False Accusations by Jacobson, Alan (great novels of all time .txt) 📕
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By the time Jennings arrived at San Domingo Street, his partner, Angela Moreno, was already there surveying the scene. Moreno, thirty-five with short-clipped brown hair, nodded at Jennings as he approached.
“Long time no see,” he said.
“Yeah, what, three hours?”
“What’ve we got here?” he asked as they walked over to the two bodies.
“Looks like a hit-and-run. Got two of ‘em,” she said, kneeling down in front of one of the victims. “And we’ve got some broken glass. A headlight,” she said, turning over a large fragment and looking through it.
“Don’t touch it,” Jennings said, grasping her arm. “Saperstein should be here in a few minutes.”
“You called Saperstein again?”
“He was the one on call.”
“You haven’t even looked over the scene. It’s just a hit-and-run. We don’t need a criminalist poking his nose all over the damn street to tell us what we already know.”
“The man single-handedly saved my career, Angela.”
Moreno waved a hand. “I read the reports, Bill. It was a clean shoot.”
“Of course it was. But a white cop had just shot and killed a black kid. The media had a juicy story and took it for a ride. And with the election and all, I was a fucking political hot potato...people kicked me to the curb like I had the plague or something.” Jennings shook his head. “I was guilty before the body was cold. Everyone bailed on me except Saperstein.”
“I heard all about it. Don’t you think I checked you out before I took this assignment?”
“You checked me out?”
“I vaguely remembered reading something in the paper about it. Then my Vice partner started getting on my case, telling me I should look into it.” She placed the glass fragment back where she had found it. “The comments you’d made back in eighty-seven with Stockton PD didn’t help any.”
“Yeah, well those were taken out of context—”
“You don’t have to explain,” Moreno said. “I checked into it.”
Jennings stood up, his five-nine frame putting him eye-to-eye with his partner. “When Saperstein took the stand and started explaining that the shoot happened the way I said it did, I felt vindicated. He had all these formulas that showed I was standing where I said I was, and that the perp had turned to fire on me.” He pulled a pair of crumpled leather gloves from his pocket and struggled to insert his pudgy fingers. “Without Saperstein’s analysis of the physical evidence, those accusations would still be hanging over my head. So don’t give me shit about using a criminalist. I’m gonna use one anytime I can. And if you’re smart, you will, too.”
“But this just looks like a simple hit-and-run,” Moreno said.
“I don’t care. What it looks like and what it turns out to be may be two different things. I’m not taking any chances.”
With the assistance of several other officers who had just arrived on scene, they quickly canvassed the surrounding blocks to ascertain if anyone had seen or heard anything relative to the murders.
Thirty minutes had passed when a car drove up to the yellow crime scene tape half a block away. Out stepped a man in his mid-forties, his hair an uncombed mess, his suit coat creased and covering a severely wrinkled shirt.
Stuart Saperstein exchanged pleasantries with Jennings and received a cold reception from Moreno, who was apparently silently protesting his need to be there. No doubt sensing the tension, the criminalist excused himself and began the task of documenting the scene by arranging a handful of halogen floodlights a short distance from the bodies.
He opened his field kit and within a couple of minutes was on his hands and knees, examining each of the bodies. He measured distances and calculated angles, dictating his findings into a digital recorder. Steam was rising off the hot floodlights against the cold, damp December air.
Squinting at the ruler through his reading glasses, he motioned for the identification technician who had just arrived to photograph and document the scene. “As soon as I mark this, let’s get a series of shots. When you take the midrange shot, I want to be in it.”
“You’re so vain,” Jennings said, leaning over his shoulder.
“It helps for the jury to see me at the crime scene examining the physical evidence. It gives me an advantage over the defense’s expert—”
“I know. Just giving you shit.”
Moreno shook her head and walked off down the block in the direction of an officer who was approaching with a man at his side.
Saperstein stood up and faced Jennings. He tilted his head back and looked at the detective through his glasses, which were resting on the tip of his bulbous nose. “You look like shit.”
“Thanks. So do you.”
Saperstein smiled. “Yeah, but I always do.” He motioned to Moreno, who was nearing the officer down the block. “She doesn’t like me.”
“Nothing personal. She just didn’t think a criminalist was needed here.”
“New to Homicide?”
“Transferred in from Vice three months ago.”
“Guess I’ll have to prove her wrong. Teach her a lesson.” Saperstein bent down to measure again. He was a perfectionist, and with good cause: when there were no obvious suspects, homicide detectives often relied heavily on the criminalist’s interpretation of the scene. If he could accurately ascertain what had happened, he could then surmise why it happened—which could help determine the sequence and mode of death, the victim’s position at the time of the deadly blow, or how many shots were fired in a gun-related homicide. Often, the physical evidence the criminalist gathered at the crime scene was enough to narrow the field of suspects, help locate the perpetrator, or obtain a confession from him.
Jennings looked up and saw that Moreno was talking to the man the officer had brought over: a witness. As he made his way toward his partner, he rubbed his gloved hands
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