Bleak House by Charles Dickens (best ebook reader for laptop .txt) 📕

endeavour to outlive your disapprobation. I now take my farewell of your ladyship, and assure you that there’s no danger of your ever being waited on by me again.”

She scarcely acknowledges these parting words by any look, but when he has been gone a little while, she rings her bell.

“Where is Sir Leicester?”

Mercury reports that he is at present shut up in the library alone.

“Has Sir Leicester had any visitors this morning?”

Several, on business. Mercury proceeds to a description of them, which has been anticipated by Mr. Guppy. Enough; he may go.

So! All is broken down. Her name is in these many mouths, her husband knows his wrongs, her shame will be published⁠—may be spreading while she thinks about it⁠—and in addition to the thunderbolt so long foreseen by her, so unforeseen by him, she is denounced by an invisible accuser as the murderess of her enemy.

Her enemy he was, and she has often, often, often wished him dead. Her enemy he is, even in his grave. This dreadful accusation comes upon her like a new torment at his lifeless hand. And when she recalls how she was secretly at his door that night, and how she may be represented to have sent her favourite girl away so soon before merely to release herself from observation, she shudders as if the hangman’s hands were at her neck.

She has thrown herself upon the floor and lies with her hair all wildly scattered and her face buried in the cushions of a couch. She rises up, hurries to and fro, flings herself down again, and rocks and moans. The horror that is upon her is unutterable. If she really were the murderess, it could hardly be, for the moment, more intense.

For as her murderous perspective, before the doing of the deed, however subtle the precautions for its commission, would have been closed up by a gigantic dilatation of the hateful figure, preventing her from seeing any consequences beyond it; and as those consequences would have rushed in, in an unimagined flood, the moment the figure was laid low⁠—which always happens when a murder is done; so, now she sees that when he used to be on the watch before her, and she used to think, “if some mortal stroke would but fall on this old man and take him from my way!” it was but wishing that all he held against her in his hand might be flung to the winds and chance-sown in many places. So, too, with the wicked relief she has felt in his death. What was his death but the keystone of a gloomy arch removed, and now the arch begins to fall in a thousand fragments, each crushing and mangling piecemeal!

Thus, a terrible impression steals upon and overshadows her that from this pursuer, living or dead⁠—obdurate and imperturbable before her in his well-remembered shape, or not more obdurate and imperturbable in his coffin-bed⁠—there is no escape but in death. Hunted, she flies. The complication of her shame, her dread, remorse, and misery, overwhelms her at its height; and even her strength of self-reliance is overturned and whirled away like a leaf before a mighty wind.

She hurriedly addresses these lines to her husband, seals, and leaves them on her table:

If I am sought for, or accused of, his murder, believe that I am wholly innocent. Believe no other good of me, for I am innocent of nothing else that you have heard, or will hear, laid to my charge. He prepared me, on that fatal night, for his disclosure of my guilt to you. After he had left me, I went out on pretence of walking in the garden where I sometimes walk, but really to follow him and make one last petition that he would not protract the dreadful suspense on which I have been racked by him, you do not know how long, but would mercifully strike next morning.

I found his house dark and silent. I rang twice at his door, but there was no reply, and I came home.

I have no home left. I will encumber you no more. May you, in your just resentment, be able to forget the unworthy woman on whom you have wasted a most generous devotion⁠—who avoids you only with a deeper shame than that with which she hurries from herself⁠—and who writes this last adieu.

She veils and dresses quickly, leaves all her jewels and her money, listens, goes downstairs at a moment when the hall is empty, opens and shuts the great door, flutters away in the shrill frosty wind.

LVI Pursuit

Impassive, as behoves its high breeding, the Dedlock town house stares at the other houses in the street of dismal grandeur and gives no outward sign of anything going wrong within. Carriages rattle, doors are battered at, the world exchanges calls; ancient charmers with skeleton throats and peachy cheeks that have a rather ghastly bloom upon them seen by daylight, when indeed these fascinating creatures look like Death and the Lady fused together, dazzle the eyes of men. Forth from the frigid mews come easily swinging carriages guided by short-legged coachmen in flaxen wigs, deep sunk into downy hammercloths, and up behind mount luscious Mercuries bearing sticks of state and wearing cocked hats broadwise, a spectacle for the angels.

The Dedlock town house changes not externally, and hours pass before its exalted dullness is disturbed within. But Volumnia the fair, being subject to the prevalent complaint of boredom and finding that disorder attacking her spirits with some virulence, ventures at length to repair to the library for change of scene. Her gentle tapping at the door producing no response, she opens it and peeps in; seeing no one there, takes possession.

The sprightly Dedlock is reputed, in that grass-grown city of the ancients, Bath, to be stimulated by an urgent curiosity which impels her on all convenient and inconvenient occasions to sidle about with a golden glass at her eye, peering into objects of every