whatever their verdict, the work possesses atleast one merit - that of being true. I have invented nothing. Thereare no scenes or incidents in the story that I have not eitherwitnessed myself or had conclusive evidence of. As far as I dared Ilet th
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had arranged to meet Rushton, the latter had not yet arrived, and he
did not put in an appearance until half an hour later. Like the
majority of people who do brain work, he needed a great deal more rest
than those who do only mere physical labour.
`Oh, you’ve brought them sketches, I suppose,’ he remarked in a surly
tone as he came in. `You know, there was no need for you to wait: you
could ‘ave left ‘em ‘ere and gone on to your job.’
He sat down at his desk and looked carelessly at the drawing that Owen
handed to him. It was on a sheet of paper about twenty-four by
eighteen inches. The design was drawn with pencil and one half of it
was coloured.
`That’s for the ceiling,’ said Owen. `I hadn’t time to colour all of
it.’
With an affectation of indifference, Rushton laid the drawing down and
took the other which Owen handed to him.
`This is for the large wall. The same design would be adapted for the
other walls; and this one shows the door and the panels under the
window.’
Rushton expressed no opinion about the merits of the drawings. He
examined them carelessly one after the other, and then, laying them
down, he inquired:
`How long would it take you to do this work - if we get the job?’
`About three weeks: say 150 hours. That is - the decorative work
only. Of course, the walls and ceiling would have to be painted
first: they will need three coats of white.’
Rushton scribbled a note on a piece of paper.
`Well,’ he said, after a pause, `you can leave these ‘ere and I’ll see
Mr Sweater about it and tell ‘im what it will cost, and if he decides
to have it done I’ll let you know.’
He put the drawings aside with the air of a man who has other matters
to attend to, and began to open one of the several letters that were
on his desk. He meant this as an intimation that the audience was at
an end and that he desired the `hand’ to retire from the presence.
Owen understood this, but he did not retire, because it was necessary
to mention one or two things which Rushton would have to allow for
when preparing the estimate.
`Of course I should want some help,’ he said. `I should need a man
occasionally, and the boy most of the time. Then there’s the gold
leaf - say, fifteen books.’
`Don’t you think it would be possible to use gold paint?’
`I’m afraid not.’
`Is there anything else?’ inquired Rushton as he finished writing down
these items.
`I think that’s all, except a few sheets of cartridge paper for
stencils and working drawings. The quantity of paint necessary for
the decorative work will be very small.’
As soon as Owen was gone, Rushton took up the designs and examined
them attentively.
`These are all right,’ he muttered. `Good enough for anywhere. If he
can paint anything like as well as this on the walls and ceiling of
the room, it will stand all the looking at that anyone in this town is
likely to give it.’
`Let’s see,’ he continued. `He said three weeks, but he’s so anxious
to do the job that he’s most likely under-estimated the time; I’d
better allow four weeks: that means about 200 hours: 200 hours at
eightpence: how much is that? And say he has a painter to help him
half the time. 100 hours at sixpence-ha’penny.’
He consulted a ready reckoner that was on the desk.
`Time, �9.7.6. Materials: fifteen books of gold, say a pound. Then
there’s the cartridge paper and the colours - say another pound, at
the outside. Boy’s time? Well, he gets no wages as yet, so we
needn’t mention that at all. Then there’s the preparing of the room.
Three coats of white paint. I wish Hunter was here to give me an idea
what it will cost.’
As if in answer to his wish, Nimrod entered the office at that moment,
and in reply to Rushton’s query said that to give the walls and
ceiling three coats of paint would cost about three pounds five for
time and material. Between them the two brain workers figured that
fifteen pounds would cover the entire cost of the work - painting and
decorating.
`Well, I reckon we can charge Sweater forty-five pounds for it,’ said
Rushton. `It isn’t like an ordinary job, you know. If he gets a
London firm to do it, it’ll cost him double that, if not more.’
Having arrived at this decision, Rushton rung up Sweater’s Emporium on
the telephone, and, finding that Mr Sweater was there, he rolled up
the designs and set out for that gentleman’s office.
The men work with their hands, and the masters work with their brains.
What a dreadful calamity it would be for the world and for mankind if
all these brain workers were to go on strike.
The Undeserving Persons and the Upper and Nether Millstones
Hunter had take on three more painters that morning. Bundy and two
labourers had commenced the work of putting in the new drains; the
carpenters were back again doing some extra work, and there was also a
plumber working on the house; so there was quite a little crowd in the
kitchen at dinner-time. Crass had been waiting for a suitable
opportunity to produce the newspaper cutting which it will be
remembered he showed to Easton on Monday morning, but he had waited in
vain, for there had been scarcely any `political’ talk at mealtimes
all the week, and it was now Thursday. As far as Owen was concerned,
his thoughts were so occupied with the designs for the drawing-room
that he had no time for anything else, and most of the others were
only too willing to avoid a subject which frequently led to
unpleasantness. As a rule Crass himself had no liking for such
discussion, but he was so confident of being able to `flatten out’
Owen with the cutting from the Obscurer that he had several times
tried to lead the conversation into the desired channel, but so far
without success.
During dinner - as they called it - various subjects were discussed.
Harlow mentioned that he had found traces of bugs in one of the
bedrooms upstairs and this called forth a number of anecdotes of those
vermin and of houses infested by them. Philpot remembered working in
a house over at Windley; the people who lived in it were very dirty
and had very little furniture; no bedsteads, the beds consisting of
dilapidated mattresses and rags on the floor. He declared that these
ragged mattresses used to wander about the rooms by themselves. The
house was so full of fleas that if one placed a sheet of newspaper on
the floor one could hear and see them jumping on it. In fact,
directly one went into that house one was covered from head to foot
with fleas! During the few days he worked at that place, he lost
several pounds in weight, and of evenings as he walked homewards the
children and people in the streets, observing his ravaged countenance,
thought he was suffering from some disease and used to get out of his
way when they saw him coming.
There were several other of these narratives, four or five men talking
at the top of their voices at the same time, each one telling a
different story. At first each story-teller addressed himself to the
company generally, but after a while, finding it impossible to make
himself heard, he would select some particular individual who seemed
disposed to listen and tell him the story. It sometimes happened that
in the middle of the tale the man to whom it was being told would
remember a somewhat similar adventure of his own, which he would
immediately proceed to relate without waiting for the other to finish,
and each of them was generally so interested in the gruesome details
of his own story that he was unconscious of the fact that the other
was telling one at all. In a contest of this kind the victory usually
went to the man with the loudest voice, but sometimes a man who had a
weak voice, scored by repeating the same tale several times until
someone heard it.
Barrington, who seldom spoke and was an ideal listener, was
appropriated by several men in succession, who each told him a
different yarn. There was one man sitting on an upended pail in the
far corner of the room and it was evident from the movements of his
lips that he also was relating a story, although nobody knew what it
was about or heard a single word of it, for no one took the slightest
notice of him…
When the uproar had subsided Harlow remembered the case of a family
whose house got into such a condition that the landlord had given them
notice and the father had committed suicide because the painters had
come to turn ‘em out of house and home. There were a man, his wife
and daughter - a girl about seventeen - living in the house, and all
three of ‘em used to drink like hell. As for the woman, she COULD
shift it and no mistake! Several times a day she used to send the
girl with a jug to the pub at the corner. When the old man was out,
one could have anything one liked to ask for from either of ‘em for
half a pint of beer, but for his part, said Harlow, he could never
fancy it. They were both too ugly.
The finale of this tale was received with a burst of incredulous
laughter by those who heard it.
`Do you ‘ear what Harlow says, Bob?’ Easton shouted to Crass.
`No. What was it?’
`‘E ses ‘e once ‘ad a chance to ‘ave something but ‘e wouldn’t take it
on because it was too ugly!’
`If it ‘ad bin me, I should ‘ave shut me bl—y eyes,’ cried Sawkins.
`I wouldn’t pass it for a trifle like that.’
`No,’ said Crass amid laughter, `and you can bet your life ‘e didn’t
lose it neither, although ‘e tries to make ‘imself out to be so
innocent.’
`I always though old Harlow was a bl—y liar,’ remarked Bundy, `but
now we knows ‘e is.’
Although everyone pretended to disbelieve him, Harlow stuck to his
version of the story.
`It’s not their face you want, you know,’ added Bundy as he helped
himself to some more tea.
`I know it wasn’t my old woman’s face that I was after last night,’
observed Crass; and then he proceeded amid roars of laughter to give a
minutely detailed account of what had taken place between himself and
his wife after they had retired for the night.
This story reminded the man on the pail of a very strange dream he had
had a few weeks previously: `I dreamt I was walkin’ along the top of a
‘igh cliff or some sich place, and all of a sudden the ground give way
under me feet and I began to slip down and down and to save meself
from going over I made a grab at a tuft of grass as was growin’ just
within reach of me ‘and. And then I thought that some feller was
‘ittin me on the ‘ead with a bl—y great stick, and tryin’ to make me
let go of the tuft of grass.
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